The Lord of Opium

In 2137, fourteen-year-old Matt is stunned to learn that, as the clone of El Patrón, he is expected to take over as leader of the corrupt drug empire of Opium, where there is also a hidden cure for the ecological devastation faced by the rest of the world. Matt wants to use his newfound power to help, to stop the suffering, but he can’t even find a way to smuggle his childhood love, Maria, across the border and into Opium. Instead, his every move hits a roadblock, some from the enemies that surround him…and some from a voice within himself.

Out of This Place

Luke spends his days hanging out at the beach, working shifts at the local supermarket, and trying to stay out of trouble at school. His mate Bongo gets wasted, blocking out memories of the little brother that social services took away from his addict mom and avoiding the stepdad who hits him. And Casey, the girl they both love, longs to get away from her strict, controlling father and start anew in a place where she can be free. Set in Australia and narrated in alternating points of view, here is an affecting look at the evolving lives of three friends.

Double or Nothing

Kip is smart, but bored. When he needs a rush, he doesn’t go for drugs or alcohol–just the pure adrenaline hit that accompanies even the smallest bet. But when Kip meets a big-time gambler who introduces him to a high-stakes game, his life takes a dramatic turn. An engaging guy who creates a web of lies, Kip lays down the bets and takes readers on a roller-coaster ride.

High Riders, Saints and Death Cars: A Life Saved by Art

Nicholas Herrera started life as a mischievous, dyslexic boy, born into one of the old Spanish families of New Mexico. Bad teachers and poor schooling helped him to lose himself in drugs, drinking, riding motorcycles and driving fast cars. A near-death experience, a wonderful mother and a fascination with making art saved him. Today Nicholas Herrera is one of the most noted Santeros in the US. His work is displayed in folk-art galleries across the country and is collected by the Smithsonian. He is noted for the highly personal, political nature of his work and his innovative treatment of what can sometimes be a rather bland art form designed to sell to tourists. His work is intensely personal and even confessional. A survivor of alcoholism and drug addiction, which almost led to his death in a terrible car crash, Herrera is now sober and remarkably productive. His art is his life and his life is his art. Extraordinarily charismatic, Herrera is the grandson, nephew and son of artists. His young daughter is now following in his footsteps.

Nicholas Dane

When fourteen-year-old Nicholas Dane’s mother dies, social services sends him to a home for boys where intimidation and violence keep order. After a number of fights and brutal punishments, Nick thinks that life can’t possibly get any worse . . . until he realizes that the home’s respected deputy head, who has been grooming him with sweets and solace, has something more frightening in mind. Acclaimed writer and truth-teller Melvin Burgess brings us, with Dickensian scope and compelling narrative drive, his most ambitious book yet.

The Dealer

CHERUB agents are highly trained, extremely talented–and all under the age of seventeen. For official purposes, these agents do not exist. They are sent out on missions to spy on terrorists, hack into crucial documents, and gather intel on global threats—all without gadgets or weapons. It is an extremely dangerous job, but these agents have one critical advantage: adults never suspect that teens are spying on them. In THE DEALER, James is on his most daring mission yet: to smack down the world’s most powerful drug lord. It means hitting the streets, where the dealers work.

Sacred Leaf: The Cocalero Novels

The people of Bolivia have grown coca for legitimate purposes for hundreds of years, but the demands of America’s War on Drugs now threaten this way of life. Deborah Ellis’s searing follow-up to the highly praised “I Am a Taxi” deals with this frank reality. After he manages to escape from virtual enslavement in an illegal cocaine operation, Diego is taken in by the Ricardo family. These poor coca farmers give Diego a safe haven where he recovers from his ordeal in the jungle. But the army soon moves in and destroys the family’s coca crop — their livelihood. So Diego joins their protest of the destruction of their crops and confront the army head-on by barricading the roads. While tension between the cocaleros and the army builds to a dramatic climax, Diego wonders whether he will ever find a way to return to his family. This compelling novel defies conventional wisdom on an important issue, and shows how people in one part of the world unknowingly create hardship for people in another.

Rules of Attraction

Living on the University of Colorado-Boulder campus with his older brother Alex, a college student and ex-gang member, high school senior Carlos is not ready to give up his wild ways until he meets a shy classmate named Kiara and becomes unwillingly involved in a drug ring.

The Confessional

Mexican guy. White guy. Classmates and enemies from across the border and on each other’s turf. Big fight. White guy wins. Next day, he’s dead. Everyone’s a suspect. Everyone’s guilty of something.

Does what you look like or where you come from finally determine where your loyalties lie? Who’s Us? Who’s Them? Which side is your side? Is it Truth?

Contemporary politics, the consequences of guys-being-guys, and questions about faith and personal responsibility pulse throughout the pages of this provocative, eloquent debut.