The Eyes and The Impossible by Dave Eggers is the story of Johannes, an independent stray dog that lives in the park eating the delicious food left by picnickers on the ground or in trash receptacles across his daily route of surveillance. He is, after all, the “eyes” of the park, informing the other nonhuman inhabitants who share the park with him of the changes he notes or of issues of which they should be informed. In many ways, Johannes is the caretaker of those with whom he shares his life.
For the most part, Johannes lives a wonderful life with all manner of possibilities. He runs fast, oh so fast, and sees, yes, sees so much, sees everything, of which he is the first to let the reader know. He reports his findings to the three buffalo who are the oldest and wisest of the inhabitants of the park. Johannes also accepts those around him. He appreciates them and councils with them, and only occasionally disparages the ducks, who seem to be not quite connected to, or concerned with, the rest of the world around them. Continue reading
It’s London, 1963 and Maggie Stephens stutters. Because she stutters so badly, Maggie rarely speaks and finds all kinds of ways not to have to speak or read in school. Interestingly, Maggie does not stutter when she speaks to animals. Her parents, concerned (and perhaps a bit embarrassed) about her behavior, wonder if she needs to be treated at Granville, a school for children who don’t seem to fit in to the typical school. Granville is terrifying to Maggie who has heard rumors about how children are beaten if they cry. Looking for a way out of the Granville plan, Maggie agrees to an alternative plan to spend time with her grandfather in Wildoak Forest. 
The environment has become a critical issue for a majority of people around the world. There are a number of ways to address the issue, and one of those ways is through an eco-cosmopolitan perspective. Eco-cosmopolitanism is “an attempt to envision individuals and groups as part of planetary ‘imagined communities’ of both human and nonhuman kinds” (Heise, 2008, p. 61). In children’s literature, we often get the perspective of an animal or insect. From Peter Rabbit (Potter, 1999) to Watership Down (Adams, 2014) to Charlotte’s Web (White, 2012) to more current texts such as Alice’s Farm (Wood, 2020) and 
