By Josh Hill, Kami Gillette, and Julia López-Robertson, University of South Carolina
Bishop (1990) discusses texts as mirrors, windows, and sliding glass doors. Texts, Bishop explains, allow children to see into another person’s reality and should also allow children to see themselves and their own realities in a book. The three texts we discuss this month, Valerie Muñoz’s story, Los Hormigueros, The Revolution of Evelyn Serrano, and One Crazy Summer, can serve as windows, mirrors, and sliding glass doors and provide clear examples of Yosso’s (2005) notion of Community Cultural Wealth, specifically of familial and resistant capital.
by Josh Hill and Julia López-Robertson, University of South Carolina
The Revolution of Evelyn Serrano by Sonia Manzano is about a young Puerto Rican girl, Evelyn, coming of age in the Spanish Harlem neighborhood of New York City during the summer of 1969. Evelyn’s Abuela left Puerto Rico and moved in to the family’s tiny apartment adding to the already tumultuous time in their home and neighborhood. Not only is there one more body in their tiny apartment, she has taken over Evelyn’s bedroom. Their relationship changes however, when the Young Lords, a group of Puerto Rican activists, begin to agitate for change in the neighborhood. The Young Lords presence in the neighborhood causes Evelyn to become intrigued with her Puerto Rican heritage and family history leading her to see Abuela as a source of knowledge and connection to her past.