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Text Sets: An In-depth Look

By Lauren Freedman, Western Michigan University

For this last Monday in May, my blog provides examples of text sets created by teachers from various grade levels and content areas. The topics are insects, weather, shapes and angles, amazing animals, and artists. The text set lists include 30 titles and for each book the following information is given: the bibliographic data, a brief summary of the book, what makes it useful within an inquiry, and special features that it may have. Continue reading

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Students and Scholars Respond: Text Sets & Inquiry Deepens and Strengthens Learning

By Lauren Freedman, Western Michigan University

Children and teachers, mired in narrow curricula and “say this now” instruction geared toward raising achievement scores on standardized tests, are hungry for interesting, engaging, and filling content to be reading, writing, speaking, listening, thinking, and learning about. In a 5th grade Social Studies classroom, the students engaged in an inquiry built around the American Revolution and used a tree as a graphic depiction not only of what they were learning, but also as a metaphor for their learning process and the ways in which inquiry and text sets facilitate learning. Along with the content learning depicted in the photos, the students also engaged in a metacognitive discussion about the ways in which “…a reader is like a tree.” The students’ responses quoted below clearly demonstrate the growth possible when the literacy diets of our children are varied and nutritious. Continue reading

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Learning Centered Classrooms: Where Inquiry and Text Sets are Essential for Literacy and Learning

By Lauren Freedman, Western Michigan University

An inquiry framework provides both teachers and students with a flexible structure that can be used for learning prek-12 within any content area and perhaps most effectively when integrating content areas. An inquiry framework requires careful planning keeping both the learning goals and each student’s strengths and needs in mind. The importance of students’ choice and voice is honored and the use of text sets provides the tools for students and teachers to reach more deeply and broadly into and across concepts. Continue reading

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The Power of Choice, Voice, and Inquiry: Students and Teachers Talk about Text Sets

By Lauren Freedman, Western Michigan University

Moon Text Set

It’s more books than we can read, but we get to choose…and the pictures really help…I never used the raggedy old [text] books, we used to have…but now I like these new books and there’s so many, I feel like I’m at the library…you can investigate history and science facts and some books even disagree; then we go to Mr. Xxx and he says “look it up on the web,” so we become investigators.

The books help me learn to read cuz I can go ‘til I find a book that makes sense to me and then there’s another book and then another so I can read as many as 3 books sometimes in one class and that’s a lot…yeah, but you don’t gotta read a whole book to find what you need so you don’t really read 3 books but look at maybe more…and Mrs. Xxx says that’s okay…and you still learn a lot…the trouble with these books is that they make you ask a lot of questions and then Mr. Xxx says the answers are in these books, find ‘em…yeah then you gotta read more.

–7th grade focus group

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The Way School Should Be: Navigating Learning with Text Sets

By Lauren Freedman, Western Michigan University

Don’t let school get in the way of a good education. Mark Twain

Ok! I introduced the books and ninety minutes later, I was physically taking books out of students’ hands and pushing them out the door. Let’s talk about getting more of these for other units. A teacher using text sets for the first time

While sometimes school can be irrelevant, it doesn’t have to be. In fact, school can provide the beginnings of a fabulous life exploration that takes children on adventure after adventure learning about the world in which they live while laying the foundation to preserve it and change it as needed. While books (and other print media) are often thought of as providing mirrors and/or windows, I contend that they provide living, breathing, breathtaking experiences (albeit vicariously). Continue reading

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Reading as a Collaborative Act: Crossing Borders with Pam Muñoz Ryan

By Marie LeJeune and Tracy Smiles, Western Oregon University


During the month of April we’ve explored how some of our favorite authors can be mentors for reading, writing, and global citizenship. For our final post this month we are featuring author Pam Muňoz Ryan.
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Reading as a Collaborative Act: Sherman Alexie as Mentor

By Marie LeJeune and Tracy Smiles, Western Oregon University

Book cover for The Absolutely True Diary of a Part-Time IndianThis week, we continue our exploration of authors as mentors—authors whose work and words contribute to our teaching of reading, writing, language, and culture. As we’ve mentioned in past weeks, we are interested in exploring a study of mentor authors whose work informs students as readers and writers but also as global citizens. We are now layering Marie’s framework for Mentor Author Studies with a framework for International Curriculum (Short, 2003).

This week we examine a mentor author study of Sherman Alexie, whose work we have shared with middle and high school students and their teachers. Although Alexie’s The Absolutely True Diary of a Part-Time Indian is his only novel deemed “young adult,” much of Alexie’s work is suitable for secondary study, including many of his poems, essays, short stories and novels. Continue reading

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Reading as a Collaborative Act: Interactions with Linda Sue Park

By Marie LeJeune and Tracy Smiles, Western Oregon University

Mentor Author: Linda Sue Park

This week, we begin our exploration of some of our favorite authors whom we have looked to as mentors in our classrooms—authors whose work and words contribute to our teaching of reading, writing, language, and culture. Again, we draw upon the framework below for our initial selection of possible mentor authors when we embark upon such study with students. Additionally, we are currently deeply immersed in work with international issues, themes, and literature with both students and teachers in K-12 classrooms. We are now layering <a href="http://wowlit.org/blog/2011/04/04/reading-as-a-collaborative-act-a-framework-for-exploring-author-studies/#more-15955Marie’s Framework for Mentor Author Studies with a Framework for International Curriculum (Short, 2003). In addition to seeking authors who are strong mentors for student writers—we also strive to consider and include issues of personal cultural identity, cross cultural studies, the integration of international experiences and texts, and inquiry into global issues (Short, 2003).
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Reading as a Collaborative Act: A Framework for Exploring Author Studies

By Marie LeJeune and Tracy Smiles, Western Oregon University

Author studies are common in many classrooms, but studying mentor authors means that we look at those who write for children and young adults in new ways—not just a study of their work and their life, but an in depth exploration of their craft and writing habits. In What You Know by Heart (2002), Katie Wood Ray reminds us that authors can be co-teachers of literacy experiences. In The Wonder of It All (2007), Nancy Johnson and Cyndi Giorgis explore how authors and illustrators create an ideal partnership for us when teaching—we teach in collaboration–their words layer together with our words to expand meaning in the socio-cultural contexts of our classrooms. This process of studying authors has even more power in the 21st century—in today’s world, authors and illustrators are potentially closer to children and young adults than they have ever been. Students can interact with authors in “real time” via blogs, social networking sites (Facebook, etc.), video and pod casts, websites, and other digital avenues for exploring authors’ craft and their lives as writers and creators.
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To be or not to be: Graphic Novels in the Classroom?

by Julia López-Robertson, Amber Hartman, Jennifer Judy, Lillian Reeves, University of South Carolina

Many teachers are very hesitant to use graphic novels in their classroom. Much of the hesitation has to do with a personal lack of familiarity with this specific form of literature. For some, the use of graphic novels in the classroom is foreign and scary, some might not even see it as “literature,” while others are actually beginning to see the great advantage of using them to supplement student learning.
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