Nine-year-old Ling is comfortable; her parents are both dedicated surgeons in the best hospital in Wuhan. But when Comrade Li, one of Mao’s political officers, moves into a room in their apartment, Ling begins to witness the gradual disintegration of her world. In an atmosphere of increasing mistrust, Ling fears for the safety of her neighbors and, soon, for herself and family. Over the course of four years, Ling manages to grow and blossom, even as she suffers more horrors than many people face in a lifetime. Drawing from her childhood experience, Ying Chang Compestine brings hope and humor to this compelling story for all ages about a girl fighting to survive during the Cultural Revolution in China.
China
Materials from China
Little Green: Growing Up During The Chinese Cultural Revolution
This first-person memoir tells the story of Chun Yu, who was born in a small city in China, during the Chinese Cultural Revolution. The streets were filled with roaming Red Guards, the walls were covered with slogans, and reeducation meetings were held in all workplaces. Every family faced danger and humiliation, even the youngest children. Shortly after Chun’s birth, her beloved father was sent to a peasant village in the countryside to be reeducated in the ways of Chairman Mao. Chun and her brother stayed behind with their mother, who taught in a country middle school where Mao’s Little Red Book was a part of every child’s education. Chun Yu’s young life was witness to a country in turmoil, struggle, and revolution — the only life she knew.
Red Land Yellow River: A Story from the Cultural Revolution
In 1966 Mao Zedong’s Cultural Revolution swept through China and transformed the life of Beijing teenager Ange Zhang. Ange longed to join the Red Guard with his classmates, but was denied membership after his father, a famous writer, was arrested and charged with being a counter-revolutionary. As Ange struggled to maintain his friends’ respect, he began to question the Revolution and his role in it.
Tales from within the Clouds: Nakhi Stories of China
South of the clouds, in the land of the Jade Dragon Snow Mountain, dwell the descendants of a once pastoral people, the Nakhi. In ancient times, family names were passed from mother to child, there were no marriages, and women alone raised children. In the Nakhi language, there is no word for “father.” Today there are still Nakhi who follow these traditions, and Nakhi folktales reflect these beliefs. In the legends presented here we are introduced to a fantastic cast of characters: plants, insects, animals – all of them female! (Nakhi people, Naxi language)
Why Snails Have Shells: Minority and Han Folktales of China
Twenty traditional tales from ethnic groups in China, such as Mongol, Tibetan, Yao, Han, and Miao, are presented.
Learning From The Dalai Lama: Secrets From The Wheel Of Time
For children, here is a simple and creative introduction to the Buddhist way of life and to the teachings of the Dalai Lama, the spiritual leader of Tibetan Buddhism. Text and photos explain the beautiful and intricate Kalachakra ceremony and initiation, and the meaning of the sand mandala and its symbols. Features a foreword by Richard Gere. Full color.
Always Come Home to Me
This is a tale of two children and their parents, and the beloved pet doves that help them to understand one another. Twins Mei-Mei and her brother, DiDi leave for school each morning with their mother’s words ringing in their ears: Fei, fei—fly little birds,”Fei, fei — fly, fly, little birds, but always come home to me!” Mei-Mei and Di-Di are head-over-heels in love with their new doves. Like devoted parents, the siblings tenderly nurture Butterfly and Squeaky as they grow from chicks to fledglings to birds. But when Mei-Mei and Di-Di arrive home to find that the doves have disappeared, their young hearts break into a thousand pieces — and they run away, determined to reclaim their beloved birds.
Tracks of a Panda
A giant panda and her baby set off on a search for a safe, sustaining home in this informative tale about an enchanting creature. High on a mist-wrapped mountain, a mother panda cradles her newborn, pink and impossibly small. The bamboo patch they need for food is dying, and as soon as her baby is old enough, they must seek a new home, sleeping in trees and swimming across icy streams along the way.
A Song for Ba
In the Chinese opera, men traditionally sing both male and female parts. Wei Lim’s father, Ba, however, usually plays masculine characters and sings in a deep bass voice. But Wei’s grandfather played female roles, and has secretly taught Wei to sing these difficult parts. When the New World’s entertainments begin to cause a shrinking audience for the opera company, Ba is forced to play female characters.
Once upon a Full Moon
Elizabeth Quan’s father had made a success in the New World, but he longed for his home in China. So in the early 1920’s, he and his family set out on an arduous trip to the far side of the world. By train, ship, ferry, cart, and on foot, Elizabeth, her parents, and her brothers and sisters set off from Toronto to a village in China to visit the grandmother they have never met.From the mountain of luggage to the whales breaching in the Pacific and geishas on wooden sandals on the cobbled streets of Yokohama, Elizabeth Quan describes sights that would captivate any child. But hers is also a journey of personal discovery. Did she fit in in Canada, where her straight dark hair and even the foods she ate set her apart? Would she fit in in China where she was just as different to the people she met? In the course of her family’s travels she learns that home is a state of mind and that the moon can find us, no matter where we are.