Told in lively and powerful verse by debut author Kevin Noble Maillard, Fry Bread is an evocative depiction of a modern Native American family, vibrantly illustrated by Pura Belpré Award winner and Caldecott Honoree Juana Martinez-Neal.
Winner of the 2020 Robert F. Sibert Informational Book Medal
2020 American Indian Youth Literature Picture Book Honor Winner
National Public Radio (NPR) Best Book of 2019
NCTE Notable Poetry Book
2020 NCSS Notable Social Studies Trade Book for Young People
2020 ALA Notable Children’s Book
2020 ILA Notable Book for a Global Society
Koro and Kuia, the Weka chicks’ grandparents, are coming to visit. But how will the Weka chicks greet them? Fortunately the little Kiwi has a plan Weka’s Waiata is a sequel to Ruru’s Hangi and The little Kiwi’s Matariki, winner of the Best Picture Book at the 2016 New Zealand Book Awards for Children and Young Adults.
Spend the day picking wild blueberries with Clarence and his grandmother. Meet ant, spider, and fox in a beautiful woodland andscape, the ancestral home of author and illustrator Julie Flett. This book is written in both Enlglish and Cree, in particular the n-dialect, also known as Swampy Cree from the Cumberland House area. Wild Berries is also available in the n-dialect Cree, from the Cross Lake, Norway House area, published by Simply Read Books.
The Honey Jar retells the ancient stories Rigoberta Menchú’s grandparents told her when she was a little girl, and we can imagine her listening to them by the fire at night. These Mayan tales include natural phenomena narratives and animal stories. The underworld, the sky, the sun and moon, plants, people, animals, gods, and demigods are all players in these vibrant stories. Enchanting images by Domi draw on the Mayan landscape and the rich visual vocabulary that can be found in the weavings and crafts for which the Maya are renowned.
When two rabbit sisters ignore their parents’ warnings and decide to play outside on the open tundra, a hungry owl soon spots them and decides they will make a delicious meal. As a chase ensues, the sisters must act quickly, using the owl’s own greed against him in order to get away. A traditional Inuit story and cautionary tale, this book presents a centuries-old narrative for a new generation of readers.
Tired of reading negative and disparaging remarks directed at the Indigenous people of Winnipeg in the press and social media, artist KC Adams created a photo series that presented another perspective. Called “Perception Photo Series,” it confronted common stereotypes of First Nation, Inuit and Métis people to illustrate a more contemporary, truthful story. First appearing on billboards, on storefronts, in bus shelters and on Winnipeg’s downtown buildings as projections, Adams’s stunning photographs now appear in her new book, Perception: A Photo Series. Meant to challenge the culture of apathy and willful ignorance about Indigenous issues, Adams hopes to unite readers in the fight against prejudice of all kinds.
When Uncle and Windy Girl attend a powwow, Windy watches the dancers and listens to the singers. She eats tasty food and joins family and friends around the campfire. Later, Windy falls asleep under the stars. Uncle’s stories inspire visions in her head: a bowwow powwow, where all the dancers are dogs. In these magical scenes, Windy sees veterans in a Grand Entry, and a visiting drum group, and traditional dancers, grass dancers, and jingle-dress dancers–all with telltale ears and paws and tails. All celebrating in song and dance. All attesting to the wonder of the powwow.
When a Mongolian elder named Gree Shrek hunts a female moose by mistake, her young calf is left behind. Saddened by her loss, Gree Shrek names the calf Xiao Han (“Little Moose”) and the moose and man form an authentic attachment. Xiao Han accompanies Gree Shrek as the hunter-gatherer herds reindeer, sets up camp, forages for food in the forest, and visits his peoples’ village, where many fun adventures happen. But as the little moose grows bigger, Gree Shrek knows he must return his companion to the forest. Richly detailed, painterly illustrations by Chinese fine artist Jiu’er bring authenticity and beauty to this thoughtful book, which illuminates the traditional and vanishing way of life for the Ewenki peoples of Inner Mongolia.