By Jeanne Gilliam Fain & Christina Davidson
Following the discussion of Julia Alvarez’ s Return to Sender (2009), the fourth grade students jointly decided that the novel would be powerful as a movie. Vasquez, Tate, and Harste (2013) argue that social action includes a strategic move of school curriculum to the community in order to create relevance for students. For whatever reason, students created relevance in trying to advocate for Julia Alvarez to create a movie version of the book that they came to deeply care about. Continue reading
Today’s post is a continuation of the presentation with Jerry Pinkney, Jacqueline Woodson, and Vaunda M. Nelson that I attended on March 10, 2013 at the Tucson Festival of Books. The presentation was entitled “The Choice to Make a Difference”. This week, Vaunda M. Nelson describes the writing of her book 
While folktales and fables are traditional literature of a secular nature, myths are sacred narratives. To people within a particular religious group, myths are true accounts of past events. Myths explain how the world came to be and how people’s behavior, societal customs, and institutional norms were formed. The main characters in myths are usually gods or heroes with supernatural powers and the humans with whom they interact. “…Myth might be defined simply as ‘other people’s religion,’ to which an equivalent definition of religion would be ‘misunderstood mythology,’ the misunderstanding consisting in the interpretation of mythic metaphors as references to hard fact” (Campbell 27). 
Fables are another form of traditional literature. They are short stories written in prose or verse. The main characters are most often anthropomorphized animals whose behaviors demonstrate moral lessons. Fable tellers and writers end their stories with a maxim, or a statement that encapsulates the moral. The most famous fables in Western culture are attributed to a Greek named Aesop.