By Seemi Aziz, The University of Arizona
Poverty and social exclusion (due to poverty) are a sad fact of life, globally. Abject poverty and insatiable hunger and thirst impacts various walks of life and all kinds of people, but its impact is stronger, heart wrenching, and more powerful when it comes to young children. Hunger and thirst are a part of this, and it is never more deeply felt than now when Muslims are observing Ramadan globally. Consciously refraining from eating and drinking from sunrise to sunset every day for a month while living in the affluence of urban life in Western nations is very different from shortage or lack of food or water in refugee camps or war torn regions where water and food are already scarce in the relentless heat of summer months. Children’s literature in the USA has mostly been resistant to share these hardships and facts of life with the youth. Happy thoughts and memories are shared freely within picturebooks. We can observe this trend continue but with many recent exceptions where poverty, lives of young refugees and children living in war torn countries, are coming to the fore.
Interior illustration from Pablo Finds a Treasure by Andree Poulin and Isabelle Malenfant.
Baddawi by 
Echo by Pam Muñoz Ryan is a poignant story about the journey of a magical mouth harp (harmonica) through time and space. The masterful enmeshing of timeless fairytale and historical reality binds this powerful text into a strong narrative that highlights world events, prejudice, and social class distinctions. It all begins with Otto, who gets lost in a jungle where three sisters, bound by a witch’s curse, find him. Otto promises to break the curse by taking the harmonica out to the world. The harmonica, through its magical music, tangibly joins three children separated by place, which lifts the curse, freeing the three sisters. 
The well-executed plot of No Safe Place by Deborah Ellis follows the journey to freedom of three undocumented immigrant children. While the children struggle to reach the shores of England, a British orphan, released from the bonds of an oppressive uncle, joins them. These children, Abdul from Baghdad, Cheslav from Russia, Jonah from England, and the only female, Rosalia, a Romani, develop throughout the story. Ellis depicts a rich cultural background of the countries with distinct circumstances for each character. This story begins in France and culminates in England, providing a fine description of the traumatic lives many immigrants lead in France.
The first book that had an impact on the discussion of diaspora was Diamond Boy by Michael Williams. This story is about Patson Moyo a 15-year-old living with his father, stepmother and sister in Zimbabwe. His father is a schoolteacher who believes in his profession with all his heart but the stepmother wants more financially. The search for ‘more’ takes them to the Marange diamond fields; a portion of which belongs to the stepmother’s brother.Here the family divides as the stepmother opts to stay with her brother’s large family of two wives and children while Patson and his father and sister are driven to live in tobacco sheds while they search for their fortune in a ‘girazi’ (a priceless stone) that would change their lives forever. 
In Jeanette Winter’s 
After looking at the 11 picturebooks in this collection I came away with the realization that these books merely covered a few regions that Muslims occupy as well as a handful of situations. These limited portrayals provide only a window of restricted representations. For instance, the necessary voices of children living in the Western countries are represented in books that come across as didactic and may turn off the audience in western countries even if the content is culturally relevant. Amira’s Totally Chocolate World and Mobin-Uddin’s