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Confronting History: Young Korean Diasporas During WWII and the Chinese Cultural Revolution

by Yoo Kyung Sung, University of New Mexico Albuquerque NM

Why, in the classroom, is immigration often presented only as a parochial issue? Seldom do U. S. students read and discuss migration as a worldwide political and economic concern. Far too often their understandings of other countries are formed from easily generalizable geographical and cultural information. This denigrates the complexity of socio-political realities and the historical experiences of other countries. For example, they often reference Africa as one large nation instead of as a continent of many countries and diverse cultures. They are primarily aware of dominant groups within countries who, for their part, are frequently dismissive of others (i.e. Koreans in Korea dismissing non-Koreans). Sophisticated inquiry required for deeper understandings of global issues is too often neglected. I want to, then, introduce two books that may challenge such superficial assumptions about other nations.
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Confronting History: Experiencing Historical Tragedy Through Stolen Voices

by Yoo Kyung Sung, The University of New Mexico, Albuquerque, NM

“I didn’t know what was happening in Asia during WW II. I had no idea Korea was under Japanese occupation!” Every semester I repeatedly hear this message from my preservice teachers after reading books like When My Name Was Keoko, by Linda Sue Park. I wonder, “How did they miss this in their American history courses?”

These comments, and the picturebook The Grandmother Who Loves Flowers by Yoonduck Kwon, were catalysts that led me to reflect on the childhood texts I read, as a young Korean schoolgirl, about the WWII Japanese occupation of Korea. Seeking the truth about our history was important to me, but it was also equally uncomfortable. The Grandmother Who Loved Flowers is based on the story of Dahl Yun Sim, a thirteen-year-old Korean girl, kidnapped by Japanese soldiers during WW II as she and her sister were out picking wild greens.

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Korean Rediscovery of the Power of Historical Fiction

by Yoo Kyung Sung, The University of New Mexico, Albuquerque, NM

This December I want to, literally, take you to a different world of words — more specifically, a world of words in South Korea. Lately, Korean picture books have gotten worldwide attention due to their noticeable growth and uniqueness in styles. (From now on ‘Korea’ refers to South Korea in this post). Publishers, like Kane and Miller, have translated and published large numbers of picture books from Korea. The global attention and recent popularity of Korean picture books has triggered domestic scrambles among publishers in Korea to produce high quality picture books. In the last five years, a number of new book awards have been created. This new movement focuses on encouraging the development of new writers and illustrators by recognizing, through awards, young potential authors and illustrators.
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Responding to Literature in the 21st Century: Challenges and Resources

by Janine Schall, University of Texas-Pan American, Edinburg, TX

I hope that through reading the previous four blog posts you became more aware of available technological resources for literacy classrooms. In this last blog post for November, I will briefly discuss some challenges facing teachers who want to use 21st century technological tools in their classrooms. I end with some online and print resources for those who want to explore these issues further.

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Responding to Literature in the 21st Century: Tools to Share Current Understandings

by Janine Schall, University of Texas-Pan American, Edinburg, TX

Scarlet Letter Prezi

What happens after the book is read and the discussion is over? How do students share their current understandings of the literature? Presentations and reports have also moved into the 21st century with a number of technological tools available.
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Responding to Literature in the 21st Century: Tools for Collaboration

by Janine Schall, University of Texas-Pan American, Edinburg, TX

We know that collaboration can help students create more sophisticated responses to literature. As students think together through oral or written dialogue they hear multiple perspectives, challenge others’ thinking, and revise initial responses. While children have always talked with friends about the books they read, today reading is increasingly social in new ways. Informal talk on the playground is being supplemented with a variety of online resources. For example, a very quick Google search brought up multiple online sites for fans of the Harry Potter series, including a message board, wiki, and fanfiction site.

These sites are sometimes run by a publisher or author, but they are often started by children and adolescents who want to share a reading experience with others. These children are building, maintaining, and moderating the sites. In addition, they are contributing a tremendous amount of content through writing, artwork, and video.

It is clear that children love to talk about books with other children in these informal, out-of-school contexts. How can teachers harness some of that impulse towards social interaction to support thinking about literature in school as well? In this post I will briefly discuss three online possibilities that can help with this: social networking, wikis, and voicethread.
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21st Century Tools for Thinking About Literature

by Janine Schall, University of Texas-Pan American, Edinburg, TX

WOW Currents readers are probably familiar with response strategies such as the graffiti board, written reflections, sketch to stretch, and save the last word for me. These engagements help children think about literature, deepen initial responses and prepare for literature discussions.

In this week’s post I will share several technological tools that can be used for similar purposes. One note: just like traditional response strategies, these technological tools can often be used for more than one purpose, so don’t let the way I organized these tools within this series of blog posts limit your use of them.
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Moving Beyond the Graffiti Board

by Janine Schall, University of Texas-Pan American, Edinburg, TX

The world has changed. What it means to be literate has changed.

Ok, so that’s a little portentous and possibly even cliché. It’s still true. Yet, if you look into many of today’s K-12 literacy classrooms you will see lessons, engagements and room arrangements that look almost identical to what you would have seen 50 and even 100 years ago. This is a problem.
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Childern’s Books & Diverse Cultures in an Undergraduate Course

by Marilyn Carpenter, Eastern Washington University

One of the benefits of attending the IBBY conference was discovering new friends. It was a special delight to meet authors from other countries. The conversations we had during breaks, at lunch, at evening receptions and at dinner offered enriching ideas to take back to share with my students and colleagues. Devika Rangachari is an author from India who became a new friend. Attending her session and learning about her research regarding the role of women in Indian history was informative. She gave me one of her books, Harsha Vardhana.
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Visual Journeys with Immigrant Readers

by Carmen M. Martínez-Roldán, University of Texas, Austin, TX

Book cover for The ArrivalThe IBBY Congress offered multiple opportunities for learning about the reading experiences offered to children in different parts of the world. One of those experiences that was the focus of lively discussions involved children reading wordless texts in the project, “Visual journeys: Understanding immigrant children’s responses to the visual image in contemporary picture books.” Dr. Evelyn Arizpe, from the University of Glasgow, coordinator of the project, Dr Cecilia Silva-Díaz and Brenda Bellorín, from the Universitat Autonoma de Barcelona, and myself from The University of Texas at Austin, shared the power of the visual image in the graphic novel The Arrival by Shaun Tan (2006) with linguistically different audiences in two workshops. We engaged the participants in reading and responding to the images of The Arrival and shared what we have learned about children’s responses to the text.
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