By Andrea García, Hofstra University, Hempstead, NY, and Carmen Martínez-Roldán, Universtiy of Texas, Austin, TX

Literature educates not only the head, but the heart as well. It promotes empathy and invites readers to adopt new perspectives. It offers opportunities for children to learn to recognize our similarities, value our differences, and respect our common humanity. In an important sense, then children need literature that serves as a window onto lives and experiences different from their own, and literature that serves as a mirror reflecting themselves and their cultural values, attitudes, and behaviors. Bishop, cited in Wolf, 2003

Literature can become a conduit-a door-to engage children in social practices that function for social justice. Botelho & Rudman, 2009, p. 1

When inviting teachers to share their initial responses to Return to Sender, focusing on the ideas or themes that resonated personally to them as readers, Cynthia created a Graffiti Board response that zeroed in on the larger sociopolitical issues that frame the story. Return to Sender has the potential not only to serve as window and mirror for many readers but also to invite children and teachers to engage in social practices that function for social justice. Throughout the novel, Alvarez presents a multiplicity of voices on critical issues with consequences for social justice, such as the issue of immigration and undocumented immigrants. This week we would like to focus on one specific event in the story: the town meeting held in the school lunchroom. Julia Alvarez captured both the anti-immigrant discourse and a critical alternative discourse. The first discourse is represented in that scene by Mr. Rossetti who proposes, “So, I want to put a motion forward that says that anyone who’s not here legally needs to be rounded up” (p. 189), an ideology enacted in real life by Immigration and Customs Enforcement through “Operation Return to Sender” in 2006.
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By Andrea García, Hofstra University, Hempstead, NY, and Carmen Martínez-Roldán, Universtiy of Texas, Austin, TX

In our work as Latina teacher educators, we prepare teachers to be successful literacy educators in a multilingual world. In our teaching, we use high quality children’s and adolescent literature in order to invite our students to read multiculturally (Hade, 1997). That is, through small group and whole class literature discussions, we engage pre-service and in-service teachers to make personal connections with the literature and to take a critical stance to explore questions that often reveal the many sociopolitical forces shaping the education of minority students in the United States. These include interpreting signs of power, race, class, and equity, among others, as they are represented in the literature.

In the past, we have selected books that address some of the familiar challenges encountered by recent immigrants to the United States, including the process of adapting to a new schooling practices and language learner. We have also used books that describe the day-to-day complexities of living in between two cultures from the perspective of cultural insiders. Examples include A Step from Heaven by An Na (2001), Tangled Threads by Pegi Deitz Shea (2003) or Behind the Mountains by Edwidge Danticat (2002)

This semester, Carmen and Andrea have planned for a Digital Literature Discussion Project with students enrolled in a graduate teacher preparation program in New York, and in an undergraduate program in Texas. During the month of March, our WOW Current posts will help to facilitate an online literature discussion of Return to Sender. This latest book by outstanding Latina writer Julia Alvarez, was recently announced as the recipient of the American Library Association’s prestigious Pura Belpré Award, which every year recognizes excellence in children and adolescent literature that “best portrays, affirms, and celebrates the Latino cultural experience.”
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by Barbara Thompson-Book, Indiana University Southeast, New Albany, IN

Welcome back for my final week of exploring the world through both books and the World Wide Web and focusing on Afghanistan, India, and Pakistan. For this final posting I want to thank several people who helped me with this post. First, Holly Johnson urged me to do this region of the world. I was hesitant because until I began my research, all the books I had read on the region were “sad and depressing” as my undergraduates had termed some of the international books I had assigned for them read. Worlds of Words’ own Rebecca Ballenger found me a “tweet” while waiting for a plane to go to NCTE this November. Thanks Rebecca for leading me into a refreshing literature I had never explored. Rebecca did this by sending me to Pooja Makhijani’s Web site about South Asia and the South Asia Diaspora in Children’s Literature. Makhijani is an American born writer with a wonderful Web site about South Asian literature. She has edited a volume entitled Under Her Skin: How Girls Experience Race in America (Seal Press, 2004). Finally I must thank my colleague at Indiana University Southeast, Shifa Podikunju-Hussain, Ph.D. who willingly shared a number of these novels and picture books with her own mother, who was born in Mumbai (formerly Bombay), and her own girls ages 5 and 12. They offered their thoughts as to the authenticity of many of the books about India.

