by Kathy G. Short, University of Arizona
The Common Core State Standards put a major emphasis on the close reading of texts, recommending that students find and cite evidence in the text as they discuss key ideas and details, craft and structure, and knowledge and ideas. Text analysis is viewed as bringing rigor to reading with an emphasis on higher level critical reading skills. Any text read to or by students is used for instructional purposes, to teach something. If students respond to a text by talking about what it reminds them of from their lives, teachers are to steer students back to the task and ask them to talk about what the story is about—to get the details and to support their statements by citing evidence in the text. Text-dependent questions and evidence, not connection, are valued. Continue reading
One aspect of the Common Core State Standards that has received a great deal of attention is the increased focus on informational texts. The CCSS document calls for 50/50 split between informational and literary texts in kindergarten, gradually increasing to a 70/30 split in high school.
Often I think my English accent is like a cultural microchip that contains my cultural and linguistic DNA. That microchip reflects the local and global contexts from several different U. S. and international environments in which I have lived. My personal aesthetic responses in my literature reviews reflect the salient insights of both my views of diversity and of contemporary global connections as they relate to multiculturalism in the U. S. 
Korea’s traditional beauty is mirrored in its architectures, symbols, pottery, and ancient palaces and make up most of the common “Korean” postcard faces I encountered when I visited one of the most popular and largest bookstores in Seoul, Kyobo books. I mumbled, “interesting,” and felt and tasted a kind of betrayal. I felt I have fought consistently for a postcolonial non-Eurocentric portrayal of Asian and Korean cultures in my children’s literature studies, yet such traditional subjectivity is produced and consumed internally in Korea as a mark of Koreanness. Tradition is like a double edged sword providing rich cultural facets and, concurrently, glaringly flawed over-representations of a culture, producing a “tunnel vision” (Scott,1998, p.47) of narrow understanding of that culture.
Following last week’s blog, I reread my WOW Book Reviews, all of which illustrated conflicts with young protagonists and their cultural affiliations. Each protagonist struggled with their cultural identity, though in different ways. Eleven year-old Lucy, a Chinese-American in 
