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Cambodia: Children’s Literature?

by Yuri Wellington, Ph.D.; Executive Director, Teach Cambodia, Inc.; Professor and Director, Cambodia International Pedagogical Institute

“Cambodian Children’s Literature.” That’s the topic of my series for January, but what does it mean, exactly?  It could mean a number of things:  Children’s books written and published in the USA and western world about Cambodia – or – Children’s books written by Cambodians – or – Books written and published for children in Cambodia… hmmm… We’ll come back to this later….
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Giving New Life to the Classics

Connecting Themes, Characters, and Critical Issues across the Global Community

by Janelle Mathis, University of North Texas, Denton, TX

While I taught secondary English at both middle and high school levels during my early years of teaching, I soon focused more so on the middle school grades, and, in later graduate work with literature, elementary levels were a focus. However, in recent years teaching classes that include preservice secondary teachers, I have been forced to consider the classics and the ultimate goal of many of these—to teach the canon. Continue reading

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The Secondary Curriculum: Adolescent & Young Adult Novels Add . . .

by Janelle Mathis, University of North Texas, Denton, TX

Those who are familiar with the vast range of contemporary novels published today are aware of the diversity of topics, characters, and events that make these books significant and appealing to readers. However, as with the realm of picture books, many readers, adolescents and young adults, are not aware of the powerful contents of these books, and educators working with this population are often even less informed, or their perception is that YA literature is a bridge to the more difficult pieces traditional literature. Continue reading

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Picture Books in the Secondary Classroom: Personal Connections, Creative Engagements, Critical Responses

by Janelle Mathis, University of North Texas, Denton, TX

Picture books have been defined over the past few decades with great integrity and attention to the complex interaction that occurs for the reader through the visual aspects of such books—text, illustrations, total design; a commercial product; a social, cultural, historical document (Bader, 1976). Still, when secondary teachers are approached about using picture books in the classroom, many somewhat shun the idea or act surprised that anyone could think this a valid curricular resource for older students. A small number attest to the fact that picture books hold significant experiences for older readers and these teachers can share numerous reasons why picture books play an important role in their instruction. Continue reading

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They’re Not Just for Kids Anymore

by Janelle Mathis, University of North Texas, Denton, TX

At the beginning of each semester, many teacher educators are faced with the challenge of inviting secondary preservice teachers, as well as teachers already in classrooms, into the realization that picture books are not just for young readers and that many chapter books written for young adolescent readers can hold their own with the traditional literature of the cannon. The task is not an easy one since these individuals have entered their chosen field, frequently English Education, with a personal background that has focused on the traditional cannon. The majority of students I face have not read children’s or adolescent literature since they were in elementary or middle school and even those titles were limited. Continue reading

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Hesitations About Using Native Language in a Children’s Book

by Monique Storie, University of Guam

Question: When is it okay to use a native language in a children’s book?

This question has been sitting at the back of my mind for some time now. For about fifteen years, I have been working with a group who are passionate about preserving and promoting the indigenous cultures within the Micronesian region. I have participated in events, activities and projects to keep the Chamorro culture alive and the Chamorro language has been a crucial part of these efforts. The Chamorro language is an essential part of the Marianas archipelago’s cultural identity because language is one of the last distinctly Chamorro elements left. Because of that, I am moved by the sound of our elders singing and am filled with hope when I hear young children talking with each other or with their parents in Chamorro. I support publishing books, songs, and news articles in Chamorro. But despite all my pride and elation, despite all my advocacy and academic understanding, I find myself conflicted about using Chamorro for children’s books. Continue reading

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The Emergence of “Fantastic” in Chamorro Literature

by Monique Storie, University of Guam

Cover from The Duendes HunterDuring a discussion on multicultural children’s literature about a decade ago, a comment about modern fantasy shaped the way I watched the growth of Chamorro children’s literature. The comment was that modern fantasy was one of the more challenging genres to write authentically because the author’s need to suspend reality to allow the impossible can sometimes affect his or her ability to present a world that community members will recognize as their own. At the time of this discussion, Chamorro literature was emergent Continue reading

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Adolescents & Adolescent Novels on the Edge: Survival

By Holly Johnson, University of Cincinnati, Cincinnati, OH

Book cover for Once

Perhaps catastrophe is the natural human environment,
and even though we spend a good deal of energy trying to get away from it,
we are programmed for survival amid catastrophe.

–Germaine Greer

So, sometimes when we are standing on the edge of the next place, the next situation, the next move in our lives, we find ourselves pondering the concept of survival–survival of our ideologies and beliefs, our current relationships, or our lives as we know them. What might seem foreign to some readers is that many adolescents in the world are on the edge of survival in any or all of these ways. Continue reading

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Adolescents, Adolescent Novels, and Authors Writing the Edges

By Holly Johnson, University of Cincinnati, Cincinnati, OH

A penny for my thoughts, oh no, I’ll sell them for a dollar They’re worth so much more after I’m a goner And maybe then you’ll hear the words I been singin’ Funny when you’re dead how people start listenin’

Kimberly Perry, The Band Perry

I don’t feel I am in a dark place, but writing about adolescents and novels “on the edge,” well, you have to wonder. Continue reading

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To be or not to be: Graphic Novels in the Classroom?

by Julia López-Robertson, Amber Hartman, Jennifer Judy, Lillian Reeves, University of South Carolina

Many teachers are very hesitant to use graphic novels in their classroom. Much of the hesitation has to do with a personal lack of familiarity with this specific form of literature. For some, the use of graphic novels in the classroom is foreign and scary, some might not even see it as “literature,” while others are actually beginning to see the great advantage of using them to supplement student learning.
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