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Part 4 – His words to you: quotes from Francisco Jimenez

Sandy Kaser, University of Arizona, Tucson, Arizona

In my university classes, I sometimes use a strategy called “text rendering,” in which we read aloud a passage from a text or article that we found to be particularly meaningful. Although it is all right to discuss the passages, I personally prefer simply to hear the words and let them stand. I invite you now to hear the words of Francisco Jimenez taken from some of the multiple sources I reviewed in which he speaks in a public forum.
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Part 3 – Students’ Correspondence with Francisco Jimenez

Sandy Kaser, University of Arizona, Tucson, Arizona

Dear Mr. Francisco Jimenez,

    I’ve read all of your books and they are all so great! It made me disappointed how some of the people treated you and your family. Like when your girlfriend took you home to meet her parents and they were angry because you were a Mexican.
    I liked the part when you asked Roberto if he’d dance with you because you wanted to learn how to dance. And Roberto was afraid that someone would see you dancing together.
    I admired how you didn’t care what other people thought of you. You were brave and devoted and kept going even after someone insulted you or put you down.
    I also liked how your books were so descriptive, everything stood out in my mind. I could picture the people you described and the places you went in my mind like I’d actually seen them before.
    I loved your books. They were all so wonderful.
    Sincerely,
    Madeline

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Part 2 – Reading the words of Francisco Jimenez

Sandy Kaser, University of Arizona, Tucson, Arizona

Gordon Wells makes a case for spontaneous dialogue and its relationship to community and to society in the March 2009 issue of Language Arts,. He states that “the beliefs, values, and knowledge that are attributed to society remain abstract and disembodied until they are brought to bear in particular interpersonal situations.” He argues that “dialogue within a classroom helps to create community while simultaneously building a bridge between individuals and the society of which they are members.” As we read the books of Francisco Jimenez, our class engaged in dialogue that brought us together as a community, and that also enabled us to reflect on current issues and values in society.

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Part 1 – Discovering the words of Francisco Jiménez

Sandy Kaser, University of Arizona, Tucson, Arizona

Many teachers look for ways to make books meaningful to students. Sometimes we go about this in a deliberate way. Perhaps we have a unit of study coming up and so we look for books that offer different perspectives on this particular topic, or we have “umbrella” themes that cover an entire year and find books that support students in making connections and asking questions all year. In pulling books, we are careful to have a range that reflects the identities of the students entrusted to us.

But sometimes, we happen across a book that has an unexpected effect for both our students and ourselves. When that happens, we want to climb up on a roof top somewhere and shout, “This one! Read this one!” But then we discover that other folks have been shouting on that roof top and we just didn’t hear it. And we are all the more amazed. How did we miss it? This is what happened in my classroom with the books of Francisco Jiménez, specifically The Circuit, Breaking Through and Reaching Out.
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Visual Symbolism as Meaning-Making

Cheri Anderson, University of Arizona, Tucson, Arizona

Book Cover for My Little Round HouseThe final book we will share is My Little Round House written and illustrated by Bolormaa Baasansuren with an English adaption by Helen Mixter, published by Groundwood Books, 2009. Boloramaa Baasansuren graduated from the Institute of Fine Arts in Mongolia and also studied children’s book illustration in Italy and Russia. She has won numerous awards including Distinguished Best Book of Mongolia and prizes at the International Competition of Illustration (Teario/UNICEF) for her illustrations in Tales on Horseback, the Grand Prize at the international book competition of the National Cultural Festival in Fukuoka, Japan for The Legend of Wives’ Hair, and The Grand Prize at the Noma Concours for the Japanese edition of My Little Round House. She lives in Ulaanbaatar, Mongolia. Boloramaa Baasansuren’s extensive firsthand knowledge of Mongolian culture radiates throughout her extraordinary illustrations.
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Conveying Meaning through Visual Elements

Cheri Anderson, University of Arizona, Tucson, Arizona

Book Cover from The Imaginary GardenThis week we want to share the picture book, The Imaginary Garden, written by Andrew Larsen, illustrated by Irene Luxbacher, and published by Kids Can Press, 2009. The author and illustrator are both from Toronto where the illustrator lives in an art-filled apartment, an important context for this Canadian picture book. Reviews of this book need to discuss the use of color and texture as connected to the themes of imagination and relationships.
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Cultural Issues in Reviewing Illustration

Cheri Anderson, University of Arizona, Tucson, Arizona

Book Cover from Alego

Our focus this week is a picture book from Canada, Alego, written and illustrated by Ningeokuluk Teevee and published by Groundwood Books/House of Anansi Press, 2009. Ningeokukluk Teevee is an interesting young artist from Kinngait (Cape Dorset), home to the great tradition of Inuit art. The book provides an authentic introduction to the life and world of an Inuit child. Our analysis of the illustrations in this book raises issues about illustration styles that are specific to a particular cultural group and how those styles might be read by viewers outside that cultural tradition.
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Evaluating Illustrations in Reviews of International Picture Books

Cheri Anderson, University of Arizona, Tucson, Arizona

This July blog highlights the need to include more in depth discussion of the illustrations within picture books in published book reviews. The blog entries will each discuss an award-winning international picture book as an example of the kinds of discussion that should be occurring more frequently in reviews.

Illustrations create a depth of meaning within picture books that are essential to the reading experience for that book. Unfortunately most picture book reviews give only basic information about the illustrations, usually just the medium or technique. Although the medium used by illustrators and the techniques for how they create the art is important, many other visual aspects elements are equally as interesting. The complexity of illustrators’ decisions as they go about their creative processes is fascinating. Some of these decisions are also made by the art directors at the publishing companies. Visual decisions such as the book format, size of the book, font selection, and scale add to meaning making for the reader. Through skillful use of visual elements, such as color, line, space, and perspective, the illustrator engages the emotions of the reader and directs the reader’s attention. Just as important as the written text in establishing authenticity in picture books is a close examination of the illustration style and whether it indicates a particular location of where the story takes place and whether the style and the details in the images are authentic to the culture depicted in the book. Further, the illustrations need to be examined for possible stereotypes or inaccuracies.
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Families Matter: Combining Literacy Reflections – Part IV

By Charlene Klassen Endrizzi, Westminster College, PA

    “Books are sometimes windows, offering views of the world that may be real or imagined, familiar or strange… A window can also be a mirror. Literature transforms human experience and reflects it back to us, and in that reflection we can see our own lives and experiences as part of the larger human experience.” (Rudine Sims Bishop, 1990).

Sharing family stories with children and their families offered eight classroom teachers a window into students’ most powerful literacy environment – their homes. Weekly written conversations in Family Message Journals helped teachers consider the potential for combining home and school literacy communities. In this fourth and final post, I return to our dual goals of valuing families’ life experiences (windows) while also looking outward to the larger world of diverse families (mirrors).
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Families Matter: Reaching Out to Reluctant Parents –- Part III

By Charlene Klassen Endrizzi, Westminster College, PA

Although celebrating student success comes naturally to teachers, tackling student struggles and facing tensions takes a unique kind of willpower. My first two posts considered the usefulness of journals where students dialogue with family members about family stories. One teacher, Anne, noted, “When families participated through regular correspondence, it sent the message –- Parents valued their child’s work.” Family participation also sends a subtle message to teachers that this family values teachers’ work.

Out of the eight teachers using Family Message Journals, five experienced considerable family response. Three, Alicia, Joanna, and Alisa, struggled with a lack of response from their urban families. This week’s post focuses on how these teachers dealt with the resulting tension and made necessary shifts to their journals. Continue reading →