During the school day, Lance García looks like a typical fourth-grader at Oakland Elementary School. But after school, dressed in disguise black jacket, black baseball cap and dark, cool sunglasses with tiny, rectangular mirrors so he can see who’s behind him he checks the mailbox labeled Malo Mail. No one realizes that he is the infamous Mister Malo, righter of wrongs, punisher of bullies.
Sharing Our World, by First Nations and Native artists: honoring Ancestors, the Totem, and 15 animals native to the NW coast.
Nine-year-old Maria Singh learns to play softball just like her heroes in the All-American Girls’ League, while her parents and neighbors are struggling through World War II, working for India’s independence, and trying to stay on their farmland.
Beware: Life ahead. Sixteen-year-old Petula de Wilde is anything but wild. A former crafting fiend with a happy life, Petula shut herself off from the world after a family tragedy. She sees danger in all the ordinary things, like crossing the street, a bug bite, or a germy handshake. She knows: life is out to get you. The worst part of her week is her comically lame mandatory art therapy class with a small group of fellow misfits. Then a new boy, Jacob, appears at school and in her therapy group. He seems so normal and confident, though he has a prosthetic arm; and soon he teams up with Petula on a hilarious project, gradually inspiring her to let go of some of her fears. But as the two grow closer, a hidden truth behind why he’s in the group threatens to derail them, unless Petula takes a huge risk
Traces the progress of the Indians of North America from the time of the Creation to the present.
Told in the rhythms of traditional oral narrative, this telling of the history of the Native/Indigenous peoples of North America recounts their story from Creation to the invasion and usurpation of Native lands. As more and more people arrived, The People saw that the new men did not respect the land. The People witnessed the destruction of their Nations and the enslavement of their people. The People fought hard, but eventually agreed to stop fighting and signed treaties. Many things changed and became more difficult, but The People continued to farm and create crafts. They remembered and told their children, “You are Shawnee. You are Lakota. You are Pima. You are Acoma…. You are all these Nations of the People.” The People held onto their beliefs and customs and found solidarity with other oppressed people. And despite struggles against greed, destruction of their lands, and oppression, The People persisted.
Crow is a Seneca boy, coming of age in a time of war, in a time before stories. Cast out of the Seneca tribe, Crow and his grandmother struggle merely to find enough food to make it through the harsh winter. Then Crow finds a boulder in the woods that startles him by speaking. The Storytelling Stone tells Crow the great legends of the Seneca–tales of the Long Ago Time, when the Sky Women trod the Above World and a child could alter the ways of a people. Crow comes to realize his own power to effect change and his destiny as a Seneca man. But can the Stone be trusted?
This bilingual collection of poems that takes us through the week day by day. Children spend Sunday visiting their grandparents, play with school friends on Monday, daydream on Tuesday, eat popcorn at the local market on Wednesday, and more, until we arrive at Saturday, when they get to play nonstop all day. Along the way, we also learn how the names of the seven days came to be. Partly based on the real life experiences of Alarcon’s own family, this festive, celebratory collection of poems highlights the daily life of children while also honoring the experiences of the poet’s Latino family in the United States. With her vibrant illustrations, illustrator Maya Christina Gonzalez has created a loving tribute to childhood, to family, and to Francisco Alarcon.* *Francisco X. Alarcon passed away in January 2016.
“Stories are wondrous things,” award-winning Canadian author and scholar Thomas King declares in his 2003 CBC Massey Lectures. “And they are dangerous.” Stories assert tremendous control over our lives, informing who we are and how we treat one another as friends, family and citizens. With keen perception and wit, king illustrates that stories are the key to, and the only hope for, human understanding, He compels us to listen well.
Photographs and text describe non-verbal signals used by the Indians of the Great Plains, including more than 800 signs, smoke signals, picture writing and the language of feathers and body paint.