The water from a magical well in their farmhouse was the reason behind this ‘good fortune’, they said. One day, fifteen-year-old Gurmi sets out to look for the well and what he sees changes everyone’s world forever. The faces of three girls look up at him from the water, and draw him into a world of fun, games and cyber magic -and Gurmi has to face up to an unnerving truth as murky as the surreal well. What terrible crimes have been committed behind the walls of the rambling Diwanchand family home? Will Gurmi and the ghost-girls be able to avenge the evil that has taken place and prevent yet another unspeakable atrocity from occurring? Funny, yet sensitive and immensely powerful, Faces in the Water is the story of lives lost to appease our society’s insatiable hunger for male children, and the price families pay for its sake.
This fascinating picture book biography tells the childhood story of Buffalo Bird Woman, a Hidatsa Indian born around 1839. Through her true story, readers will learn what it was like to be part of this Native American community that lived along the Missouri River in the Dakotas, a society that depended more on agriculture for food and survival than on hunting. Children will relate to Buffalo Bird Girl’s routine of chores and playing with friends, and they will also be captivated by her lifestyle and the dangers that came with it.
Using as a resource the works of Gilbert L. Wilson, who met Buffalo Bird Woman and transcribed her life’s story in the early 20th century, award-winning author-illustrator S. D. Nelson has captured the spirit of Buffalo Bird Girl and her lost way of life. The book includes a historical timeline.
Practice your numbers in English and Spanish when you count the beautiful dancers, playful musicians, and happy children of Oaxaca as the Guelaguetza parade goes by! Pronounced Gal-a-get-zah, the lively celebration—full of traditional dancing and music—takes place every July deep in the heart of southern Mexico. ONE band leader with a big white balloon! DOS hombres with firecrackers! THREE musicians! FOUR giants! All exquisitely handcrafted by the Mexican folk art masters Guillermina, Josefina, Irene, and Concepción Aguilar, in collaboration with author and scholar Cynthia Weill. Bienvenidos!Welcome to the parade!
A young Tibetan American girl helps her grandfather recover from an illness through the use of a traditional cure that focuses on spiritual as well as physical recovery and brings together a caring community.
Don’t seem like Christmas if the mummers are not here, Granny would say as she knit in her chair. But on a cold, clear Newfoundland night shortly after Christmas, several outlandishly costumed mummers do appear and Granny’s house suddenly erupts in a burst of joking and tomfollery, raucous singing and exuberant dancing. Granny and her two young charges are instantly caught up in the merriment, When the evening’s festivities come to a close, the mummers are bid a fond farewell until next year.
Popular singer Bud Davidage wrote “The Mummer’s Song” as a tribute to a centuries-old custom in danger of disappearing. Since its publication in 1973, it has fostered a revival of mummering, as noted author and Newfoundland son Kevin Major points out in his afterword. The sparkling illustrations in this picture book adaptation are by the well-known Canadian artist Ian Wallace.
This is the traditional story, told simply and elegantly, of how Juan Diego meets the beautiful Lady on a windswept hilltop in December and carries her message to the disbelieving bishop. The Lady fills Juanz’s cloak with full-blooming roses and impresses her image on its fibers as a sign for the bishop to fulfill her request of building a house of prayers. The story tells of how, over many years, countless hands built the great church dedicated to the Lady of Roses, Nuestra Senora Guadalupe on the hill of Tepeyac. Everyone will enjoy the story of Talking Eagle and the Lady of Roses and the wild and glorious illustrations of award-winning, Taos, New Mexico, artist Amy Cordova. Also included is an informative afterword by Gene Gollogly.
A Chinese-American boy gains a new understanding of his Chinese grandfather in this celebratory story of family, martial arts, and the Chinese New Year. Vinson is very excited when his grandfather comes from China for a visit. When Grandpa practices tai chi in the garden, Vinson asks to learn, hoping it will be like kung fu, full of kicks and punches. But tai chi’s meditative postures are slow and still, and Vinson quickly gets bored. He can’t understand why Grandpa insists on calling him by his Chinese name, Ming Da, or why he has to wear a traditional Chinese jacket to the Chinese New Year parade. As the parade assembles, however, he notices the great respect given to his grandfather and the lion dancers under his training. And when Vinson is offered a role in the parade, he realizes that being part Chinese can be pretty cool—and is ready to start learning from his grandpa’s martial-arts mastery in earnest.