Nicholas Herrera started life as a mischievous, dyslexic boy, born into one of the old Spanish families of New Mexico. Bad teachers and poor schooling helped him to lose himself in drugs, drinking, riding motorcycles and driving fast cars. A near-death experience, a wonderful mother and a fascination with making art saved him. Today Nicholas Herrera is one of the most noted Santeros in the US. His work is displayed in folk-art galleries across the country and is collected by the Smithsonian. He is noted for the highly personal, political nature of his work and his innovative treatment of what can sometimes be a rather bland art form designed to sell to tourists. His work is intensely personal and even confessional. A survivor of alcoholism and drug addiction, which almost led to his death in a terrible car crash, Herrera is now sober and remarkably productive. His art is his life and his life is his art. Extraordinarily charismatic, Herrera is the grandson, nephew and son of artists. His young daughter is now following in his footsteps.
Text and photographs show how the people of Brazil celebrate holidays and festivals, using art, music, dance, and stories.
Explores various aspects of ancient Chinese culture, including art, government, societal structure, religion, and everyday life.
Marion’s painting of a Moon Man comes to life and seeks ways to shine like the real moon.
A drawing of a bird tries without success to learn to fly, until the artist completes his original design and makes flight possible for it.
At just 12 years old, Paulo becomes an apprentice to Leonardo da Vinci, the brilliant artist and inventor. Dull is not how Paulo describes life in Leonardo’s busy studio. There are floors to sweep, paints to mix, errands to run, and drawings to be made. But there are mysterious events, too. Another apprentice is not all that he seems, and an evening visit to a hospital uncovers some very interesting happenings… Paulo’s diary tells of an exciting moment in Renaissance Italy; it’s a young boy’s insight into a fascinating time and place and his glimpse into the mind of one of the world’s greatest geniuses, as well as a story told from the heart.
Flightsend is Charlie’s new home, whether she likes it or not. Her mother sees it as an end to all that’s gone so tragically wrong. They had been a proper family. Mum; her boyfriend, Sean; and Charlie, with a new baby sister on the way. But the baby died before she was born and everything changed. Gradually, Charlie’s mother pushed Sean away, before resigning from her job and selling the house. Charlie is certain that the move to a ramshackle cottage, miles from anywhere, can only make things worse. She couldn’t be more wrong. For Charlie’s mum there’s a new business and the fresh start that she knew she needed. And for Charlie there’s a new job, new friends, a newly discovered talent for art, and new feelings for two very different men. It’s a summer of beginnings, not ends; a summer that Charlie will never forget.
The author describes Christmas at his grandmother’s apartment in Spanish Harlem the year she introduced him to the Metropolitan Museum of Art and Diego Velazquez’s portrait of Juan de Pareja, which has had a profound and lasting effect on him.
Luke is frustrated by his conservative and overbearing art teacher, until he visits a museum and finds validation for his own special way of looking at the world.
When the spirit guide changes her into a seal, Tiktala learns the ways of seals and how harmful humans can be.