By Kathy G. Short, University of Arizona, Tucson, AZ
Mary J. Wong recently donated the entire set of original oil illustrations for Paper Son: Lee’s Journey to America by Wilson Ong to the Worlds of Words Center along with his thumbnail sketches and color studies. In working on the exhibition, we wanted to include Wilson’s perspective and process in creating the illustrations and so interviewed him, gaining many useful insights into his process and the connection of the book to his family story. Continue reading
WOW Currents for this month highlights the trends in global books published and/or distributed in the U.S. between Summer 2021 and 2022. Each year, we examine the new books published in that period of time and check out review sources and awards to identify books we believe will be of most interest to K-12 educators for use in their contexts. This process allows us to update the 
Culturally authentic Indigenous American children’s literature is composed of traditional stories that consist of myths, legends and folktales in the oral storytelling traditions of a given people. This literature also includes contemporary stories and poetry. An affirmation of Indigenous children’s literature is noted by Dr. Debbie Reese (2007, p. 245):
Había una vez there was a hard-working WOW Center Student Library Aide who was tasked with processing books. She did not identify as a reader, and so she could handle large numbers of books without temptation–until The Last Cuentista by Donna Barba Higuera caught her eye. Did her supervisor look the other way as this book trailed the student worker through her assigned duties at the front desk, while training new co-workers and as she prepped for her eventual departure upon graduation? Yes, I did. I did because I also read The Last Cuentista and know how transportive the story is. 
