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Reader Response: The Dreamer Part II

by Carmen M. Martínez-Roldán, University of Texas, Austin

The DreamerThis week we aim to have an online discussion of The Dreamer. A small group of students from Teachers College participating in a course on Latino literature, will share their responses to the novel. Please, join our discussion. One of my favorite scenes was the interchange of gifts between Neftalí and an unknown child through the hole in the fence of the backyard. Continue reading

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Reader Response: The Dreamer

by Carmen M. Martínez-Roldán, University of Texas, Austin

During the month of July we want to invite readers to respond to the 2011 Pura Belpré Award winner, The Dreamer (2010), written by Pam Muñoz Ryan and illustrated by Peter Sis. Based on events of Pablo Neruda’s childhood and inspired by his poetry, Pam Muñoz created a fictionalized account that offers adolescent readers the opportunity to meet one of the greatest poets of the twentieth century: Chilean poet Pablo Neruda (1904-1973) who received the Nobel Prize for Literature in 1971.

Book cover for The Dreamer Book cover for El Sonador

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Responding To Literature as A Community: Transactions with When You Reach Me

By Andrea García, Hofstra University

Book cover for When You Reach Me

Happy summer to the kids of New York City.
Read for joy.
Write for yourselves.

Rebecca Stead (http://rebeccastead.blogspot.com/ )

It is officially summer! As the school year comes to an end, and teachers pack up their classrooms, I have selected to focus my last blog entry for the month of June on sharing examples of a multimodal response project created by teachers to the 2010 Newberry award-winning book When You Reach Me by Rebecca Stead. This book was one of the choices I made available to teachers in my Children’s Literature course this past spring, and since it is a book that invites us to consider the possibility of time travel, why not use Stead’s work as inspiration as we imagine what we will do, what we will read, and what we will write this summer.
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Responding To Literature as A Community: Transactions with Pictures of Hollis Wood

By Andrea García, Hofstra University

I want to see children curled up with books, finding an awareness of themselves as they discover other people’s thoughts. I want them to make the connection that books are people’s stories, that writing is talking on paper, and I want them to write their own stories. I’d like my books to provide that connection for them. — Patricia Reilly Giff

Book Cover for Pictures of Hollis WoodsFinding stories that help readers become aware of themselves as they get to “discover other people’s thoughts,” like award-winning author Patricia Reilly Giff describes, ensures that readers have the opportunity to entertain multiple perspectives on life and consider multiple possibilities for what it means to be human in today’s world. Patricia Reilly Giff’s achieves these goals through her remarkable storytelling and her impeccable character development. As the author of over 80 books, including Newbery Honor Books Lily’s Crossing and Pictures of Hollis Woods, Giff’s stories remind us to stop and consider the power of our daily experiences, as we go about our lives meeting people who help shape our identities. Continue reading

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Responding To Literature as A Community: Transactions with Tofu Quilt

By Andrea García, Hofstra University

Our business seems usually to be considered the bringing of books to people. But books do not simply happen to people. People also happen to books. A story or poem or play is merely inkspots on paper until a reader transforms them into a set of meaningful symbols. When these symbols lead us to live through some moment of feeling, to enter into some human personality, or to participate imaginatively in some situation or event, we have evoked a work of literary art. (Rosenblatt, 1956/2005, p. 62-63)

Book cover for Tofu QuiltReading books together and discussing them within a community of readers is at the heart of the process of constructing meaning and negotiating the multiple dimensions that literature has to offer. This month, the focus of my blog is in sharing the literary transactions of a community of elementary teachers, who were invited to document their interpretations to different books through engaging with multiple response strategies while exploring the use of children’s literature in the elementary classroom. Since one of my goals as a literacy educator is to bring books to people Continue reading

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Reading as a Collaborative Act: Crossing Borders with Pam Muñoz Ryan

By Marie LeJeune and Tracy Smiles, Western Oregon University


During the month of April we’ve explored how some of our favorite authors can be mentors for reading, writing, and global citizenship. For our final post this month we are featuring author Pam Muňoz Ryan.
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Reading as a Collaborative Act: Interactions with Linda Sue Park

By Marie LeJeune and Tracy Smiles, Western Oregon University

Mentor Author: Linda Sue Park

This week, we begin our exploration of some of our favorite authors whom we have looked to as mentors in our classrooms—authors whose work and words contribute to our teaching of reading, writing, language, and culture. Again, we draw upon the framework below for our initial selection of possible mentor authors when we embark upon such study with students. Additionally, we are currently deeply immersed in work with international issues, themes, and literature with both students and teachers in K-12 classrooms. We are now layering <a href="http://wowlit.org/blog/2011/04/04/reading-as-a-collaborative-act-a-framework-for-exploring-author-studies/#more-15955Marie’s Framework for Mentor Author Studies with a Framework for International Curriculum (Short, 2003). In addition to seeking authors who are strong mentors for student writers—we also strive to consider and include issues of personal cultural identity, cross cultural studies, the integration of international experiences and texts, and inquiry into global issues (Short, 2003).
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To be or not to be: Graphic Novels in the Classroom?

by Julia López-Robertson, Amber Hartman, Jennifer Judy, Lillian Reeves, University of South Carolina

Many teachers are very hesitant to use graphic novels in their classroom. Much of the hesitation has to do with a personal lack of familiarity with this specific form of literature. For some, the use of graphic novels in the classroom is foreign and scary, some might not even see it as “literature,” while others are actually beginning to see the great advantage of using them to supplement student learning.
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Border Crossing: Children in the Cultural Crossfire

by Julia López-Robertson with Amanda Dunnigan & Rebecca Martin
University of South Carolina

Book cover from A Step from HeavenIn A Step from Heaven, An Na invites us on the Parks’ journey as a recently arrived Korean family who migrated to the United States (Mi Gook) seeking a better life. Young Ju, our seven year old protagonist, believes that Mi Gook is heaven, but is it? The family’s new life in the United States is full of contradiction and chaos; they desire to belong and fit in while still maintaining their Korean heritage, is this possible? As we continue to serve more immigrant children in our schools, how can we help them cross borders between life inside the home vs. life outside in the world?
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Border Crossings: Tangled Threads

by Julia López-Robertson, Michelle Metts and Tracy Spires, University of South Carolina

Book Cover for Tangled Threads: A Hmong Girl’s StoryImmigrant students face significant challenges in balancing their home culture and American culture. In Tangled Threads: A Hmong Girl’s Story (Shea, 2003), Heather and Lisa assimilated to the American culture and brought heartache and disappointment to their parents and grandmother. Many parents display tremendous bravery in bringing their families to America, only to lose their children to American culture (Buley-Meissner, 2002). ESOL (English to Speakers of Other Languages) teachers can assist students in embracing their home culture. Continue reading