When I’m with my papá, I can fly like an eagle, an águila. I can climb alto, high, in a tree, And I am the ganador, the winner, of many races. When I am with my papá, I hear the best cuentos, stories, and I give him the biggest abrazos, hugs.
A young boy and his papa may speak both Spanish and English, but the most important language they speak is the language of love. Here, Arthur Dorros portrays the close bond between father and son, with lush paintings by Rudy Gutierrez.
Cristina Ortega is the granddaughter of Juan Melquiades Ortega, a master weaver of northern New Mexico’s Chimayó Valley. Chimayó’s roots are in early Spanish Colonial times and has long been famous for its unique weavings. Juan M. Ortega was taught to weave by his father in the early days when weavers sheared their own sheep and spun and dyed the wool for their blankets. El Tejedor (The Weaver) continued weaving until he was one hundred years old, when his eyesight failed him. In The Eyes of the Weaver, Cristina shares her memories of visits when she was ten years old with Grandpa in the village of Chimayó, where he taught her how to weave. She also recalls how Grandma helped her husband choose color combinations for his Chimayó blankets. It was during these visits that Cristina learned how important it is for a child to listen to and learn from his or her relatives.Some of Juan M. Ortega’s weavings and tools of the trade have been included in the exhibit, “American Encounters,” at the National Museum of American History, Smithsonian Institution, in Washington, D.C.Reading level: 10 years and up
Chersheng’s grandfather is beginning to forget things: little things like turning off the water faucet and big things like Chersheng’s name. Sometimes he even forgets that he is in America now. Chersheng feels sad and helpless when he learns that Grandfather has Alzheimer’s Disease, but then Chersheng’s mother presents him with a story cloth stitched by Grandfather himself, embroidered in the Hmong tradition. Through the story cloth, Grandfather’s memories of his life in Laos come alive. And inspired by Grandfather’s tales about his life before the war forced him to immigrate to America, Chersheng comes up with a plan to capture his family’s new life with his own art project. This way, they can all remember that their love is stronger than Alzheimer’s Disease, no matter in which country they live. This volume is an English-Hmong edition.
Breathtaking vistas and bustling scenes await a boy and his uncle when they ride the teleférico to the top of a mountain in Venezuela. Today was the day! Finally it is time for Roberto to take his well-earned trip on the teleférico to the top of El Ávila, the mountain overlooking his village. Since Papá has to work, Tío Antonio will go with his nephew, who makes sure to pack his camera so he can share the sights with Papá. Up, up, up, the cable car goes, over gasp-inducing ravines, to an exciting new world of vendors, animals, and a spectacular view of Caracas below. Featuring lively illustrations and interwoven with Spanish words that are translated in a glossary at the end, here is a warmhearted tale of a little boy’s first big adventure without his parents.
Big Bear tells the story of Christina’s ten teddy bears, since he’s the oldest and wisest, and remembers the time Christina broke her arm, her father’s bedtime stories, and the terrible teenage years when she almost forgot her bears.
Otto and Lisa are special friends. Otto may be old, but he can still spit cherry pits, make slingshots and grow delicious raspberries. He and Lisa share a fascination with numbers, tell stories, and gaze at the stars. But when Otto gets ill and dies, Lisa struggles to understand. Her rage, confusion and mourning are reflected in the heartwarming illustrations, as she slowly comes to understand that while people die, memories last forever.
When Siobhan was just three years old, her mother died, leaving Siobhan and her father alone in their house in Dublin. They never talk about her, and now, at ten years old, Siobhan no longer remembers her mother’s face. One day, Siobhan meets a mysterious woman in the park who tells her that to remember her mother, she just needs to look in a mirror. As Siobhan grows older, she sees more and more of her mother’s face in her own reflection. With time, she and her father and her own daughter are able to remember Siobhan’s mother with joy and laughter instead of tears.
Sareen is attending her first sit-up, a Jamaican tradition that celebrates the life of a loved one who has died. The whole village has come to share memories of Sareen’s Nana. Sareen wants to tell her stories of Nana’s last mango season and their search for the perfect mango, but she’s afraid the words won’t come or that she’ll begin to cry. It’s only when Sareen faces her fear that she realizes it’s not the sadness of Nana’s death that she’ll remember best but the joy of Nana’s life.Set amid the rich culture and lush scenery of Jamaica, this moving book offers the hope of rediscovering joy after a loss and pays tribute to the remarkable power of story: to touch, to connect, and to heal.
Artemesia is the daughter of a pirate queen, and she’s sick of practicing deportment at the Angels Academy for Young Maidens. Escaping from the school, she hunts up her mother’s crew and breezily commands them out to sea in a leaky boat. Unfortunately, Art’s memories of her early life may not be accurate-her seasick crew are actors, and Art’s infamous mother was the darling of the stage in a pirate drama. But fiery, pistol-proof Art soon shapes her men into the cleverest pirate crew afloat. And when they meet the dread ship Enemy and her beautiful, treacherous captain, Goldie Girl, Art is certain that her memories are real. The Seven Seas aren’t large enough for two pirate queens: Art will have the battle of her life to win her mother’s title–and the race for the most fabulous treasure in pirate lore.