by Yoo Kyung Sung, University of New Mexico
Land of Enchantment! — official nickname of the state I live in: New Mexico. I recall being urged to acquire some kind of “Green Chile literacy” about the culture and history of New Mexico before even packing for Albuquerque. (Green Chile sauce was selected as the best “iconic” American food in 2013). So this week, my focus is on the unheard voices of significance in local literature that helps readers experience and even question cultural omissions and the consequent cultural marginality that results. More importantly, how do we assess how that marginalization in local literature affects readers who identify themselves in books about “my/our place.” Continue reading
This month we’ve been looking closely at how the art and written text in picturebooks work together to convey meaning and exploring how to help children experience the full richness in picturebooks by reading both. This week we’ll examine how Jenna Loomis read 
This month in WOW Currents we’re exploring how to help children read the art and written texts in picturebooks, Picturebooks are “a unique art object, a combination of image and idea that allows the reader to come away with more than the sum of the parts” (Kiefer, 1995, p. 6). In our work we’re helping children read the art and think like artists to support them in experiencing the full richness and meanings in picturebooks (Martens, 2012). This week we’ll explore how Laura Fuhrman helped her first graders read and experience the art and written text in 
Picturebooks are “text, illustrations, total design; …As an art form [they hinge] on the interdependence of pictures and words, on the simultaneous display of two facing pages, and on the drama of the turning of the page” (Bader, 1976, p. 1). This week we continue our exploration of helping children read the art and written texts in picturebooks by seeing how Michelle Doyle shares the richness in 
