by Holly Johnson
The month of May has allowed us to think about diaspora and movement. And with such movement, there is the question of the aftermath of such movements. Do those who were forced to move feel settled in their new homes? Is the new place even home? I would suggest that the aftermath may be similar to borderlands, whereby there is a hybridity of both the old mixed with the new. Continue reading
by Rebecca Gasiewicz
“These writings may shock or horrify you, but that is not my intention. It is my greatest hope that the pages in this jar stir your deepest well of human compassion. I hope they prompt you to do something, to tell someone. Only then can we ensure that this kind of evil is never allowed to repeat itself.” Ruta Sepetys, Between Shades of Gray Continue reading
by Holly Johnson
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“When I am asked who I am, I say, I am an African who was born in America. Both answers connect me specifically with my past and present … therefore I bring to my art a quality which is rooted in the culture of Africa … and expanded by the experience of being in America.” (Tom Feelings, The Middle Passage)
by Holly Johnson
The month of May in many locations heralds the return of spring and the renewed energy of insects, birds, and animals. They forage throughout their landscapes, spreading and scattering seeds, nuts, and pollen as they travel. With their movement, they create a natural diaspora that spreads life to new locations that may be appreciated or rejected, depending on how that new life is perceived by the environment in which it starts to grow. Similar to this natural diaspora and subsequent outcomes in the new environment, human diaspora also interjects lives and situations that are either appreciated or resented within the new environment with treatment similar in replication to that which is found in the natural world. Yet, all too often, human diaspora is not “natural” but rather forced as part of horrific circumstances generated by other human beings who do not recognize the humanity of those they have displaced, mistreated, or killed. Continue reading
Juan Bobo Goes to Work: A Puerto Rican Tale or Juan Bobo busca trabajo
By Judi Moreillon, Texas Woman’s University
The stories of Juan Bobo have a long history in the oral tradition of Puerto Rico. Similar to the English folklore character Lazy or Foolish Jack, Juan Bobo, or “Simple John,” bumbles through life from misunderstanding to misunderstanding. Sometimes he’s a trickster, sometimes a town fool, but all the time, Juan Bobo is good for a laugh. This character has starred in many books, is featured in school curricula, newspaper serials, puppet plays, and even an animated cartoon. Continue reading
Pretty Salma: An African Little Red Riding Hood Story
By Judi Moreillon, Texas Woman’s University
In 2008, the United States Board on Books for Young People (USBBY) selected Pretty Salma: An African Little Red Riding Hood Story for inclusion on the Outstanding International Books (OIB) for children and young adults. This book was recommended for grades K-2. The book jacket notes Pretty Salma is set in West Africa and a brief glossary with two Ghanaian words accompanies the book’s dedication “For Salma.” Continue reading
When Animals Were People: A Huichol Indian Tale/Cuando los animales eran personas: Un cuento huichol
By Judi Moreillon, Texas Woman’s University
In When Animals Were People: A Huichol Indian Tale/Cuando los animales eran personas: Un cuento huichol Bonnie Larson retells a story told to her by the book’s illustrator Modesto Rivera Lemus. The biographical information at the back of this English/Spanish bilingual book rightly identifies Mr. Lemus as the “narrator” of this story. This collaboration between the narrator, reteller, and illustrator results in a story and book richly textured with Huichol culture.
The book opens with a prologue that explains the time in Huichol history, when after a great flood had destroyed most of the animals and plants on earth, Continue reading
By Judi Moreillon, Texas Woman’s University
As Rachel Young, former Art of Storytelling student learned, Hungarian folktales often begin with these lines: “Once there was, or once there wasn’t…” This introduction could easily be applied to a retelling of Climbing Rosa. Retold by Shelley Fowles, this story is about a girl who is an expert at climbing because she is forced by her stepmother and stepsister to sleep on the roof of their house. This skill gives her an advantage when the king has had enough of his son’s reading, reading, reading and holds a contest in which the prize is none other than the prince himself. Continue reading
My Village: Rhymes from around the World
By Judi Moreillon, Texas Woman’s University
In addition to informational books and Web sites, school and public librarians and classroom teachers who are looking to provide children with global perspectives often turn to traditional literature. The fairy and folktales, myths, and fables of a people provide “insights into the underlying values and beliefs of particular cultural groups” (Short, Lynch-Brown, and Tomlinson 108). These stories that have their origin in the oral tradition carry cultural markers that offer readers and story listeners opportunities to learn about and compare other worldviews to their own. Continue reading
by Michelle Grace Williams and Julia López-Robertson, University of South Carolina
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The most educators can do is to create structures that would enable submerged voices to emerge. It is not a gift. Voice is a human right. It is a democratic right. (Macedo, 2006.p. 4)
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In our first blog last week, we explained that the goal for all of our blogs is to discuss texts that could be used in the classroom to validate the experiences of Black children; children of the African Diaspora, children of African ancestry located in America, Continue reading