Julian Rodriguez Episode One

Julian Rodriguez is on a mission for the Mothership. He’s been sent to Earth to study human lifeforms and their bizarre habits–from their disgusting diet (orange sticks named carrots, flavorless liquid called water, and the revolting substance known as vegi-dogs) to their repressive treatment of their young (forcing them to carry out menial tasks known as chores, withholding access to the great cultural masterpieces called cartoons). When Julian’s Maternal Unit assigns a hideous task, it’s nearly too much for the hardened space veteran to bear–but he finds his courage at last. * “First in what readers will hope will be a robust series, this hybrid of fiction and graphic novel dusts off a favorite conceit with a slick swipe of edgy visuals and tart commentary….It’s impossible to read this without laughing.” — Publishers Weekly (starred review)

Behind The Eyes

behindHector Robles has spent his sixteen years in the projects of El Paso trying to stay unnoticed. His peaceful obscurity is shattered when his impulsive brother challenges the leader of a gang called the Discípulos. Suddenly Hector is drawn into their world of violence and hopelessness. When a marker is placed on his life, Hector tries to escape by going away to a school for students with troubled pasts. But it isn’t easy to function when he’s paralyzed by the fear that they’ll find him, even there. Ultimately, by confronting external threats and the internal pain of his memories and mistakes, Hector begins to understand what manhood really means.

Star of Luis

When Luís’s father joins the army shortly after the start of World War II, Luís’s entire life changes. His mother decides to return to the dusty New Mexican village where she and her husband grew up. In Los Angeles, Luís had struggled to find a place in his ethnically diverse neighborhood and had been intimidated into ending a close friendship with a Jewish boy. In Las Manos, everyone is Hispanic and Catholic like Luís, but the way of life seems backward and slow. Luís and his mother stay in a cramped bungalow with his dying grandfather and sullen grandmother, and Luís must share a bed with his uncle, a priest. Then, just as Luís begins to feel more comfortable in Las Manos, he learns an settling fact-his family is not Catholic after all. They are Jewish, a secret that has been kept for generations. Angry and confused, Luís realizes he must confront his feelings about family, religion, and friends, and ultimately make his own decision about who he is. Glossary of Spanish words.

Alphabet City Ballet

balletMarisol has always loved to dance–from the salsa at family parties to the boom boxes on Loisada Avenue. Then she wins a scholarship to ballet school and discovers an inspiring new world of beauty and discipline. When violence erupts in Alphabet City, Marisol’s dream starts to slip away. To keep dancing she must make heartbreaking choices–perhaps impossible ones.

Conversations with Contemporary Chicana and Chicano Writers

Hector A. Torres conducted these interviews with today’s popular Chicano/a writers, asking each about language and life between languages, about the creative drive that has guided them in their craft and commits them to their art. In sharing their responses, Torres reveals a brief biography of each author and a concise examination of their writings. Taking their stories and essays individually and collectively, Torres explains how each author reiterates issues that have concerned Mexican Americans since at least 1848. Chicano/a authors know that an abundance of politics can spoil a story, as can too little. The writers included here span historical terrain, first, under the shadow of Manifest Destiny and, then, under the America’s imperial sovereignty stance. Interviewees include Rolando Hinojosa (“I Reflect the Way Valleyites Act and React”), Arturo Islas (“I Don’t Like Labels and Categories”), Erlinda Gonzales-Berry (“On the New Mexican Borderlands”), Gloria Anzaldúa (“The Author Never Existed”), Ana Castillo (two separate interviews), Sandra Cisneros (two separate interviews), Pat Mora (“I Was Always at Home in Language”), Richard Rodriguez (“I Don’t Think I Exist”), Demetria Martinez (“To Speak as Global Citizens”), and Kathleen Alcalá (“To Tell the Counternarratives”).

Riding the Universe

Seventeen-year-old Chloé Rodriguez, who inherited her uncle’s beloved Harley after his death, spends the subsequent year trying to pass chemistry, wondering whether she should look for her birth parents, and beginning an unlikely relationship with her chemistry tutor, while also trying to figure out how she really feels about the boy who has been her best friend since they were children.

Manuel and the Lobsterman

Manuel, a Puerto Rican thirteen-year-old from New Haven, Connecticut, goes to Maine with his mother and new stepfather for the summer, where he learns to work on a lobster boat and to get along with the townsfolk.

Young Zorro: The Iron Brand (Young Zorro)

Diego de la Vega is more concerned with riding horses and making mischief with his best friend, Bernardo, than about fighting injustice. But all that changes when men start disappearing from the pueblo of Los Angeles and cattle go missing from his father’s rancho. Diego and Bernardo are about to encounter an injustice so evil that they will have no choice but to take action. Inspired by Isabel Allende’s novel Zorro, which reveals how Diego de la Vega became the legendary masked hero, Young Zorro: The Iron Brand introduces readers to a land of vaqueros and kidnappers—an exciting world in which a young hero is formed.

Amrica Is Her Name

amricaSet in the Pilsen barrio of Chicago, this children’s picture book gives a heartwarming message of hope. The heroine, Amrica, is a primary school student who is unhappy in school until a poet visits the class and inspires the students to express themselves creatively-in Spanish or English. Amrica Is Her Name emphasizes the power of individual creativity in overcoming a difficult environment and establishing self-worth and identity through the young girl Amrica’s desire and determination to be a writer. This story deals realistically with the problems in urban neighborhoods and has an upbeat theme: you can succeed in spite of the odds against you. Carlos Vzquez’s inspired four-color illustrations give a vivid sense of the barrio, as well as the beauty and strength of the young girl Amrica.Luis J. Rodrguez grew up in Watts and East L.A. His bestselling memoir about gang life, Always Running (now available in paperback in both English and Spanish from Touchstone Books), won the Carl Sandburg Award. His Poems Across the Pavement (Ta Chucha Press) won the Poetry Center Book Award from San Francisco State University, and his poetry collection, The Concrete River was awarded the 1991 PEN Oakland/Josephine Miles Award for Poetry. Mr. Rodrguez has worked extensively with gang members to guide them in positive directions, and he is frequently featured as a keynote speaker or guest poet at national conferences and cultural centers. Rodrguez explores the Chicano experience with an unrelenting, socially conscious eye that moved Larry Weintraub of the Chicago Sun-Times to call him a poet “we need to hear.”Illustrator Carlos Vzquez was born in Mexico, studied physics and art, and now teaches in adult education programs in New York City.This book is also available in a Spanish language edition as La llaman Amrica translated by Tino Villanueva. 1-880684-41-1