After their home in Syria is bombed, Tareq, his father, and his younger sister seek refuge, first with extended family in Raqqa, a stronghold for the militant group, Daesh, and then abroad.
In the 1640s during the English Civil War, the twelve-year-old illegitimate daughter of an aristocratic family shares their unique hereditary gift: the capacity to be possessed by ghosts.
A fictionalized account of a family fleeing war-torn Syria after their home in Aleppo is destroyed. They endure wretched refugee camps, ocean crossings, swindlers – all to find safety in the West.
In 1982, twelve-year-old Reza has no interest in joining Iran’s war effort against Iraq. But in the wake of a tragedy and at his mother’s urging, he decides to enlist, assured by the authorities that he will achieve paradise should he die in service to his country. War does not bring the glory the boys of Iran have been promised, and Reza soon finds himself held in a prisoner-of-war camp in Iraq, where the guards not only threaten violence―they act upon it. Will Reza make it out alive? And if he does, will he even have a home to return to? Friendship, heartbreak, and Reza’s very survival are at stake as he finds solace through music and forges his own path―wherever that might take him.
Fourteen-year-old Charlie Law has lived in Little Town, on the border with Old Country, all his life. He knows the rules: no going out after dark; no drinking; no litter; no fighting. You don’t want to get on the wrong side of the people who run Little Town. When he meets Pavel Duda, a refugee from Old Country, the rules start to get broken. Then the bombs come, and the soldiers from Old Country, and Little Town changes forever. Sometimes, to keep the people you love safe, you have to do bad things. As Little Town’s rules crumble, Charlie is sucked into a dangerous game. There’s a gun, and a bad man, and his closest friend, and his dearest enemy. Charlie Law wants to keep everyone happy, even if it kills him. And maybe it will . . . But he’s got to kill someone else first.
Autobiographical memoir of a young Italian cartoonist, writing and drawing under the nom-de-plume Zerocalcare, who volunteers with the Rojava Calling organization and heads into the Middle East to support and observe the Kurdish resistance in Syria as they struggle against the advancing forces of the Islamic State. He winds up in the small town of Mesher, near the Turkish-Syrian border as a journalist and aid worker, and from there he travels into Ayn al-Arab, a majority-Kurd town in the Rojava region of Syria. As he receives an education into the war from the Kurdish perspective, he meets the women fighting in the all-female Kurdish volunteer army (the Yekeineyen Parastina Jin, or Women’s Defense Units), struggling to simultaneously fight off the Islamic State even as they take strides for Kurdish independence and attempt a restructuring of traditional patriarchal Kurdish society.
When the downtrodden Noor rebel in the West, Wen, overhearing a plan to crush the Noor with powerful war machines, leaves the ghostly Bo, now a boy determined to transform himself into a living machine, and journeys into the war zone to warn the Noor, and her great love, Melik.
Twelve-year-old Johnny endures tensions between his parents, watches television coverage of the Gulf War, and plays a computer game called Only You Can Save Mankind, in which he is increasingly drawn into the reality of the alien ScreeWee.
A toy soldier. A butter dish. A compass. Mundane objects, perhaps, but to the remarkable authors in this collection, artifacts such as these have inspired stories that go to the heart of the human experience of World War I.
Zeina Abirached grew up in Beirut in the 1980s as fighting between Christians and Muslims divided the city streets. With striking black-and-white artwork, Abirached recalls the details of ordinary life inside a war zone.