Tired of reading negative and disparaging remarks directed at the Indigenous people of Winnipeg in the press and social media, artist KC Adams created a photo series that presented another perspective. Called “Perception Photo Series,” it confronted common stereotypes of First Nation, Inuit and Métis people to illustrate a more contemporary, truthful story. First appearing on billboards, on storefronts, in bus shelters and on Winnipeg’s downtown buildings as projections, Adams’s stunning photographs now appear in her new book, Perception: A Photo Series. Meant to challenge the culture of apathy and willful ignorance about Indigenous issues, Adams hopes to unite readers in the fight against prejudice of all kinds.
This stunning photo essay takes a look at the thousands of children around the world who have been forced to flee war, terror, hunger and natural disasters, young refugees on the move with very little left except questions. It’s hard to imagine, but the images here will help unaffected children understand not only what this must feel like, but also how very lucky they are. The final message is that children, even with uncertain futures, are resilient and can face uncertainty with optimism. With images from the United Nations High Commissioner for Refugees.
Startling first-person narratives, rare photographs, and a well-researched history describe what happened at Auschwitz, a concentration camp in Poland used during World War II by the Nazis to gather and murder many people, mostly Jews.
The stunning sights and sounds of a Nigerian wedding are vividly brought to life in Ifeoma Onyefulu’s new picture book. The different traditions and customs of this African wedding are explored and explained through the eyes of one young spectator. We see the preparations made by the whole community in anticipation of the traditional African ceremony and second religious ceremony.
Nii Kwei lives in Accra, the capital of Ghana. He gets up at 6 o’clock every morning. He helps his sisters and brother tidy up the compound, then he eats a breakfast of coco (corn porridge), bread, fried eggs and a chocolate drink. At 7:30 he goes to school in a taxi. Later, on his way home, he goes to Abraham’s material store with his mother. He ends the day playing football with his cousins, back at the compound. This book is part of the series A Child’s Day, photographic information books concentrating on the daily lives and experiences of children in countries around the world, published in association with Oxfam.
In 1986, Afghanistan was torn apart by a war with the Soviet Union. This graphic novel/photo-journal is a record of one reporter’s arduous and dangerous journey through Afghanistan, accompanying the Doctors Without Borders. Didier Lefevre’s photography, paired with the art of Emmanuel Guibert, tells the powerful story of a mission undertaken by men and women dedicated to mending the wounds of war. Didier Lefevre was a French photojournalist who traveled the world extensively, often reporting from the most remote and harrowing situations imaginable. At the end of July 1986, Didier Lefevre left Paris for Afghanistan. He barely returned to tell the tale. It was his first major assignment as a photojournalist, documenting a Doctors Without Borders mission. Camera in hand, the traveled with a band of doctors and nurses into the heart of Northern Afghanistan, where the war between the Soviet Union and the Afghan Mujahideen was raging. The mission affected Lefevre as profoundly as the war affected contemporary history. His photographs, paired with the art of Emmanuel Guibert, tell the story of an arduous journey undertaken by men and women intent on mending what others destroyed.
“Photo-essay about Flamenco, a southern Spanish art form that incorporates song, dance, and music, tracing its cultural history and focusing on a contemporary young girl and her brother as they learn the traditional style of movement and instrument playing. Includes a glossary/pronunciation guide and author’s sources”–Provided by publisher.