Decorative WOW Currents Banner

Picturebooks That Focus on Black Children and Their Families

Janelle Mathis, University of North Texas, Denton, TX

Cover of Tiara's Hat Parade depicting a young black girl smiling with a blue hat on her head as her mother smiles down at her while making a green hat.

As I continue sharing topics or theme that seemed to be predominant in the many books read by our Notable Children’s Books (ALA) committee, in this WOW currents I will share picturebooks focused on Black children and their families. While this is not a new topic within the books published each year, children’s literature advocates are quick to note that among our diverse populations, the demographics, as continuously recorded by the Cooperative Children’s Book Center regarding populations does not align proportionately with the books published that reflect diverse children. Books sharing the stories of Black / African American children have been continuously increasing in terms of rich tapestries of historical events, previously untold stories of significant individuals, and general narratives of childhood across genre. However, this past year I found interesting, important, and pleasing, the continuous and abundant submission of realistic fiction picturebooks to our committee that specifically focused on the contemporary Black child and family relationships. Among these many books from 2020, I noted culturally specific stories, universal narratives around Black families, and books that celebrate and affirm identity for a child within these families. The seven titles shared here are merely a sampling of these books that stood out for me over 2020 but ones that uphold the potential of children’s literature to serve as mirrors, windows, and sliding glass doors (Rudine Sims Bishop, 1990) for children across the globe. Continue reading

Decorative WOW Currents Banner

Literary Arts Biographies for Young Readers and Writers

Celeste Trimble, St. Martin’s University, Lacey, WA

Cover of Sounds and Silences, depicting two trees, one drawn realistically and one drawn abstractly.When I was fourteen, I loved poetry. I always loved it, having grown up on a steady diet of recited nursery rhymes and children’s poetry like A Child’s Garden of Verses by Robert Louis Stevenson. But something happened in junior high school: The anthology, Sounds and Silences: Poetry for Now, edited by Richard Peck. I loved that it included song lyrics by Woody Guthrie, Leonard Cohen and The Beatles–verses I recognized. What I really loved about this book was that it was my introduction to writers who shaped and continue to shape how I think about the world, my life and the lives around me. “The Rebel” by Mari E. Evans was practically an anthem for the duration of my adolescence. Langston Hughes, e e cummings, Dylan Thomas, this book was my introduction to modern poetry. But, most importantly, it was my introduction to Gwendolyn Brooks. Continue reading