For Hasina and her younger brother Araf, the constant threat of Sit Tat, the Myanmar Army, is a way of life in Rakhine province—just uttering the name is enough to send chills down their spines. As Rohingyas, they know that when they hear the wop wop wop of their helicopters there is one thing to do—run, and don’t stop. So when soldiers invade their village one night, and Hasina awakes to her aunt’s fearful voice, followed by smoke, and then a scream, run is what they do.
Troubled because her brother has told her that the future of Earth is bleak, a little girl goes to her grandmother who assures her that there are many possible futures and encourages her to use her imagination to explore some of the alternatives.
The Ode to the Goddess of the Luo River is an ancient Chinese poem created by Cao Zhi, a writer living in the state of Wei during the Three Kingdoms period (c. 220-280 CE). In his tale, Cao Zhi is returning from the capital to his own land when he stops at the Luo River for a rest, where he sees a vision of the goddess so powerful that he instantly falls in love with her. Cao sees a nymph of peerless beauty “as elegant as a startled swan and supple as a swimming dragon”. Though he’s swept away by her ethereal beauty, it’s a love that isn’t meant to be. With its high production values and amazingly-detailed-multi-page foldout spreads, this is a special book that will entice art lovers of all ages.
An unlikely friendship between Miss Bandari and Mr Magarmach forms when the pair meet under the great plum tree, deep in the heart of India. Mr Magarmach is old and his hunting days are over but Miss Bandari loves hearing his stories as they munch plums together. One day their friendship tested but with courage, trust and forgiveness they discover that living happily together tastes just as sweet as Miss Bandari’s golden plums.
Jiho comes from a long line of forest rangers who protect the Kidahara—an ancient and mysterious wood that is home to powerful supernatural creatures. But Jiho wants nothing to do with the dangerous forest.
Five years ago, his father walked into the Kidahara and disappeared. Just like the young Princess Koko, the only daughter of the kingdom’s royal family. Jiho knows better than anyone else the horrors that live deep in the magical forest and how those who go in never come back.
Now the forest is in danger from foreign forces that want to destroy it, and a long-forgotten evil that’s been lurking deep in the Kidahara for centuries finally begins to awaken. Can a magic-less boy, a fierce bandit leader, and a lost princess join forces and save their worlds before it’s too late?
Cinduri, hungry and ragged, is befriended by Godfather Snake, who feeds her delicacies and dresses her in gold cloth and anklets with bells and diamonds, to meet the prince.
Featured in WOW Review Volume XIII, Issue 1
In 1940, when Simona is eight and her sister, Carolina, is five, their father becomes the cook to the Italian ambassador to Japan, and the family leaves Italy for Tokyo. The girls learn perfect Japanese, make friends, and begin to love life in their new home. But soon Japan is engaged in a world war. In 1943, when all Italians in Japan are confined to internment camps as enemy aliens, Papà and the girls are forced to part, and Simona and Carolina embark on a dramatic journey. Anyone who aids them could be arrested for treason. All the sisters have is each other: their wits, courage, and resilience, and the hope that they will find people who see them not as the enemy, but simply as children trying to survive.
A Hmong girl in a Thai refugee camp learns to embroider the pa’ndau or story cloth from her grandmother to tell the story of her life.
At her home in Vietnam, a girl rescues ants from the sugar water set out to trap them. Later, when the girl’s family flees war-torn Vietnam, ants lead them through the moonlit jungle to the boat that will take them to safety. Before boarding, the girl folds a paper boat from a bun wrapper and drops it into the water, and the ants climb on. Their perilous journey, besieged by punishing weather, predatory birds, and dehydration, before reaching a new beginning, mirrors the family’s own. Impressionistic collages and a moving, Own Voices narrative make this a one-of-a-kind tale of courage, resilience, and hope.
After the events of Wicked Fox, Somin is ready to help her friends pick up the pieces of their broken lives and heal. But Jihoon is still grieving the loss of his grandmother, and Miyoung is distant as she grieves over her mother’s death and learns to live without her fox bead. The only one who seems ready to move forward is their not-so-favorite dokkaebi, Junu.