By María V. Acevedo, Texas A&M University-San Antonio, San Antonio, TX
For centuries, muralists from around the world have made art public and accessible for the people. From cavern painting during the Upper Paleolithic times to contemporary graffiti in the streets of Santurce, Puerto Rico, murals have made children, youth and adults stop, notice, think and even act. This post explores the power of murals and muralists in Latinx picturebooks.
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For the next two blogs our discussion will focus on Buried Beneath the Baobab Tree, by Adaobi Tricia Nwaubani. This story is based on the experiences of girls captured by the extremist group, Boko Haram in Nigeria. Nwaubani (2018) writes, “since 2009, the terrorist group Boko Haram has been fighting an armed insurgency with the aim of creating an Islamic state in northern Nigeria. More than twenty thousand people have been killed and over two million displaced by the fighting” (p. 293). Boko Haram has wreaked havoc on Nigeria and its people, and the group received worldwide media coverage when they kidnapped 276 girls from a Chibok school. According to the