While many of the books (really the young adolescent novels) do fall into the “sad and depressing” category, I found that there are some wonderful picture books and a couple of novels which are refreshingly light, and don’t paint that area of the world as the distressing place we, perhaps, in light of recent events there, usually hold of it.
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by Barbara Thompson-Book, Indiana University Southeast, New Albany, IN

Fellow travelers, when I was looking at books for the Americas during week two, I failed to mention books on Haiti. That oversight does not mean that there are not some wonderful books available about the island nation so on our minds right now. As teachers and parents, our children and students must certainly have questions about what they are seeing on the news, so I have researched some titles you might want to share and have looked at Web sites that support these books. I want to issue this disclaimer, I have not read some of these books. I am working from reviews published in Horn Book Guide. I used as my search criteria the score of 3 (out of 6 with 1 being highest, and realizing that Horn Book Guide rarely gives out a 1) as the cut off for acceptable books. This does not guarantee that the books are authentic, nor does it guarantee that there aren’t issues of stereotyping in the books. Given the urgency of the topic, I’d rather have the titles out there than err on the side of caution.
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by Barbara Thompson-Book, Indiana University Southeast, New Albany, IN

Welcome back to those of you who have been traveling with me around the world and exploring places we may never see ourselves, but can visit because of the wonderful writing and artwork of authors, illustrators, and photographers sharing their corner of the world. I’ve been pairing books with sources from the World Wide Web, as our world ever expands. To those of you who are just joining me on this adventure, welcome!

This week we are looking at books set in Africa. Keeping in mind Kathy Short’s post, I tried to make sure that the books shared here do not stereotype Africa as a world of poverty. I have to say, that this presented a challenge, first because there is, in fact, so much poverty in Africa, and second because authors have in many cases chosen to highlight the plight of African children. I will try to present a realistic view of Africa, although I have never personally been there. In looking for books to highlight I looked for stories that represented modern Africa or reflected some of the struggles that the African continent has undergone.
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by Barbara Thompson-Book, Indiana University Southeast, New Albany, IN

Last week I explored a part of the world that is fraught with conflict and, though there is conflict in my next area of the world (Mexico, the Caribbean, Central America, and and South America), I’d like to take a more positive approach to the exploration of books from our neighbors to the south and the Web sites that support them. Last week I explored novels, so this week I’ll look at picture books. Let’s have some fun!
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by Barbara Thompson-Book, Indiana University Southeast, New Albany, IN

It has been said that books, including books for children and young adults, can act as “windows on the world.” When we give our children books about places they have never visited, but have heard of from family members, the news, movies, or other print media we offer them glimpses of what living in a culture other than their own might be like. This echoes Holly Johnson’s post in August, about using international books to help inform our children’s understandings about geography and the world at large. She wrote, “I find it important to educate young people about geography and the present reality of a particular region.” Of course in today’s electronic environment, information on just about any topic is at their fingertips via Google or any of several search engines, thus providing another window to the world. The issue then becomes, how can we, as teachers, use both high quality literature about worlds other than the one we inhabit, and bring credible internet sources together to support that literature? That is my intent for the next four weeks — to link incredible stories of places I have not visited except in books with internet sources that have helped inform me about the material I experienced in the books through reading.
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by Ann Parker, The University of Arizona, Tucson, AZ

Last week I shared information that I collected on the role that small, independent book publishers play in publishing multicultural children’s books, particularly bilingual books. In this post I examine the contributions made by small presses and discuss some publishers who are committed to publishing quality children’s books that were originally printed in another country and often in another language.

Not too long ago, as a child growing up in Georgetown, D.C., I remember little Mom and Pop stores located on every corner. My friend Sarah lived near Mrs. Rosen’s store — so close that her mom would send us there on Saturday mornings to get breakfast. You had to ring the bell at Mrs. Rosen’s so she would buzz you in. We had another corner store closer to our home, where my 25 cent weekly allowance would buy a lot of penny candy.
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by Ann Parker, The University of Arizona, Tucson, AZ

This week I want to examine a trend that the large, conglomerate book publishers are using to sell children’s books. This trend is called branding. Branding is a marketing term for the process of creating a brand that encourages people to identify a certain product more quickly. Nike, Coke, and Microsoft are all brands that immediately evoke a particular product –- and a particular feeling about that product. With books, branding means creating other products that tie in with the book. Book publishers and sellers have used tie-ins with book characters for centuries as a strategy to make their books more attractive to the people -– adults and children -– who buy them. There is concern that this practice has gotten so out of control in the late twentieth and early twenty-first centuries that publishers have lost sight of the goal of publishing to produce good literature and have turned it instead into a commodity driven empire. Let me give you some examples.
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by Ann Parker, The University of Arizona, Tucson, AZ

Last week I discussed how several small, independent presses are publishing bilingual children’s books, often at the request of teachers and librarians within their communities who want to provide books in the languages that their children speak. These smaller companies have found an important economic niche in publishing multicultural books, particularly bilingual books, since the audience for these books is too small for the large conglomerate publishing houses to make publishing these books economically feasible (although more of them are discovering the market for books in Spanish). The smaller companies also have the advantage of being able to work closely with authors and illustrators to ensure that a book is culturally authentic, since they often find authors and illustrators from within their own communities, and can utilize their local resources to ensure that the language and culture portrayed in their books is authentic. For this reason, teachers and librarians can be assured that books published by these smaller companies are culturally authentic. I’d like to look at some of these smaller companies located in the greater Southwest and at some of the outstanding books they are producing.

Probably one of the most well-known independent presses that publishes multicultural and bilingual children’s books is (Continued)