Americas

Materials from the Americas

Super Cilantro Girl/La Superniña Del Cilantro

What happens when a small girl suddenly starts turning green, as green as a cilantro leaf, and grows to be fifty feet tall? She becomes Super Cilantro Girl, and can overcome all obstacles, that’s what! Esmeralda Sinfronteras is the winning super-hero in this effervescent tale about a child who flies huge distances and scales tall walls in order to rescue her mom. Award-winning writer Juan Felipe Herrera taps into the wellsprings of his imagination to address and transform the concerns many first-generation children have about national borders and immigrant status. Honorio Robledo Tapia has created brilliant images and landscapes that will delight all children.

Three Little Tamales

While three little tamales cool off on a windowsill, a tortilla rolls by. “You’ll be eaten. You’d better run,” he tells them. And so the tamales jump out the window. The first runs to the prairie and builds a house of sagebrush. The second runs to a cornfield and builds a house of cornstalks. The third runs to the desert and builds a house of cactus. Then who should come along but Senior Lobo, the Big Bad Wolf, with plans to blow their houses down. Valeria Docampo’s oil-and-pencil illustrations add zest and humor to this rollicking southwestern version of a popular tale.

Little Night

As the long day comes to an end, Mother Sky fills a tub with falling stars and calls, “Bath time for Little Night!” Little Night answers from afar, “Can’t come. I am hiding and you have to find me, Mama. Find me now!” Where could Little Night be? Down a rabbit hole? In a blueberry field? Among the stripes of bees? Exquisitely painted and as gentle as Little Night’s dress crocheted from clouds, this is a story to treasure.

El Regalo Del Lenador / The Woodcutter’s Gift

One day, a terrible thunderstorm knocked down the giant mesquite tree that grew in the town square. After the storm, the townspeople gathered to gawk at the large obstruction blocking the street. They weren’t sure what to do with it, but they all agreed that the wood was good for nothing except a fire. But the woodcutter Tomás sees something in the huge tree that the rest of the townsfolk don’t. “The beauty of this tree is not on the outside but on the inside,” Tomás tells them. In the following days, everyone watches curiously as the woodcutter carves and chips and whittles the wood into blocks. At one point, he moves the chunks into his shed, increasing everyone’s curiosity. What could the woodcutter be doing with all that lumber? Finally, Tomás calls the townsfolk together to see his creations: a wonderful collection of life-sized animals for the children to enjoy. Children and adults alike are thrilled with their private zoo! But a few weeks later the woodcutter is visited by strangers from a folk-art museum who want to buy the pieces for their collection. Will Tomás sell the town’s new zoo animals so that others can enjoy them too?

Illus: woodcuts

Little Crow to the Rescue/El Cuervito al Rescate

A colorful folktale about the natural world by a renowned Chicano writer Little Crow and Father Crow sit on the branch of a tall tree surveying the freshly planted corn field. Father Crow tells Little Crow that the human father and son they see working in the fields do a lot for crows. They plant corn, they move water, and they feed the crows with their fields. The crows sing their gratitude to the farmers, but in spite of their efforts to sing their best songs, the farmers don’t like the crows. As they watch, the tricky farmer bends to get a rock. He hides it by the side of his leg, and when they get in close range, the farmer launches his missile at the crows. But Little Crow and Father Crow are much too fast for him. They fly overhead, laughing and singing. Other crows are not so lucky, like Uncle Fly-Too-Late whose wing was broken when a farmer threw a rock. Little Crow is troubled. What if the farmer picked up a rock when Little Crow wasn’t looking? What if Little Crow couldn’t get away fast enough? Soon, Little Crow has an idea that just might save all the crows.

Sor Juana Ines De La Cruz: A Trailblazing Thinker

Recounts the inspiring story of the young seventeenth-century Mexican girl who, forbidden a formal education and opposed by the Spanish Inquisition, became one of Mexico’s greatest writers and thinkers.

A So-Called Vacation

Brothers Gabriel and Gustavo, high school students in the Rio Grande Valley of Texas, are horrified when their father suggests that they spend the summer in California doing field work to earn extra money. They’re not immigrants; the boys and their younger sister Paula were born in Texas, and the idea of picking fruits and vegetables hard labor usually associated with undocumented workers is totally humiliating. But their father thinks working in the fields will be good for his children. After all, the experience didn’t hurt him when he was a kid. ”Look at me. I didn’t die. All that work made me stronger.” Gustavo, heading into his senior year, doesn’t want to leave his girlfriend. And what will all his friends think? Gabriel doesn’t care what anyone thinks; he’s just not interested in spending the summer doing back-breaking labor. It’s only when the promise of visiting Disneyland, after working the fields, is offered that they ultimately agree to the ”vacation.” Before long, the family finds itself in a migrant camp, living in a shack with no electricity or bathroom. Toiling in the fields by day, trying to get the hang of picking strawberries, the boys and their father attempt to make sense of it all, including the motives and hopes of their fellow workers: the manic Borrado brothers, who are the fastest pickers around, and Victor, who introduces them to the canal where the migrant teens swim, even though two boys drowned there last season. Unfortunately, while learning their way around town, the family members experience the racism frequently directed at recent immigrants. How often, Gabriel wonders, has he done the same thing and dismissed someone just for being in the U.S. illegally? In this illuminating novel for teens that sheds light on the subjects of immigrant labor and prejudice within the Hispanic community, Genaro Gonzalez blends the ageless theme of fathers and sons at odds with a contemporary issue weighing on many minds. While set in a place unfamiliar to many, the characters’ hopes and dreams for the future will resonate with young adult readers.

Voices In First Person: Reflections On Latino Identity

This eclectic, gritty, and groundbreaking collection of short monologues features 21 of the most respected Latino authors writing today, including Sandra Cisneros, Oscar Hijuelos, Esmeralda Santiago, and Gary Soto. Their fictional narratives give voice to what it’s like to be a Latinx teen in America. These voices are yearning. These voices are angry. These voices are, above all else, hopeful. These voices are America.