Zura is worried about how her classmates will react to her Ghanaian Nana’s tattoos on Grandparents Day, but Nana finds a way to show how special and meaningful they are.
Yolanda sets out with family and friends to help her grandmother and discovers long-buried secrets about a family curse and the healing power of the magic surrounding her.
Loretta Garbutt uses subtlety and sensitivity to explore the five stages of grief (denial, anger, bargaining, depression, acceptance) in this moving picture book story of loss. It features a gender-neutral main character (no first name or pronouns are given) making the story universally relatable. This is a perfect choice for fostering discussions with children about their emotions, particularly the feeling of loss. It also offers a poignant representation of an intergenerational relationship between a grandfather and grandchild. Carmen Mok’s expressive and thoughtful illustrations employ a limited color palette to convey the character’s emotional trajectory. There are curriculum applications here in social-emotional development as well as character education lessons in caring and resilience.
Birdie and Grandma are having a girls’ day! But Grandma’s all worn out now. Birdie has a solution: a makeover! It’ll give Grandma a chance to relax. Birdie insists that Grandma lie down because this beauty parlor has a lot of moving parts―chinny-chin-chin hair removal, long stretches of blush, slashes of lipstick, and eyeshadow. Earrings, scarves, the works! Birdie knows best: she owns this beauty parlor!
When Uncle and Windy Girl attend a powwow, Windy watches the dancers and listens to the singers. She eats tasty food and joins family and friends around the campfire. Later, Windy falls asleep under the stars. Uncle’s stories inspire visions in her head: a bowwow powwow, where all the dancers are dogs. In these magical scenes, Windy sees veterans in a Grand Entry, and a visiting drum group, and traditional dancers, grass dancers, and jingle-dress dancers–all with telltale ears and paws and tails. All celebrating in song and dance. All attesting to the wonder of the powwow.
A young woman gets on the bus and rides out of the big city. She arrives in the countryside, where she is as big as a giant, looming over a tiny house, a garden and her tiny grandmother. The cabbages and the apple trees are far below. Her grandmother smiles up at her in her yellow hat. The young woman bends down to give her little grandmother a big kiss, and then she smells her grandmother’s cooking. She has returned home. When they sit down at the table, the young woman has shrunk to a child-like size, and the two share a meal together in the garden. In this gentle, wordless story Natalia Chernysheva beautifully captures the feelings of coming home to comfort and memories and of returning to our childlike selves.
Henry loves talking with Grandpa, but Grandpa has stopped listening. Mom says to just give him time. But Henry wants to talk to Grandpa now. So Henry tries his favorite game: Top Threes. And something amazing happens: Grandpa starts talking again. Out of a tale of favorite sandwiches and zoo animals, outings and trains, emerges a moving story about love, loss, and the wonder of grannies and grandpas.
A powerful middle grade debut that weaves together folklore and history to tell the story of a girl finding her voice and the strength to use it during the final months of the Communist regime in Romania in 1989.
In a true tale of a young girl in Iran and her grandmother, this beautiful ode to family celebrates small moments of love that become lifelong memories.
Emilia Torres has a wandering mind. It’s hard for her to follow along at school, and sometimes she forgets to do what her mom or abuela asks. But she remembers what matters: a time when her family was whole and home made sense. When Dad returns from deployment, Emilia expects that her life will get back to normal. Instead, it unravels.