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Inquiry into Cultural Authenticity in Traditional Literature: Sita’s Ramayana

by Judi Moreillon, Texas Woman’s University

“…Myth might be defined simply as ‘other people’s religion,’…”
Joseph Campbell

Sita’s RamayanaWhile folktales and fables are traditional literature of a secular nature, myths are sacred narratives. To people within a particular religious group, myths are true accounts of past events. Myths explain how the world came to be and how people’s behavior, societal customs, and institutional norms were formed. The main characters in myths are usually gods or heroes with supernatural powers and the humans with whom they interact. “…Myth might be defined simply as ‘other people’s religion,’ to which an equivalent definition of religion would be ‘misunderstood mythology,’ the misunderstanding consisting in the interpretation of mythic metaphors as references to hard fact” (Campbell 27). Continue reading

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Inquiry into Cultural Authenticity in Traditional Literature: Aesop’s Fables

by Judi Moreillon, Texas Woman’s University

Fables are another form of traditional literature. They are short stories written in prose or verse. The main characters are most often anthropomorphized animals whose behaviors demonstrate moral lessons. Fable tellers and writers end their stories with a maxim, or a statement that encapsulates the moral. The most famous fables in Western culture are attributed to a Greek named Aesop. Continue reading

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Inquiry into Cultural Authenticity in Traditional Literature: The Parade: A Stampede . . .

By Judi Moreillon, Texas Woman’s University

The week’s selection The Parade: A Stampede of Stories about Ananse, The Trickster Spider was selected for grades three through five on the 2012 USBBY Outstanding International Books list. This collection was written by KP Kojo, the pen name of Nii Ayikwei Parkes, who was born and raised in Ghana, the original homeland of Ananse (sometimes spelled Anansi or called Kwaku Ananse or Anancy). Many U.S. children are familiar with picture book versions of Anansi stories. Authors such as Verna Aardema, Eric Kimmel, and Gerald McDermott (who also illustrates), have retold these stories for a young readership; they are all cultural outsiders to West Africa. Illustrators of these titles include Lisa Desimini and Janet Stevens, who are also cultural outsiders. Continue reading

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Inquiry into Cultural Authenticity in Traditional Literature: The Great Snake . . .

By Judi Moreillon, Texas Woman’s University


In the Amazon, people often laugh at their own belief in fantastic stories. But all the same, they believe the stories.

Taylor p. 55

As we continue our inquiry into folktales, we travel south to Brazil to investigate The Great Snake: Stories from the Amazon written by Sean Taylor and illustrated by Fernando Vilela. Sean Taylor, a Brit married to a Brazilian woman, lives part-time in her home country. Taylor frames the retellings of these stories as stops along his journey up the Amazon River. Continue reading

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Inquiry into Cultural Authenticity in Traditional Literature: When Apples Grew Noses

By Judi Moreillon, Texas Woman’s University

Each year the United States Board on Books for Young People (USBBY) selects and promotes a list of Outstanding International Books (OIB) for children and young adults. On the USBBY Web site, the annual list divided by instructional levels (K-2, 3-5, 6-8, and 9-12), is available as a downloadable bookmark. Educators can also find a Google map showing the setting of each book or the place of its publication. Continue reading

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Being Inspired, Surprised and Transformed by Literature

by Carmen M. Martínez-Roldán, Columbia University

It has been inspiring to learn about different ways of engaging teacher candidates with literature. In this last blog, I want to share some examples from my own teaching experience. Engaging teacher candidates and in-service teachers with literature is one of my favorite things as a teacher educator. As other instructors, I use different strategies to discuss the literature.

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Authors' Corner

Authors’ Corner: Jerry Pinkney

“Books give me a great feeling of personal and artistic satisfaction. When I’m working on a book, I wish the phone would never ring. I love doing it. My satisfaction comes from the actual marks on the paper, and when it sings, it’s magic.”

(Jerry Pinkney, on Putnam Penguin website, 2007)

Jerry Pinkney is the author/illustrator of over 75 books for young people. His colored pencil and watercolors bring animals and children to life with an ebullience of spirit that is both contagious and inspiring, while also presenting true artistic rendering of historical and fictional events that readers of all ages can enjoy. Recently at the Tucson Festival of Books, Pinkney shared that his books allow him to grow as a person, and I would note they have also allowed him to grow as both an artist and as a connoisseur of what will delight readers of all ages.

Pinkney received the Caldecott Award for The Lion and the Mouse (2009), a marvelous story of strength and beneficence that uses eight words and a series of astounding illustrations to tell the story of how a mighty lion receives help from a tiny mouse. Prior to winning the Caldecott Award, he was the recipient of five Caldecott Honor Awards, the most recent for Noah’s Ark (2003), but you should look at all five as they are truly remarkable. He also won three Coretta Scott King Awards and two Honor Awards for Illustration. My personal favorite from those five is Mirandy and Brother Wind (1989), which is a book that touches me aesthetically as both a reader and an amateur artist.

Pinkney’s most recent books include Twinkle, Twinkle, Little Star (2011); Puss in Boots (2012); and The Further Adventures of Spider (2012). Joyful, joyful, joyful! Forthcoming is The Tortoise and the Hare (2013), which adds to the corpus of Pinkney’s other works on fables that are still timely and pleasurable to read. As a youngster Jerry worked at a newsstand, where he would sketch people who caught his eye. He noted this memory at the Tucson Festival of Books, along with the possibility of it becoming more present in one of his future endeavors.

Whatever Jerry Pinkney decides to do, he has a waiting audience. His books continue to inspire so many readers young and old, and I know that when I am able to move through The Tortoise and the Hare—his next work of art—I will be catching my breath! His work is that incredible.

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Engaging with Literature on Immigration

by Carmen M. Martínez-Roldán, Columbia University

 

This week we continue with the focus on the use of international children’s and adolescent literature in classrooms. Today I share an interview with Prof. Deanna Day from Washington State University at Vancouver, who shares how she incorporates international literature in her reading class. In her responses, she focuses on books on immigration.

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International Literature in the Classroom: Tofu Quilt

by Carmen Martínez-Roldán, Columbia University

This week Dr. Denise Dávila from The University of Georgia shares her experience using Tofu Quilt by Ching Yeung Russell with preservice teachers.

Nominated for multiple awards and included on many notable book lists (ALA, IRA, NCTE) this Asian Pacific American Library Association Honor Book (2010) offers a stunning collection of poems. Together, the poems tell the story of Yeung Ying’s childhood and education

in Hong Kong in the 1960’s, a time when educating girls was not a priority for some members of Chinese society. Continue reading

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Using International Literature in the Classroom

by Carmen Martínez-Roldán, Columbia University

I’m Dr. Martínez-Roldán, Associate Professor at Teachers College, Columbia University. During March I will be inviting educators, teachers, and librarians to share their experiences using international children’s and adolescent literature in their teaching. Each week I will feature the experience of an educator and hope that the reader will feel inspired to share her/his own experiences as a reader of the featured books. In this first blog, Dr. Jo-Beth Allen from the University of Georgia tells us how she uses literature in her university writing courses. Continue reading