Volume III, Issue 2
WOW Stories: Connections from the Classroom is a regular on-line publication of WOW containing vignettes written by classroom educators about children’s experiences reading and responding to literature in the classroom setting.
Becoming Critical Readers through Engagements with International and Multicultural Literature
By Janine Schall
Critical Reading in K-6 Classrooms
Transformative Practice: Multicultural Texts, Critical Literacy, and Student Choice
By Courtney Bauer
Learning To Mean: Teaching about Refugees
By Lorraine Wilson
Students’ Views of the Values of Characters in International Children’s Literature
By Deanne L. Paiva
Critical Reading in Teacher Education
“What?! That happened in America?”: Learning about U. S. History through Multicultural Literature
By Julia López-Robertson and Lillian Reeves
The Significance of Perspective in Exploring International Literature with Educators
By Kathy G. Short
WOW Stories, Volume III, Issue 2 by Worlds of Words is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Based on a work at https://wowlit.org/on-line-publications/stories/storiesiii2/.
WOW stories: connections from the classroom
5 thoughts on “Becoming Critical Readers through Engagements with International and Multicultural Literature”
Children’s literature is one of the most important ways the we can express values as well as the values of other cultures through print. It would be a great way to compare and contrast what we hold as our cultural values here in the U.S. with those of the cultures we examine through international literature. How can children learn different view points as well as how to respect those viewpoints? How can children learn that the world is a much bigger place than the classroom, school, state, or country? For most, international literature holds the answer as well as the key to unlock those doors. TV is probably the other way, but how rich a resource we have with a book
I appreciate having some how-to steps outlined for using multicultural & international lit in the classroom. It seems so obvious and straight-forward as I read, but without guidance like this I know I’d be floundering. I’m wondering about the Hancock quote, “Moral background becomes an influential part of response to the actions and decisions of characters in literature. Readers measure the right and wrong of characters against their personal value systems.” I like the emphasis on having students articulate the values they glean from a story, rather than on the values a teacher sees, and/but I’m wondering in light of Hancock’s observation if there is a skillful way for teachers to model how bias/stereotyping/cultural difference/over-generalizing factors into what-how we see & name values? Has anyone tried an approach like this?
My above comment was suppose to follow the article about using multicultural and international lit by Deanne Paiva. Sorry for that confusion!
I appreciated how this article focused on how being a holistic teacher requires the provision of holistic/creative/broad writing responses. It is true that a range and choice of expressive forms will allow student to demonstrate their knowledge (or lack of) most vividly. It is always helpful to see examples of new expressive strategies–THANKS!
And yes — like in Finland, all teachers should be empowered to realte lessons to community issues & knowledge!!!
I am posting to this article, as for some reason what I wrote about the other article posted here.
I found this article much more interesting than the other one. I particularly enjoyed to writing samples by children, as I used to be a bilingual writing specialist. It is as interesting to read what children say in word as much as it is interesting to see how they respond through picture. Building on prior knowledge about refugees and experiences is a great way to begin a discussion about this topic.
I also like the theme of children’s life journeys. It is a new concept since children aren’t viewed as having much of a life journey being only alive a few short years, yet they have as interesting a story to tell as adults through writing.
I like the idea of taking into account the child’s family background, community, etc. in both the home country and the new country. This makes it much more interesting but also tells a much deeper tale. It connects the old with the new in a sense, but also has continuity. Reading and writing about these experiences is very important in a multicultural curriculum. International children’s literature plays a key part in this at all levels. The refugee experience is unique in this connection.