Twelve year old Iveliz is trying to manage her mental health and advocate for the help and understanding she deserves, but in the meantime her new friend calls her crazy and her abuela Mimi dismisses the therapy and medicine Iveliz needs to feel like herself.

Of Light and Shadow is a novel about magic, mayhem, love, and betrayal-the story of a bandit and a prince who change each other in unexpected ways.

What do you do when it feels impossible to live up to everything expected of you? When the only person who understands you disappears? When you are young and long for something that seems out of reach?Berta dreams of being an artist, but as a girl growing up in a small Swedish farming village in the 1920s, she has little hope. She finds solace in nature, and in drawing and shaping birds from clay for her mother, the only person who seems to truly understand her. When her mother succumbs to tuberculosis, Berta feels alone, in despair and even more burdened by all the work on the farm. Can she find the courage to defy her father and the social conventions of her time, and fly free?This beautifully illustrated novel in verse, inspired by the paintings, letters and diaries of Swedish artist Berta Hansson (1910-1994), is a universal story of grief, longing and following your dreams. Includes an afterword by journalist Alexandra Sundqvist.

Perry Firekeeper Birch has always known who she is the laidback twin, the troublemaker, the best fisher on Sugar Island. Her aspirations won’t ever take her far from home, and she wouldn’t have it any other way. But as the rising number of missing Indigenous women starts circling closer to home, as her family becomes embroiled in a high profile murder investigation, and as greedy grave robbers seek to profit off of what belongs to her Anishinaabe tribe, Perry begins to question everything. In order to reclaim this inheritance for her people, Perry has no choice but to take matters into her own hands. She can only count on her friends and allies, including her overachieving twin and a charming new boy in town with unwavering morals. Old rivalries, sister secrets, and botched heists cannot will not stop her from uncovering the mystery before the ancestors and missing women are lost forever. Sometimes, the truth shouldn’t stay buried.

Twelve year old Henry Khoo embarks on a forbidden journey from Australia to Singapore to prove his independence to his overprotective family, while working out some problems with friends. Told in comics and prose.

“Examines the impact of the 1959 Cuban Revolution on four children from very different walks of life. In the wake of a new regime in Cuba, Ana, Miguel, Zulema, and Juan learn to find a place for themselves in a world forever changed. In a tumultuous moment of history, we see the lasting effects of a revolution in Havana, the countryside, Miami, and New York. Their separate narratives build, overlap, and entwine to creat one inspiring story–an adventure that spans towns, cities, nations, and worlds. Through these stories, we are reminded that regardless of any tumultuous times, we are all forever connected in our humanity”–Adapted from publisher

Dounia is the story of a little girl who loves her home city of Aleppo, Syria, and its many smells, sights, and traditions. But when war breaks out, Dounia and her grandparents must flee Aleppo to find safety. Before they go, their neighbour reads their future in a cup of coffee, she sees a long difficult journey ahead of the family and a blue house awaiting them at the end. Taking only a bird carved from Aleppo soap and four little barake seeds in her pocket, Dounia faces dangerous waters, a camp surrounded by barbed wire, and unfriendly soldiers, and she wonders where she and her family belong in the world. Remembering the ancient knowledge that barake seeds ward off evil, she pulls one from her pocket to use for each of the threats they face. Magically, the seeds from their faraway home help them along their way, until they finally find the blue house at the end of their journey. In her new home, Dounia plants her final seed in a pot so it can grow and offer more seeds, while also keeping a piece of Aleppo with her. The baraké seeds represent the Syrian culture. Although Dounia is fleeing her country, she carries with her the strength of her people. It is by tapping into her roots, represented by the seeds, that she finds her own strength and resilience. The magical moments brought about by the baraké seeds can be interpreted as Dounia’s imagination it’s a way of seeing the war and the migration from a six year old’s perspective. Dounia does not understand everything that is going on, but she is not a powerless victim. By using the seeds, she feels she is taking an active part in her own destiny. In the end, whether it is magic or Dounia’s imagination at play, it’s a story about obstacles faced by migrants and about the courage they have in facing these obstacles. As Marya puts it in her article for TBI Magazine, it reverses the common narrative in North American media that Syria is synonymous with devastation and destruction, and that Syrian refugees can only be victims of their circumstance, rather than brave, vibrant heroes who can take charge of their own stories.

After her home is attacked by shapeshifting vampires, twelve year old Serwa Boateng is sent to live with her aunt and cousin in Maryland, but the aspiring vampire hunter discovers that middle school is harder than it appears on television, especially when she has to avoid detention and turn her classmates into warriors before they become vampire food.

The resilience of two cousins is tested when one of them is lost at sea and washes up on a deserted island while the other remains at home, holding on to the belief that her beloved cousin is still alive.

The twelve year old daughter of La Llorona vows to free her mother and reverse the curses that have plagued the magical town of Tres Leches.