A Junior Library Guild Selection When Kim Hyun Sook started college in 1983 she was ready for her world to open up. After acing her exams and sort-of convincing her traditional mother that it was a good idea for a woman to go to college, she looked forward to soaking up the ideas of Western Literature far from the drudgery she was promised at her family’s restaurant. But literature class would prove to be just the start of a massive turning point, still focused on reading but with life-or-death stakes she never could have imagined. This was during South Korea’s Fifth Republic, a military regime that entrenched its power through censorship, torture, and the murder of protestors. In this charged political climate, with Molotov cocktails flying and fellow students disappearing for hours and returning with bruises, Hyun Sook sought refuge in the comfort of books. When the handsome young editor of the school newspaper invited her to his reading group, she expected to pop into the cafeteria to talk about Moby Dick, Hamlet, and The Scarlet Letter. Instead she found herself hiding in a basement as the youngest member of an underground banned book club. And as Hyun Sook soon discovered, in a totalitarian regime, the delights of discovering great works of illicit literature are quickly overshadowed by fear and violence as the walls close in. In BANNED BOOK CLUB, Hyun Sook shares a dramatic true story of political division, fear-mongering, anti-intellectualism, the death of democratic institutions, and the relentless rebellion of reading.
Driving By Starlight
Sixteen-year-olds Leena and Mishie are best friends. They delight in small rebellions against the Saudi cultural police―secret Western clothing, forbidden music, flirtations. But Leena wants college, independence―she wants a different life. Though her story is specific to her world (a world where it’s illegal for women to drive, where a ten-year-old boy is the natural choice as guardian of a fatherless woman), ultimately it’s a story about friendship, family, and freedom that transcends cultural differences.
Amina lives on the edges of Mogadishu. Her family’s house has been damaged in Somalia’s long civil war, but they continue to live there, reluctant to leave their home. Amina’s world is shattered when government forces come to arrest her father because his art has been officially censored, deemed too political. Then rebel forces kidnap Amina’s brother, forcing him to become a soldier in Somalia’s brutal ongoing war. Although her mother and grandmother are still with her, Amina feels vulnerable and abandoned. Secretly, she begins to create her own artwork in the streets and the derelict buildings to give herself a sense of hope and to let out the burden of her heart.