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The Power of Choice, Voice, and Inquiry: Students and Teachers Talk about Text Sets

By Lauren Freedman, Western Michigan University

Moon Text Set

It’s more books than we can read, but we get to choose…and the pictures really help…I never used the raggedy old [text] books, we used to have…but now I like these new books and there’s so many, I feel like I’m at the library…you can investigate history and science facts and some books even disagree; then we go to Mr. Xxx and he says “look it up on the web,” so we become investigators.

The books help me learn to read cuz I can go ‘til I find a book that makes sense to me and then there’s another book and then another so I can read as many as 3 books sometimes in one class and that’s a lot…yeah, but you don’t gotta read a whole book to find what you need so you don’t really read 3 books but look at maybe more…and Mrs. Xxx says that’s okay…and you still learn a lot…the trouble with these books is that they make you ask a lot of questions and then Mr. Xxx says the answers are in these books, find ‘em…yeah then you gotta read more.

–7th grade focus group

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The Way School Should Be: Navigating Learning with Text Sets

By Lauren Freedman, Western Michigan University

Don’t let school get in the way of a good education. Mark Twain

Ok! I introduced the books and ninety minutes later, I was physically taking books out of students’ hands and pushing them out the door. Let’s talk about getting more of these for other units. A teacher using text sets for the first time

While sometimes school can be irrelevant, it doesn’t have to be. In fact, school can provide the beginnings of a fabulous life exploration that takes children on adventure after adventure learning about the world in which they live while laying the foundation to preserve it and change it as needed. While books (and other print media) are often thought of as providing mirrors and/or windows, I contend that they provide living, breathing, breathtaking experiences (albeit vicariously). Continue reading

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Reading as a Collaborative Act: Crossing Borders with Pam Muñoz Ryan

By Marie LeJeune and Tracy Smiles, Western Oregon University


During the month of April we’ve explored how some of our favorite authors can be mentors for reading, writing, and global citizenship. For our final post this month we are featuring author Pam Muňoz Ryan.
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Reading as a Collaborative Act: Sherman Alexie as Mentor

By Marie LeJeune and Tracy Smiles, Western Oregon University

Book cover for The Absolutely True Diary of a Part-Time IndianThis week, we continue our exploration of authors as mentors—authors whose work and words contribute to our teaching of reading, writing, language, and culture. As we’ve mentioned in past weeks, we are interested in exploring a study of mentor authors whose work informs students as readers and writers but also as global citizens. We are now layering Marie’s framework for Mentor Author Studies with a framework for International Curriculum (Short, 2003).

This week we examine a mentor author study of Sherman Alexie, whose work we have shared with middle and high school students and their teachers. Although Alexie’s The Absolutely True Diary of a Part-Time Indian is his only novel deemed “young adult,” much of Alexie’s work is suitable for secondary study, including many of his poems, essays, short stories and novels. Continue reading

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Reading as a Collaborative Act: Interactions with Linda Sue Park

By Marie LeJeune and Tracy Smiles, Western Oregon University

Mentor Author: Linda Sue Park

This week, we begin our exploration of some of our favorite authors whom we have looked to as mentors in our classrooms—authors whose work and words contribute to our teaching of reading, writing, language, and culture. Again, we draw upon the framework below for our initial selection of possible mentor authors when we embark upon such study with students. Additionally, we are currently deeply immersed in work with international issues, themes, and literature with both students and teachers in K-12 classrooms. We are now layering <a href="http://wowlit.org/blog/2011/04/04/reading-as-a-collaborative-act-a-framework-for-exploring-author-studies/#more-15955Marie’s Framework for Mentor Author Studies with a Framework for International Curriculum (Short, 2003). In addition to seeking authors who are strong mentors for student writers—we also strive to consider and include issues of personal cultural identity, cross cultural studies, the integration of international experiences and texts, and inquiry into global issues (Short, 2003).
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Reading as a Collaborative Act: A Framework for Exploring Author Studies

By Marie LeJeune and Tracy Smiles, Western Oregon University

Author studies are common in many classrooms, but studying mentor authors means that we look at those who write for children and young adults in new ways—not just a study of their work and their life, but an in depth exploration of their craft and writing habits. In What You Know by Heart (2002), Katie Wood Ray reminds us that authors can be co-teachers of literacy experiences. In The Wonder of It All (2007), Nancy Johnson and Cyndi Giorgis explore how authors and illustrators create an ideal partnership for us when teaching—we teach in collaboration–their words layer together with our words to expand meaning in the socio-cultural contexts of our classrooms. This process of studying authors has even more power in the 21st century—in today’s world, authors and illustrators are potentially closer to children and young adults than they have ever been. Students can interact with authors in “real time” via blogs, social networking sites (Facebook, etc.), video and pod casts, websites, and other digital avenues for exploring authors’ craft and their lives as writers and creators.
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To be or not to be: Graphic Novels in the Classroom?

by Julia López-Robertson, Amber Hartman, Jennifer Judy, Lillian Reeves, University of South Carolina

Many teachers are very hesitant to use graphic novels in their classroom. Much of the hesitation has to do with a personal lack of familiarity with this specific form of literature. For some, the use of graphic novels in the classroom is foreign and scary, some might not even see it as “literature,” while others are actually beginning to see the great advantage of using them to supplement student learning.
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Border Crossing: Children in the Cultural Crossfire

by Julia López-Robertson with Amanda Dunnigan & Rebecca Martin
University of South Carolina

Book cover from A Step from HeavenIn A Step from Heaven, An Na invites us on the Parks’ journey as a recently arrived Korean family who migrated to the United States (Mi Gook) seeking a better life. Young Ju, our seven year old protagonist, believes that Mi Gook is heaven, but is it? The family’s new life in the United States is full of contradiction and chaos; they desire to belong and fit in while still maintaining their Korean heritage, is this possible? As we continue to serve more immigrant children in our schools, how can we help them cross borders between life inside the home vs. life outside in the world?
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Border Crossings: Tangled Threads

by Julia López-Robertson, Michelle Metts and Tracy Spires, University of South Carolina

Book Cover for Tangled Threads: A Hmong Girl’s StoryImmigrant students face significant challenges in balancing their home culture and American culture. In Tangled Threads: A Hmong Girl’s Story (Shea, 2003), Heather and Lisa assimilated to the American culture and brought heartache and disappointment to their parents and grandmother. Many parents display tremendous bravery in bringing their families to America, only to lose their children to American culture (Buley-Meissner, 2002). ESOL (English to Speakers of Other Languages) teachers can assist students in embracing their home culture. Continue reading

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The Space Between : A beginning journey into border crossing

by Julia López-Robertson & Lillian Reeves, University of South Carolina

Book cover for Return to SenderEmergent bilinguals make up 8.2% of the total population of all children under the age of 18 in South Carolina. While there are many languages spoken by immigrant children in our schools, Spanish is the most widespread language spoken by 40,000 of all emergent bilinguals (http://www.migrationinformation.org/ellinfo/FactSheet_ELL3.pdf). The Latino population has been on a steady increase nationally and in South Carolina specifically the population growth has been staggering; as reported by the American Community Survey, the change in the Latino population in the state of South Carolina in the period between 2000-2009 was 115.5%; in 2000 the Latino population was 94,652 and in 2009 it was 203, 939
(http://pewhispanic.org/files/factsheets/hispanics2009/Table%2014.pdf). Yet, when I arrived at the University of South Carolina in 2006, I taught the first course that had anything to do with teaching emergent bilinguals (while the state of South Carolina uses the term English Language Learner to describe children who will learn English as an additional language, I prefer emergent bilinguals (see García & Kleifgen, 2010).
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