Spend the day picking wild blueberries with Clarence and his grandmother. Meet ant, spider, and fox in a beautiful woodland andscape, the ancestral home of author and illustrator Julie Flett. This book is written in both Enlglish and Cree, in particular the n-dialect, also known as Swampy Cree from the Cumberland House area. Wild Berries is also available in the n-dialect Cree, from the Cross Lake, Norway House area, published by Simply Read Books.
The invasion begins–but not as you’d expect. It begins with rain. Rain that carries seeds. Seeds that sprout–overnight, everywhere. These new plants take over crop fields, twine up houses, and burrow below streets. They bloom–and release toxic pollens. They bloom–and form Venus flytrap-like pods that swallow animals and people. They bloom everywhere, unstoppable.
Every afternoon at four o’clock, Mister Rodriguez steps out of a narrow laneway and strolls through the street. The village children watch him go, ever more curious about the enigmatic old man with the bushy white mustache. Some say they’ve seen him float above the ground. Others say he played a piano without touching a single key. The truth, though, is more beautiful than any of the children could have imagined.
Grace thinks Larry’s garden is one of the wonders of the world. In his tiny backyard next door to hers, Larry grows the most extraordinary vegetables. Grace loves helping him – watering and weeding, planting and pruning, hoeing and harvesting. And whenever there’s a problem – like bugs burrowing into the carrots or slugs chewing the lettuce – Grace and Larry solve it together. Grace soon learns that Larry has big plans for the vegetables in his special garden. And when that garden faces its biggest problem yet, Grace follows Larry’s example to find the perfect solution. Inspired by a real person, author Laura Alary has written a heartwarming story about how amazing things can grow when you tend your garden with kindness. In this case, Larry, a teacher, is helping to grow community. He has his students grow tomato plants that they then give away to their neighbors with personal notes. It offers a powerful lesson on the influence of generosity, while encouraging young children to become community activists in their own neighborhoods. This uplifting story fosters an appreciation for neighborhood and community at a time when that sentiment seems to be eroding. The book also contains an environmental message about harvesting your own vegetables and, with Kass Reich’s colorful illustrations, works beautifully for a life science exploration of growth and changes in plants. There are character education connections to caring, cooperation, empathy, kindness, perseverance and teamwork.
Loretta Garbutt uses subtlety and sensitivity to explore the five stages of grief (denial, anger, bargaining, depression, acceptance) in this moving picture book story of loss. It features a gender-neutral main character (no first name or pronouns are given) making the story universally relatable. This is a perfect choice for fostering discussions with children about their emotions, particularly the feeling of loss. It also offers a poignant representation of an intergenerational relationship between a grandfather and grandchild. Carmen Mok’s expressive and thoughtful illustrations employ a limited color palette to convey the character’s emotional trajectory. There are curriculum applications here in social-emotional development as well as character education lessons in caring and resilience.
Tired of reading negative and disparaging remarks directed at the Indigenous people of Winnipeg in the press and social media, artist KC Adams created a photo series that presented another perspective. Called “Perception Photo Series,” it confronted common stereotypes of First Nation, Inuit and Métis people to illustrate a more contemporary, truthful story. First appearing on billboards, on storefronts, in bus shelters and on Winnipeg’s downtown buildings as projections, Adams’s stunning photographs now appear in her new book, Perception: A Photo Series. Meant to challenge the culture of apathy and willful ignorance about Indigenous issues, Adams hopes to unite readers in the fight against prejudice of all kinds.
For thousands of years, Inuit women practised the traditional art of tattooing. Created with bone needles and caribou sinew soaked in seal oil or soot, these tattoos were an important tradition for many women, symbols stitched in their skin that connected them to their families and communities. But with the rise of missionaries and residential schools in the North, the tradition of tattooing was almost lost. In 2005, when Angela Hovak Johnston heard that the last Inuk woman tattooed in the traditional way had died, she set out to tattoo herself and learn how to tattoo others. What was at first a personal quest became a project to bring the art of traditional tattooing back to Inuit women across Nunavut, starting in the community of Kugluktuk. Collected in this beautiful book are moving photos and stories from more than two dozen women who participated in Johnston’s project. Together, these women are reawakening their ancestors’ lines and sharing this knowledge with future generations.
Sam, Otter, Atim and Chickadee are four cousins growing up on the Windy Lake First Nation. They are inseparable. Nicknamed the Mighty Muskrats for their habit of laughing, fighting and adventuring together, the cousins find that each new exploit adds to their reputation. When a visiting archeologist goes missing, the cousins decide to solve the mystery of his disappearance. In the midst of community conflict, family concerns and environmental protests, the four get busy following every lead. From their base of operations in a fort made out of an old school bus, the Mighty Muskrats won’t let anything stop them from solving their case!
When a young girl moves from the country to a small town, she feels lonely and out of place. But soon she meets an elderly woman next door, who shares her love of arts and crafts. Can the girl navigate the changing seasons and failing health of her new friend? Acclaimed author and artist Julie Flett’s textured images of birds, flowers, art, and landscapes bring vibrancy and warmth to this powerful story, which highlights the fulfillment of intergenerational relationships and shared passions.
Explore the past 150 years in what is now Canada through the eyes of Indigenous creators in this groundbreaking graphic novel anthology. Beautifully illustrated, these stories are an emotional and enlightening journey through indigenous wonderworks, psychic battles, and time travel. See how Indigenous peoples have survived a post-apocalyptic world since Contact.