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A debut novel set in the early 1980s at a boy’s boarding school in the newly formed country of Zimbabwe.
Material appropriate for young adults
A debut novel set in the early 1980s at a boy’s boarding school in the newly formed country of Zimbabwe.
Through inmates’ own voices and artwork, Terezin explores the lives of Jewish people in one of the most infamous of the Nazi transit camps. Between 1941 and 1945, Nazi Germany turned the small town of Terezin, Czechoslovakia, into a ghetto, and then into a transit camp for thousands of Jewish people. It was a “show” camp, where inmates were forced to use their artistic talents to fool the world about the truth of gas chambers and horrific living conditions for imprisoned Jews. Here is their story, told through the firsthand accounts of those who were there. In this accessible, meticulously researched book, Ruth Thomson allows the inmates to speak for themselves through secret diary entries, artwork, and excerpts from memoirs and recordings narrated after the war. Terezin: Voices from the Holocaust is a moving portrait that shows the strength of the human will to endure, to create, and to survive.
“Provides comprehensive information on the geography, history, wildlife, governmental structure, economy, cultural diversity, peoples, religion, and culture of Bhutan.”–Provided by publisher.
In 1937, the privileged and relatively carefee life of a fourteen-year-old Jewish girl, whose family emigrated from Odessa, Ukraine, to Shanghai, China, comes to an end when she finds an abandoned baby, her hero, Amelia Earhart, goes missing, and war breaks out with Japan. Based on the author’s family history.
The highly regarded Cultures of the World series celebrates the diversity of other cultures in this fully updated and expanded edition.
“Provides comprehensive information on the geography, history, wildlife, governmental structure, economy, cultural diversity, peoples, religion, and culture of Belize”–Provided by publisher.
“Provides comprehensive information on the geography, history, wildlife, governmental structure, economy, cultural diversity, peoples, religion, and culture of Trinidad and Tobago”–Provided by publisher.
Quebrado has been traded from pirate ship to ship in the Caribbean Sea for as long as he can remember. The sailors he toils under call him el quebrado—half islander, half outsider, a broken one. Now the pirate captain Bernardino de Talavera uses Quebrado as a translator to help navigate the worlds and words between his mother’s Taíno Indian language and his father’s Spanish. But when a hurricane sinks the ship and most of its crew, it is Quebrado who escapes to safety. He learns how to live on land again, among people who treat him well. And it is he who must decide the fate of his former captors.
“Nothing matters.” “From the moment you are born, you start to die.” “The Earth is 4.6 billion years old. You’ll live to be a maximum of one hundred. Life isn’t worth the bother!” So says Pierre Anthon when he decides that there is no meaning to life, leaves the classroom, climbs a plum tree, and stays there.His friends and classmates cannot get him to come down, not even by pelting him with rocks. So to prove to him that there is a meaning to life, they set out to build a heap of meaning in an abandoned sawmill. But it soon becomes obvious that each person cannot give up what is most meaningful, so they begin to decide for one another what the others must give up. The pile is started with a lifetime’s collection of Dungeons & Dragons books, a fishing rod, a pair of green sandals, a pet hamster — but then, as each demand becomes more extreme, things start taking a very morbid twist, and the kids become ever more desperate to get Pierre Anthon down. And what if, after all these sacrifices, the pile is not meaningful enough? A Lord of the Flies for the twenty-first century, Nothing is a visionary existential novel — about everything, and nothing — that will haunt you.
Khosi lives with her beloved grandmother Gogo, her little sister Zi, and her weekend mother in a matchbox house on the outskirts of Pietermaritzburg, South Africa. In that shantytown, it seems like somebody is dying all the time. Billboards everywhere warn of the disease of the day. Her Gogo goes to a traditional healer when there is trouble, but her mother, who works in another city and is wasting away before their eyes, refuses even to go to the doctor. She is afraid and Khosi doesn’t know what it is that makes the blood come up from her choking lungs. Witchcraft? A curse? AIDS? Can Khosi take her to the doctor? Gogo asks. No, says Mama, Khosi must stay in school. Only education will save Khosi and Zi from the poverty and ignorance of the old Zulu ways.School, though, is not bad. There is a boy her own age there, Little Man Ncobo, and she loves the color of his skin, so much darker than her own, and his blue-black lips, but he mocks her when a witch’s curse, her mother’s wasting sorrow, and a neighbor’s accusations send her and Gogo scrambling off to the sangoma’s hut in search of a healing potion.J.L. Powers holds an MA in African history from State University of New York-Albany and Stanford University. She won a Fulbright-Hays grant to study Zulu in South Africa, and served as a visiting scholar in Stanford’s African Studies Department. This is her second novel for young adults.
See the review at WOW Review, Volume 5, Issue 2 and Volume XI, Issue 3.