Milo’s father always told him that he wasn’t suited for dealing with the dead and could never become the Ferryman of the Dead but one day, he’s unexpectedly thrust into the role. And his father is his first passenger. Soon after, the teenage daughter of the Lord of Merlock passes. But the Lord of Merlock isn’t prepared to give her up, and he follows Milo’s boat in pursuit, in a boat filled with armed men and two sinister magicians at his command. It’s a race to the island as Milo must face swarms of sinister moths, strange headless birds, and chillingly shrouded figures to carry his ghostly passengers across the secret seas.

Ezra Cloud hates living in Northeast Minneapolis. His father is a professor of their language, Ojibwe, at a local college, so they have to be there. But Ezra hates the dirty, polluted snow around them. He hates being away from the rez at Nigigoonsiminikaaning First Nation. And he hates the local bully in his neighborhood, Matt Schroeder, who terrorizes Ezra and his friend Nora George. Ezra gets into a terrible fight with Matt at school defending Nora, and that same night, Matt’s house burns down. Instantly, Ezra becomes a prime suspect. Knowing he won’t get a fair deal, and knowing his innocence, Ezra’s family sends him away to run traplines with his grandfather in a remote part of Canada, while the investigation is ongoing.

The last of his kind, Griso travels the world searching for unicorn companions. He asks beetles, chameleons, and buffalos if they’ve seen any mythical creatures like him, and all send him on his way saying, “Neither here nor at the edge of the world.” Griso gallops across plains, marshes, and mountains, he trots into the sunset and chats with fearsome narwals by the sea. On each spread, we see Griso rendered in a new artistic style, portrayed as a shadowy cave painting, a chivalrous medieval stead, or lost along a mind-bending surrealist horizon.

A FOLKLORIC CELEBRATION OF THE SEASONS AND NEW BEGINNINGSAn enchanting story of the Persian New Year and moment when winter turns to spring, based on the Iranian folktale of Naneh Sarma and Amu NowruzIn the land of Winter, queenly Naneh Sarma coats the mountains and valleys in ice and snow and when she is tired she rests in her spiky snow castle. But with no one to talk to, Naneh Sarma gets lonely. In this gentle story based on a household Iranian folktale, Naneh Sarma journeys to the far off land of Spring to seek Amu Nowruz, Spring’s herald, who sows the meadows with the seeds and flowers that fill his enormous knapsack. At the border between Winter and Spring, Naneh Sarma waits patiently for Amu Nowruz but by the time he arrives, she has fallen fast asleep. Gently, in her outstretched hands, Amu Nowruz plants violets.In the land of Winter, wide expanses of white snow and craggy mountains rise against backdrops of pale pink, blue, and gray while in the land of Spring, a profusion of green leaves and intricate flowers climb across the pages. Illustrated with Nooshin Safakhoo’s precisely inked lines and enchanting colors, this tale of Nowruz, the Persian New Year, rejoices in each pale wintersweet flower, icy gust of snow, and fresh tulip blossom alike.

Nobel Prize winner José Saramago tells a quiet and poetic story, an excerpt from his book Small Memories, of a lasting childhood experience of simple, soulful joy.The narrator’s memories of a lost childhood paradise focus on two glorious days when he helped his uncle take some piglets to the market in Santarém. They traverse dusty roads, sleep in a barn and awake to a miraculous moonglow, and hear the animals in their “infinite conversations.” The journey, the night, the wind, the light. . . . This poetic story is an unforgettable adventure narrated by José Saramago and presented alongside Armando Fonseca’s fanciful and evocative illustrations.A very special gift for readers of all ages.

Mélie doesn’t know how to relate to her father, a political prisoner in another country whom she has never met, when he is released and immigrates to join her family in Montreal.“Where I come from, you have to say the same things as everyone else or keep quiet,” Mélie’s mother tells her. “And your father is not someone who knows how to keep quiet. Or say the same thing as everyone else. So that got him in trouble.”However, ever since he came into Mélie’s life, keeping quiet is the only thing her father has done. Partly because Sami doesn’t speak the same language as his daughter, and partly because he doesn’t know how to live as a free man anymore. Mélie has to tame him, like the kitten that she just found, and like Mr. Xavier and his partner seem to be doing with Mei-Li, the little girl they recently adopted. Things that are worthwhile aren’t always easy.Key Text Featureschapters;dialogueCorrelates to the Common Core State Standards in English Language Arts:CCSS.ELA-LITERACY.RL.5.6Describe how a narrator’s or speaker’s point of view influences how events are described.CCSS.ELA-LITERACY.RL.6.3Describe how a particular story’s or drama’s plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.CCSS.ELA-LITERACY.RL.6.4Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of a specific word choice on meaning and tone