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The Power of Graphic Novels to Foster Critical Literacy and Critical Reading

By Julia López-Robertson, University of South Carolina, Melissa Summer Wells, University of Mary Washington & Jennifer D. Morrison, Sam Houston State University

Graphic novels, often stigmatized as a genre, hold immense potential for transformative multimodal literacy instruction. Paris and Alim (2017) argue that equity and access are best achieved by centering the dynamic practices and identities of students and communities of color within a critical, inclusive vision of education. In our teaching and research, this means prioritizing multimodal texts to help preservice teachers explore diverse ways of knowing, doing, and being in the classroom.

Traditional reading and writing capture only a fraction of students’ literacy capabilities. Carefully selected multicultural, multilingual and multidisciplinary graphic novels offer powerful tools for critical reading and literacy. These texts provide unique access points that connect teaching and learning to the lived experiences of children and their communities.

A Black man in a purple suit holds up his right hand.The interplay of words, images and spatial design in graphic novels allows for new interpretations of Bishop’s (1990) mirrors, windows, and sliding glass doors. By critically analyzing an author’s message and its broader societal implications, students learn to read the word and the world (Freire & Macedo, 1987), challenge systemic inequities and contribute to a more just and inclusive society.

In this month’s blogs, we will discuss our work with preservice teachers using When Stars Are Scattered (Jamieson et al., 2020) and Mexikid (Martín, 2023). We’ll start by introducing ourselves, provide a brief overview of critical reading and critical literacy and explain how we integrate these concepts with graphic novels. Continue reading

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Learning to Listen through Enrique and Jacqueline

by Melissa Summer Wells, Gina Crosby-Quinatoa, and Julia López-Robertson, University of South Carolina
Refugee
.

Even the silence
has a story to tell you.
Just listen. Listen.
(Brown Girl Dreaming, How to Listen #7, p. 278)

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We have enjoyed inviting you into the journeys of Enrique and Jaqueline as they made difficult choices, Continue reading

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Jacqueline: The Girl Who Found a Home in Words

by Melissa Summer Wells, Julia López-Robertson, and Gina Crosby-Quinatoa, University of South Carolina

Jacqueline Woodson

Will the words end, I ask
whenever I remember to.
Nope, my sister says, all of five years old now,
and promising me/infinity. (p. 62-63)

Our next stop on our tour of young protagonists searching for their places in the world brings us to Jacqueline Woodson, protagonist Continue reading

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Enrique: The Boy Who Beats the Odds

by Gina Crosby-Quinatoa, Julia López-Robertson, and Melissa Summer Wells, University of South Carolina

Enrique

On March 2, 2000, he goes to his grandmother Agueda’s house. He stands on the same porch that his mother disappeared from eleven years before. He hugs Maria Isabel and Aunt Rosa Amalia. Then he steps off.
(p. 50)

This week we introduce you to Enrique Continue reading

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Enrique & Jacqueline – Young Protagonists Searching for Their Place in the World: An Introduction

by Julia López-Robertson, Gina Crosby-Quinatoa and Melissa Summer Wells, University of South Carolina

VulnerabilityThis month we invite you to join us as we discuss two YA novels we read as a part of a course on Reader Response theories this past spring; we will be discussing Enrique’s Journey (The Young Adult Adaptation): The True Story of a Boy Determined to Reunite with His Mother by Sonia Nazario and Brown Girl Dreaming by Jacqueline Woodson. Enrique’s Journey is the true story of a young teenager’s, Enrique, perilous voyage from his home in Honduras to find his mother in the United States. Continue reading