All Momo wants for her twelfth birthay is an ordinary life, but instead she finds out she is half human, half goddess and must unlock her divine powers to save her mother’s life and keep countless evil spirits from escaping Yomi, the land of the dead.

Dounia is the story of a little girl who loves her home city of Aleppo, Syria, and its many smells, sights, and traditions. But when war breaks out, Dounia and her grandparents must flee Aleppo to find safety. Before they go, their neighbour reads their future in a cup of coffee, she sees a long difficult journey ahead of the family and a blue house awaiting them at the end. Taking only a bird carved from Aleppo soap and four little barake seeds in her pocket, Dounia faces dangerous waters, a camp surrounded by barbed wire, and unfriendly soldiers, and she wonders where she and her family belong in the world. Remembering the ancient knowledge that barake seeds ward off evil, she pulls one from her pocket to use for each of the threats they face. Magically, the seeds from their faraway home help them along their way, until they finally find the blue house at the end of their journey. In her new home, Dounia plants her final seed in a pot so it can grow and offer more seeds, while also keeping a piece of Aleppo with her. The baraké seeds represent the Syrian culture. Although Dounia is fleeing her country, she carries with her the strength of her people. It is by tapping into her roots, represented by the seeds, that she finds her own strength and resilience. The magical moments brought about by the baraké seeds can be interpreted as Dounia’s imagination it’s a way of seeing the war and the migration from a six year old’s perspective. Dounia does not understand everything that is going on, but she is not a powerless victim. By using the seeds, she feels she is taking an active part in her own destiny. In the end, whether it is magic or Dounia’s imagination at play, it’s a story about obstacles faced by migrants and about the courage they have in facing these obstacles. As Marya puts it in her article for TBI Magazine, it reverses the common narrative in North American media that Syria is synonymous with devastation and destruction, and that Syrian refugees can only be victims of their circumstance, rather than brave, vibrant heroes who can take charge of their own stories.

In 2004, four undocumented Mexican teenagers arrived at the national underwater robotics championship at the University of California, Santa Barbara. No one had ever told Oscar, Cristian, Luis, or Lorenzo that they would amount to much until two inspiring high school science teachers convinced the boys to enter the competition. Up against some of the best collegiate engineers in the country, this team of underdogs from Phoenix, Arizona, scraped together spare parts and a few small donations to astound not only the competition’s judges but themselves, too.

Of Light and Shadow is a novel about magic, mayhem, love, and betrayal-the story of a bandit and a prince who change each other in unexpected ways.

A collection of tanka poems, illustrations, and photographs explore biomimicry and show how plants, animals, and objects in the natural world have inspired human made inventions. Includes additional backmatter information about biomimicry, tanka and the natural and human-made objects featured.

Transformed by the goddess Yemoja into a Mami Wati, an African mermaid charged with collecting the souls of those who die at sea, Simi goes against the gods to save a living boy, Kola, from drowning.

A little girl and her grandfather rediscover the Cree language together.

Featured in August 2023’s WOW Dozen on books about Language Learning and Communication.

Fantastic Beasts and Where to Find Them meets Neil Gaiman in this thrilling novel about an Iranian American girl who discovers that her father was secretly a veterinarian to mythical creatures and that she must take up his mantle, despite the many dangers.

Two families flee extreme weather in India and come together on a mountaintop.

Once, Lan had a different name. Now she goes by the one the Elantian colonizers gave her when they invaded her kingdom, killed her mother, and outlawed her people’s magic. She spends her nights as a songgirl in Haak’gong, a city transformed by the conquerors, and her days scavenging for what she can find of the past. Anything to understand the strange mark burned into her arm by her mother in her last act before she died. The mark is mysterious and untranslatable Hin character and no one but Lan can see it. Until the night a boy appears at her teahouse and saves her life. Zen is a practitioner, one of the fabled magicians of the Last Kingdom. Their magic was rumored to have been drawn from the demons they communed with. Magic believed to be long lost. Now it must be hidden from the Elantians at all costs. When Zen comes across Lan, he recognizes what she is: a practitioner with a powerful ability hidden in the mark on her arm. He’s never seen anything like it but he knows that if there are answers, they lie deep in the pine forests and misty mountains of the Last Kingdom, with an order of practitioning masters planning to overthrow the Elantian regime. Both Lan and Zen have secrets buried deep within secrets they must hide from others, and secrets that they themselves have yet to discover. Fate has connected them, but their destiny remains unwritten. Both hold the power to liberate their land. And both hold the power to destroy the world. Now the battle for the Last Kingdom begins.