Accused of stealing the god of love’s bow and arrow, Aru has ten days to find the real thief or risk being kicked out of the Otherworld.
It is 1424. France and England have been fighting for more than a hundred years, and Jehanne D’Arc experiences her first saintly vision. Even her parents think she’s delirious—until her next vision allows them to save the village. From a small town to the besieged city of Orleans and on to the cathedral of Reims, Joan follows her faith and leads the French to victory after victory. But not everyone believes in the divine voices she hears. Some call her a heretic and want her burned at the stake.
There, in the village of Westmost, Otter is born to power. She is the proud daughter of Willow, the greatest binder of the dead in generations. It will be Otter’s job someday to tie the knots of the ward, the only thing that keeps the living safe. Kestrel is training to be a ranger, one of the brave women who venture into the forest to gather whatever the Shadowed People can’t live without and to fight off whatever dark threat might slip through the ward’s defenses. And Cricket wants to be a storyteller — already he shows the knack, the ear — and already he knows dangerous secrets. But something is very wrong at the edge of the world. Willow’s power seems to be turning inside out. The ward is in danger of falling. And lurking in the shadows, hungry, is a White Hand, the most dangerous of the dead, whose very touch means madness, and worse.
When Ti Ying’s father is put in prison, Ti Ying, his youngest daughter, is able to save him by writing and delivering a letter to the king.
Thrown hard on the bottom boards, I stared up at distorted mouths, faces so red I could feel their heat. They stank of rage and of something else; several frothed at the mouth; their howls drowned the clatter and shriek of gulls swerving and tilting above the mast. Banishment is the cruellest punishment, and Selene is being driven out unjustly by her own people. Set in a New Zealand both recognisable and strangely different, CALLING THE GODS is a novel for older readers, a story of violence, love, and courage, of leadership and betrayal, of the extraordinary human ability to adapt and survive, a tale of a young woman’s heroic persistence against impossible odds.
The inspiring story of an Iraqi librarian’s courageous fight to save books from the Basra Central Library before it was destroyed in the war.It is 2003 and Alia Muhammad Baker, the chief librarian of the Central Library in Basra, Iraq, has grown worried given the increased likelihood of war in her country. Determined to preserve the irreplacable records of the culture and history of the land on which she lives from the destruction of the war, Alia undertakes a courageous and extremely dangerous task of spiriting away 30,000 books from the library to a safe place.Told in dramatic graphic-novel panels by acclaimed cartoonist Mark Alan Stamaty, Alia’s Mission celebrates the importance of books and the freedom to read, while examining the impact of war on a country and its people.From the Hardcover edition.
This book has been a featured book in our Middle East and South Asia Arabic Language and Culture Kit.
From days of old, they have intrigued people all over the world: brave, defiant warrior women who stir imaginations, rouse passions, and often inspire thousands of followers. These fierce and fearless spirits are goddesses, queens, and peasants; they are children, young women, and adults in the winter of their years. From the story of Britain’s proud queen Boadicea to that of the Sioux warrior Winyan Ohitika, Marianna Mayer re-creates twelve thrilling tales of war and bravery, bitterness and triumph. Twenty-four full-color illustrations and a map, bibliography, and annotated index are included in this striking anthology for all ages.
Deep in the lush Mexican forests, amidst the tall mountains and the rushing rivers, dwells a great goddess. Her broad torso bends to form the sky and her legs rise to become the valleys and deserts. She is the earth, the land of Mexico, and if you listen closely, you will hear her calling “tengo hambre, tengo hambre,” for she is always hungry. Gifted storyteller Mary-Joan Gerson draws from Mexico’s rich cultural traditions, including tales from the Mayan, Mixtec and Yaqui peoples to create an authentic collection that reflects the many faces of Mexico’s heroines. And Maya Christina Gonzalez’s vibrant paintings brilliantly capture the spark behind the stories, and the noble dignity of these eight extraordinary women. The tales come from the different cultures of Mexico, all focusing on the important roles of women.
Balam, a Mayan boy struggling to achieve manhood, participates in fasts, prayers, and rituals to appease the gods and bring rain to his village.