On the night of November 20, 1969, the end of one of the most tumultuous decades in American history eighty-nine young Native American activists crossed the San Francisco Bay under cover of darkness, calling themselves the “Indians of All Tribes.” Their objective? To claim the former prison island of Alcatraz, basing their actions on an 1868 treaty that said abandoned federal land could be returned to Indigenous peoples.
Taking a stand on an island reclaimed as “Indian Land,” these peaceful protestors brought worldwide attention to the issues facing present day Native Americans, as well as the centuries of unjust federal Indian policy.

A young girl’s weekend visit to her tía’s neighborhood teaches her the importance of community and of empanadas.

Mom never had long hair, she was told it was too wild. Grandma couldn’t have long hair, hers was taken from her. But one young girl can’t wait to grow her hair long: for herself, for her family, for her connection to her culture and the Earth, and to honor the strength and resilience of those who came before her.

Pedro Martín has grown up hearing stories about his abuelito, his legendary crime-fighting, grandfather who was once a part of the Mexican Revolution! But that doesn’t mean Pedro is excited at the news that Abuelito is coming to live with their family. After all, Pedro has 8 brothers and sisters and the house is crowded enough! Still, Pedro piles into the Winnebago with his family for a road trip to Mexico to bring Abuelito home, and what follows is the trip of a lifetime, one filled with laughs and heartache. Along the way, Pedro finally connects with his abuelito and learns what it means to grow up and find his grito.

Imagine an America very similar to our own. It’s got homework, best friends, and pistachio ice cream. There are some differences. This America been shaped dramatically by the magic, monsters, knowledge, and legends of its peoples, those Indigenous and those not. Some of these forces are charmingly everyday, like the ability to make an orb of light appear or travel across the world through rings of fungi. But other forces are less charming and should never see the light of day. Elatsoe lives in this slightly stranger America. She can raise the ghosts of dead animals, a skill passed down through generations of her Lipan Apache family. Her beloved cousin has just been murdered, in a town that wants no prying eyes. But she is going to do more than pry. The picture-perfect facade of Willowbee masks gruesome secrets, and she will rely on her wits, skills, and friends to tear off the mask and protect her family. Darcie Little Badger is an extraordinary debut talent in the world of speculative fiction. We have paired her with her artistic match, illustrator Rovina Cai. This is a book singular in feeling and beauty.

When a boy is swept up in a wave of sadness, he finds himself tumbling. But when he remembers that this sadness won’t last forever, and that the wave will eventually carry him back to shore, he discovers his friends and family waiting to gently pull him out of the water and back home.

At Grandma’s house, where Julia is staying without her parents for the first time, the breeze is sweet like jasmine. Mornings begin with sugared bread, and the most magnificent hot chocolate cures all homesickness. There’s something about this place and about Grandma. Like how she can tell when Julia has been quietly picking limes from the garden. Or that she can see the future and knows when Julia is about to fall off her bike. Or how she can journey back in time through the stories she tells. In the room where Julia’s mother grew up, her grandmother holds her in a warm embrace, an embrace that Julia will pass on to her family when her parents arrive with her new baby brother.

When a wooden robot prince forgets to say the magic words that turn his sister from a log into a princess she is thrown away, so he goes on an epic journey to find her and bring her back.

Diego Rivera offers young readers unique insight into the life and artwork of the famous Mexican painter and muralist. The book follows Rivera’s career, looking at his influences and tracing the evolution of his style. His work often called attention to the culture and struggles of the Mexican working class. Believing that art should be for the people, he created public murals in both the United States and Mexico, examples of which are included. The book contains a list of museums where you can see Rivera’s art, a historical note, a glossary, and a bibliography.