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Text Sets as Contexts for Understanding

Kathy G. Short, University of Arizona

Several years ago, Amy Edwards and I worked with her fifth graders in literature circles around a set of novels set in China. Her students had been reading and discussing global literature for several years, and so she didn’t hesitate in beginning the school year with these novels as a way to build off interest in the Beijing Olympics. The problem was that the novels were historical fiction, many set during the time of the Cultural Revolution, and it quickly became apparent that the students were struggling because they did not have enough knowledge about that time period. More worrisome, because the novels were historical, students were forming misconceptions about modern China as a repressive country set back in time.
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Confronting History: Young Korean Diasporas During WWII and the Chinese Cultural Revolution

by Yoo Kyung Sung, University of New Mexico Albuquerque NM

Why, in the classroom, is immigration often presented only as a parochial issue? Seldom do U. S. students read and discuss migration as a worldwide political and economic concern. Far too often their understandings of other countries are formed from easily generalizable geographical and cultural information. This denigrates the complexity of socio-political realities and the historical experiences of other countries. For example, they often reference Africa as one large nation instead of as a continent of many countries and diverse cultures. They are primarily aware of dominant groups within countries who, for their part, are frequently dismissive of others (i.e. Koreans in Korea dismissing non-Koreans). Sophisticated inquiry required for deeper understandings of global issues is too often neglected. I want to, then, introduce two books that may challenge such superficial assumptions about other nations.
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Confronting History: Experiencing Historical Tragedy Through Stolen Voices

by Yoo Kyung Sung, The University of New Mexico, Albuquerque, NM

“I didn’t know what was happening in Asia during WW II. I had no idea Korea was under Japanese occupation!” Every semester I repeatedly hear this message from my preservice teachers after reading books like When My Name Was Keoko, by Linda Sue Park. I wonder, “How did they miss this in their American history courses?”

These comments, and the picturebook The Grandmother Who Loves Flowers by Yoonduck Kwon, were catalysts that led me to reflect on the childhood texts I read, as a young Korean schoolgirl, about the WWII Japanese occupation of Korea. Seeking the truth about our history was important to me, but it was also equally uncomfortable. The Grandmother Who Loved Flowers is based on the story of Dahl Yun Sim, a thirteen-year-old Korean girl, kidnapped by Japanese soldiers during WW II as she and her sister were out picking wild greens.

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Korean Rediscovery of the Power of Historical Fiction

by Yoo Kyung Sung, The University of New Mexico, Albuquerque, NM

This December I want to, literally, take you to a different world of words — more specifically, a world of words in South Korea. Lately, Korean picture books have gotten worldwide attention due to their noticeable growth and uniqueness in styles. (From now on ‘Korea’ refers to South Korea in this post). Publishers, like Kane and Miller, have translated and published large numbers of picture books from Korea. The global attention and recent popularity of Korean picture books has triggered domestic scrambles among publishers in Korea to produce high quality picture books. In the last five years, a number of new book awards have been created. This new movement focuses on encouraging the development of new writers and illustrators by recognizing, through awards, young potential authors and illustrators.
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