I’m just like my mom.
Me parezco tanto a mi mamá.
I’m just like my dad.
Me parezco tanto a mi papá.
With Akemi Gutiérrez’s charming illustrations, renowned journalist Jorge Ramos explores the many ways in which all children are just like their parents—in two languages!
Junto con las simpáticas ilustraciones de Akemi Gutiérrez, el respetado periodista Jorge Ramos explora las varias maneras en que los hijos se parecen a sus padres. ¡Y lo hace en dos idiomas!
“Papá, I don’t want to go to sleep. I’m scared.” Everyone knows that the trick to putting children to bed is creating a bedtime routine, and in this new children’s story from Victor Villaseñor, he recreates his own family’s bedtime tradition. Papá tells his son that every night when he was a boy, his mother would sing him to sleep with the turtledove song. “Coo-coo-roo-coo-coooo,” he sings, and tells the little boy about his very own Guardian Angel who will take him through the night sky to be reunited with God, or Papito Dios. “Then in the morning, you’ll come back refreshed, rested, and powerful as the wind.” As Papá sings the turtledove song to his son, he reminds the child that Mamá loves him, the dog and the cat love him, and his brothers and sisters love him too. Even the trees and grass and the flowers that dance in the wind love him. Gradually, the boy drifts off to sleep, feeling safe and warm in God\’s love and dreaming of the day when he will sing the turtledove song to his own children.
This comprehensive activity book for children offers action-packed fun highlighting the contributions of the Hispanic Colonial settlers in the multi-cultural environment of the American Southwest. There are eight sections: The Age of Discovery, The New World, Colonial Life, The Camino Real, The Native Americans, Hispanic Art, Hispanic Architecture, and Hispanic Crafts. Projects are presented in a variety of formats such as illustrations to complete, word searches, matching names and ideas, picture construction, puzzles, and more. This entertaining activity book, richly illustrated by the author, provides a wonderful introduction into the romance and excitement of the Hispanic settlement of America.
“My name is Ana. Every year, my family makes tamales for Christmas. This year, I am six, so I get to mix the dough, which is made of cornmeal. My sister Lidia is eight, so she gets to spread the dough on the corn husk leaves. I wish I was eight, so that my hands would be big enough to spread the dough just right–not too thick and not too thin.” And so the years pass, and Ana turns eight, ten, twelve, fourteen, sixteen. But every year, big sister Lidia is always two years older. Ana envies her elder sibling and wishes she could do what Lidia does: put just the right amount of meat inside the tamales and roll them up; steam the tamales without scalding herself with the hot, hot steam; chop and cook the meat for the tamales without cutting or burning her hands. When she turns eighteen, though, Ana knows she will keep making tamales and she will be able to do all of the steps herself in her very own factory. When Christmas comes around, Ana will deliver tamales to all of her customers around the world, in delivery trucks that say “Ana’s Tamales.” And maybe Ana will even let Lidia work for her. Gwendolyn Zepeda’s rhythmic prose is combined with April Ward’s bright illustrations to create an affectionate and amusing story about sibling relationships that introduces an important Hispanic holiday tradition–making tamales!
Color reproductions of twelve masterpieces are accompanied by questions that encourage young readers to learn through visual exploration and interaction. Works from artists such as Diego Rivera (Mexico), Fernando Botero (Columbia), and Ramon Frade (Puerto Rico) are included. Background information ont he artist, the period, the medium, the technique, and the subject of the painting provide context for the art experience.
Social studies projects reflecting Spanish culture on the American West.
Stories of New York’s Puerto Rican barrio.
As a Latina educator, poet, mother, lecturer and native of El Paso, Texas, Pat Mora is a denizen of nepantla—a Nahuatl word meaning “the land in the middle.” In her first collection of essays, Mora negotiates the middle land’s many terrains exploring the personal issues and political responsibilities she faces as a woman of color in the United States. She explores both the preservation of her own Mexican American culture and her encounters with other cultures.
“Pops stormed his way down the hall in a pissed-off march–trouble on the move. A quick glance at his florid, contorted face told me he was smashed. I looked down at meat, spoon, dough–anything to avoid his bleary red eyes. The stench of booze sickened me. So did my father.” In the title story of this gritty collection for teens, a young girl remembers the night her father almost killed her mother. The peace that comes when her father is put in jail is short lived though, because in order to keep him behind bars she will have to testify against him in court. Can she be strong enough to overcome her fear? What if he leaps out of his chair and attacks her too? Can she do what needs to be done in order to keep her mother and grandmother safe? In Theresa Saldana’s first collection of stories for young adults, her characters confront issues relevant to all teens, from friendship to dreams for the future. Many, though, must overcome suffering–whether physical or emotional–that impacts their sense of security and well being. A teenager survives an auto accident that has left her with multiple disfiguring scars. Will she ever be able to really live again? A young high school student prepares to leave the safety of her neighborhood where her friends have accepted her the way she is–overweight. Will her new classmates at Hunter College be able to see who she really is inside her big body? Sure to intrigue young adult readers who will identify with numerous contemporary cultural references–from reality TV shows to computers and the Internet–the engrossing stories in this collection give voice to young Latinas who, like their counterparts everywhere, yearn to be “normal.”
Little Antonio introduces his extended family and explains that Mama is the biggest because “she is going to have a baby any day now.” Everyday she sends the boy to gather the family for their midday meal. On Monday, Papa can’t leave his busy carpentry shop. On Tuesday, his sister Alicia is learning to dance the sevillanas for the summer fiesta. Day after day, when there is an empty seat at the table that Papa built and Mama has filled with inviting food, she sighs, “Ay, que pena! What a pity.” Eventually, it is Mama herself who is missing because it’s time for her to have baby Rosa.