A heartwarming tale of a girl waiting for her beloved Papá to return when the monarchs fly south to their home in Mexico. Lucía loves to watch the monarchs’ migration from her home in Mexico with Papá. But this year, the monarchs’ journey north holds extra weight; Papá is heading north, too, to look for work. He promises her that when “the weather turns cold and the monarcas return, our winged ancestors will guide me home.” So while he spends the summer months harvesting produce on faraway farms, Lucía watches the skies for signs of the monarchs’ — and her papá’s — return.

Birdie is ready to go to bed, but when he approaches Lolo to say goodnight, Lolo isn’t tired! Birdie tries everything to help Lolo get ready for bed: reading, snacks, brushing teeth, but Lolo has way too much to do.

Tsalagi should never have to live on human blood, but sometimes things just happen to sixteen-year-old girls.

Beatriz must play the perfect song in order to free her grandfather’s soul from his guitar after he passes away.

Ever since cancer invaded his adoptive mother’s life, Brett feels like he’s losing everything, most of all control. To cope, Brett fuels all of his anxieties into epic fantasies, including his intergalactic Kid Condor comic book series, which features food constellations and characters not unlike those in his own life.

There are stories so terrible that we tremble to hear even a whisper of them. Even more terrible, some of them are true. This is one such story, a story of our deepest inhumanity, one that confronts the history of violence against children, and through its young narrator attempts to find a way out. A horror story and ghost story told as much through art as through text, The Book of Denial is an antidote to our collective silence. By uplifting storytelling as a means of understanding the past and shaping the future, it is also improbably a beacon of hope.

“The True Story of a Mouse Who Never Asked for It is based on the older, more radical version of “La Ratita Presumida” [sometimes known in English as The Vain Little Mouse] –a folktale still told to this day that became popular in Spain and Latin America only after it had been transformed into a moralizing fable about knowing your proper societal place as a woman. … Folklorist Ana Cristina Herreros uncovered a different, older version of the tale in the collection of 19th-century Mallorcan folktales of Archduke Ludwig Salvator of Austria. In this telling, the mouse-protagonist isn’t conceited or foolish at all: she works hard to make herself a home, and she is eaten by the cat because such is the nature of these two animals, not out of punishment for her vanity or pride. … For Herreros, there is no need to look any further than the archduke’s collection for a feminist take on the folktale: “This has been my job, to look for old and true versions, which speak a symbolic–and therefore, universal–language, and to create my own versions, which is how I contribute as an author.” The story Herreros found in the archduke’s collection, and the retelling she presents in this picture book belong to a long line of stories told to teach girls how to identify and protect themselves from predators.”–

A lyrical meditation on going to the park to play, which extends into a reflection on life itself.

Told through 50 objects, this groundbreaking book offers a fresh perspective on our past to inspire you to build a better future.

Julieta is eager to honor her Abuelita’s spirit on Día de Muertos but struggles to find the perfect gift.