By Mandy Medvin, Elizabeth Ford, and Charlene Klassen Endrizzi, Westminster College, PA., retired faculty
“Who’s telling the story? What changes when someone else tells the story?” Videos like this one, “The Trouble with History,” from the Native New York exhibit, a branch of Smithsonian’s Museum of the American Indian, challenge students, teachers and parents to consider, “What if the story we are reading isn’t the only one?” And what if the text contains labels that marginalize specific groups?
This month we seek to move beyond a single, white Euro-centric lens on the Westward Movement, a common feature in many middle grade social studies’ textbooks. Louise Erdrich’s The Birchbark House series and Laura Ingalls Wilder’s Little House novels, both aimed at middle grade readers, are set in the mid-late 1800s and offer a comparative lens on this time period in U.S. history, often called the “pioneer era.” Louise (1954-present) wrote her books based on her family research as a member of the Turtle Mountain band of Ojibwe, Anishinaabe people who lived in the Great Lakes region. Laura (1867 – 1957), born nearby in Wisconsin, provides an early white-centric perspective on the same historical time period and location. Juxtaposing these series offers a way to initiate conversations with students regarding two distinct ways of life and perspectives. Continue reading





Kapaemahu is a multilayered picturebook that leaves the reader with much to contemplate. Based on a traditional Hawaiian legend, this captivating picturebook begins by transporting the reader to the days before recorded history, the time of storytelling, long before the colonization of Hawaii. In that long ago time, four Tahitians journeyed across the Pacific Ocean and arrived on the shores of Waikiki on the island of Oʻahu. These visitors were māhū, two-spirited beings who were neither male nor female but “a mixture of both in mind, heart, and spirit.” The māhū were favored by the Gods “with skill in the science of healing.” They healed many of the islanders and to honor the māhū, the people erected four great stones. Before vanishing from the island, the māhū transferred their healing powers into these four stones. Following the telling of the history of the māhū, the story moves the reader ahead seven hundred years in history to witness the impact of colonization upon the stones and subsequently the culture of the Native Hawaiians. The book ends with the call to remember the story of the māhū declaring, “When you share that story, you honor it.”
Jane Goodall recently outlined, 
