It’s the year 2052. Stevie Henry is a Cherokee girl working at a museum in Texas, trying to save up enough money to go to college. The world around her is in a cycle of drought and superstorms, ice and fire but people get by. But it’s about to get a whole lot worse. When a mysterious boy shows up at Stevie’s museum saying that he’s from the future and telling her what is to come, she refuses to believe him. But soon she will have no choice.

Eloísa loves music, but with her family too poor to buy a radio, she can only hear it when rhythms and melodies drift through her open window. Birds and cats raise their voices in daily choruses, and songs from a neighbor’s radio travel through the air. On the street below, children shake maracas and beat a steady rhythm on bongo drums and a lute, a cowbell, and un güiro round out the orchestra. The sounds of her neighborhood are music enough for Eloísa, but when Mamá gets sick and the family can’t afford medicine, can la música soothe her the way it’s always comforted Eloísa?

Sumi’s mother can speak two languages, Malayalam and English. And she can switch between them at the speed of sound: one language when talking to Sumi’s grandmother, another when she addresses the cashier. Sometimes with Sumi she speaks a combination of both. Could it be she possesses a superpower? With awe and curiosity, young Sumi recounts the story of her mother’s migration from India and how she came to acquire two tongues, now woven together like fine cloth.

Off to the market for a tasty bite, Dada and Sona shop for tonight! From twenty ladoos to sixteen mangoes to ten butter naan to seven samosas, the market is full of endless scrumptious snacks to sample. Dada and Sona stock up on all the goodies in preparation for a special surprise.

This almost wordless picture book set in the dawn of human life imagines how art and storytelling were born from the power of one young girl’s observation.

When Janie’s neighbor Mrs Tolen goes into hospital with a broken hip, it looks as though she will have to move out of her old caravan and into a house. Janie is desperate to help, but all seems lost until her school visits a local recycling plant. All it takes from there is imagination, a supportive community, and lots and lots of hard work to transform Mrs Tolen’s old caravan into a safe and secure new home!

Ten year old Kinjal knows something strange is going on. But he does not expect his dog, Thums up, to disappear before his eyes in the middle of the night! Even stranger, two enormous flying horses appear and insist on taking Kinjal and his twin sister, Kiya, to a place they have never heard of: the Sky Kingdom. The twins have no choice but to go if they want to see their dog again, even if that isn’t why the winged pakkhiraj horses showed up in the first place. They have come to this dimension to seek help, bees are disappearing, along with the nectar the horses need to survive. Whisked away to a magical realm, the twins must use Kiya’s scientific skills and Kinjal’s love of books and language to help the horses. Once there, they discover that the disappearance of the bees is more nefarious than they thought, and the plot goes all the way to the top.

Recounts the author’s experiences fleeing Iran as a young boy during the Iran-Iraq war, and making his way on his own in the unfamiliar city of Istanbul in hopes of attaining a visa in England.

“Two intertwining stories of Bogotá. One, a family of five children, left to live on their own. The other, a girl in an orphanage who will do anything to befriend the mysterious Immortal Boy”–

As far back as she can remember, Azadeh Moaveni has felt at odds with her tangled identity as an Iranian-American. In suburban America, Azadeh lived in two worlds. At home, she was the daughter of the Iranian exile community, serving tea, clinging to tradition, and dreaming of Tehran. Outside, she was a California girl who practiced yoga and listened to Madonna. For years, she ignored the tense standoff between her two cultures. But college magnified the clash between Iran and America, and after graduating, she moved to Iran as a journalist. This is the story of her search for identity, between two cultures cleaved apart by a violent history. It is also the story of Iran, a restive land lost in the twilight of its revolution. Moaveni’s homecoming falls in the heady days of the country’s reform movement, when young people demonstrated in the streets and shouted for the Islamic regime to end. In these tumultuous times, she struggles to build a life in a dark country, wholly unlike the luminous, saffron and turquoise-tinted Iran of her imagination. As she leads us through the drug-soaked, underground parties of Tehran, into the hedonistic lives of young people desperate for change, Moaveni paints a rare portrait of Iran’s rebellious next generation. The landscape of her Tehran — ski slopes, fashion shows, malls and cafes — is populated by a cast of young people whose exuberance and despair brings the modern reality of Iran to vivid life.