By T. Gail Pritchard, Ph.D., University of Arizona
Think back to some of your earliest memories of wishing, perhaps when blowing out birthday candles, wishing upon a star — particularly a shooting star or the first star of the night, throwing a penny in a wishing well or fountain, getting the long end of the wishbone, blowing on a dandelion puff, or maybe writing a wish on a piece of paper and tying it to a tree or hiding it under a rock. Continue reading
by Carmen M. Martinez-Roldan and Katherine Lorena del Carmen Keim-Riveros
Port-au-Prince
In our last blog of the month we focus on how the authors’ incorporation of non-English words in Afro-Latino and Afro-Caribbean literature can contribute to a better understanding and appreciation of the richness and complexities of Latino culture and the bilingualism of their communities. The books discussed through this month were all English-based texts, in which the authors purposefully incorporated the linguistic repertoire Continue reading
by Carmen M. Martínez-Roldán & Richelle Jurasek
This week we continue our focus on Afro-Caribbean influences in Latino children’s literature but also start addressing Indigenous perspectives. Silver People: Voices from the Panama Canal, another historical fiction novel by Cuban-American author Margarita Engle, offers a window into the experiences of Caribbean islander workers but also into the experiences of indigenous communities Continue reading
by Carmen M. Martínez-Roldán & Amy Olson
The Poet Slave of Cuba: A Biography of Juan Francisco Manzano, by Margarita Engle (2006)
Last week, we started featuring and commenting on literature that represents the experiences of Afro-Latinos and Afro-Caribbean communities Continue reading
By Carmen M. Martínez-Roldán & William García
Latino children’s literature in the United States refers to literature written by Latino and Latina authors, whether in English or Spanish and regardless of the topics they address (Ada, 2003). Giving the great intragroup differences in social class, immigration patterns, and language practices among Latinos, we would expect Latino literature to reflect such diversity, but there is still a long way to go to meet that goal. Continue reading
By Charlene Klassen Endrizzi with Karen Matis
Open minds Operate best.
Critical thinking Over tests.
Wisdom can’t be memorized.
Educate! Agitate! Organize!
Nagara, 2013
Innosanto Nagara’s ambitious declaration parallels Eel’s change of heart which initiated Karen’s and my month-long investigation into Responsible Citizens and Workers. A is for Activist embodies an edginess designed to encourage teachers and students to contemplate action. Our classrooms need to include more moments of agitation where teachers and students are nudged to evaluate their current lives and ponder civic responsibility. Continue reading
By Karen Matis with Charlene Klassen Endrizzi
“I am constantly overestimating and underestimating the human race.”
from The Book Thief by Marcus Zusak, 2012
Death, an unconventional narrator, contemplates this final thought in Marcus Zusak’s historical fiction novel The Book Thief. In the context of World War II, these words offer a blunt description of a citizen who stands up for what is right and the possible unfortunate consequences of becoming an advocate for others. This week we continue our investigation of Responsible Citizens alongside a different seventh grade class studying The Book Thief. I offered this rhetorical question to help students contemplate Zusak’s thoughts related to their lives: “With which group do you want to be associated? the overestimated, popular opinion, or the underestimated, who labor against the grain to enact positive change?” Continue reading
By Karen Matis with Charlene Klassen Endrizzi
One fascinating aspect of the seventh graders’ questions during our conversation after the author Skype was their curiosity regarding specific vocabulary (such as “cesspool” or “costermonger”) used by Hopkinson. I think Dr. Matis’ Word Wall was a great tool for students, allowing them to discuss and learn new words.
Ben Gaul, history preservice teacher
This week we continue our exploration of what it means to be responsible citizens using The Great Trouble, Stolen Dreams, and companion web resources. My two seventh grade classes started our exploration of The Great Trouble with a Word Wall. Like Ben noted, I also see students’ engagement with texts increase if we collectively analyze unfamiliar words. The first word selected to place on our wall was “mudlark,” a term introduced and defined on page one. Readers eagerly contributed to the wall when they came across new vocabulary. To help students connect to words of low practical use but an integral part of understanding The Great Trouble, we acted out new terms or mimicked facial expressions to physically demonstrate a word’s meaning. Continue reading
By Charlene Klassen Endrizzi with Karen Matis
“Instead of looking with my eyes, I decided to see with my heart.”
(Eel, mudlark in The Great Trouble by Deborah Hopkinson, 2013)
Eel, an adolescent protagonist, along with larger than life teens like Iqbal Masih and Malala Yousafsai from Pakistan, became central figures in a four week exploration of Responsible Citizens and Workers. Overarching questions like “What makes a responsible citizen?” and “What makes a responsible worker?” initiated a collaborative inquiry between Karen’s 45 seventh graders and 12 secondary education minors enrolled in my literacy course. Previous interactions with Deborah Hopkinson led us to contemplate various social justice themes in her books. We set out to create opportunities for middle school readers to explore their place in the world and consider avenues for making meaningful contributions. Eel’s ethical outlook of “see[ing] with my heart” invited adolescents and preservice teachers to examine civic responsibility in their present day lives. Continue reading
By T. Gail Pritchard, Ph.D., University of Arizona
This week’s blog focuses on the 2013 Costa Children’s Book Award winner, Goth Girl and the Ghost of a Mouse, written and illustrated by the U.K.’s Children’s Laureate Chris Riddell. The Costa Book Awards honor authors in the U.K. and Ireland in five categories: First Novel, Novel, Biography, Poetry, and Children’s Book. One unique aspect of the Costa is that it “places children’s books alongside adult books.” The 2015 Children’s Book Award winner, The Lie Tree by Frances Hardinge (reviewed by Melissa in this month’s blog) was also the 2015 Costa Book of the Year. Continue reading