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Responding To Literature as A Community: Transactions with Pictures of Hollis Wood

By Andrea García, Hofstra University

I want to see children curled up with books, finding an awareness of themselves as they discover other people’s thoughts. I want them to make the connection that books are people’s stories, that writing is talking on paper, and I want them to write their own stories. I’d like my books to provide that connection for them. — Patricia Reilly Giff

Book Cover for Pictures of Hollis WoodsFinding stories that help readers become aware of themselves as they get to “discover other people’s thoughts,” like award-winning author Patricia Reilly Giff describes, ensures that readers have the opportunity to entertain multiple perspectives on life and consider multiple possibilities for what it means to be human in today’s world. Patricia Reilly Giff’s achieves these goals through her remarkable storytelling and her impeccable character development. As the author of over 80 books, including Newbery Honor Books Lily’s Crossing and Pictures of Hollis Woods, Giff’s stories remind us to stop and consider the power of our daily experiences, as we go about our lives meeting people who help shape our identities. Continue reading

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Responding To Literature as A Community: Transactions with Tofu Quilt

By Andrea García, Hofstra University

Our business seems usually to be considered the bringing of books to people. But books do not simply happen to people. People also happen to books. A story or poem or play is merely inkspots on paper until a reader transforms them into a set of meaningful symbols. When these symbols lead us to live through some moment of feeling, to enter into some human personality, or to participate imaginatively in some situation or event, we have evoked a work of literary art. (Rosenblatt, 1956/2005, p. 62-63)

Book cover for Tofu QuiltReading books together and discussing them within a community of readers is at the heart of the process of constructing meaning and negotiating the multiple dimensions that literature has to offer. This month, the focus of my blog is in sharing the literary transactions of a community of elementary teachers, who were invited to document their interpretations to different books through engaging with multiple response strategies while exploring the use of children’s literature in the elementary classroom. Since one of my goals as a literacy educator is to bring books to people Continue reading

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Reading as a Collaborative Act: Crossing Borders with Pam Muñoz Ryan

By Marie LeJeune and Tracy Smiles, Western Oregon University


During the month of April we’ve explored how some of our favorite authors can be mentors for reading, writing, and global citizenship. For our final post this month we are featuring author Pam Muňoz Ryan.
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Reading as a Collaborative Act: Interactions with Linda Sue Park

By Marie LeJeune and Tracy Smiles, Western Oregon University

Mentor Author: Linda Sue Park

This week, we begin our exploration of some of our favorite authors whom we have looked to as mentors in our classrooms—authors whose work and words contribute to our teaching of reading, writing, language, and culture. Again, we draw upon the framework below for our initial selection of possible mentor authors when we embark upon such study with students. Additionally, we are currently deeply immersed in work with international issues, themes, and literature with both students and teachers in K-12 classrooms. We are now layering <a href="http://wowlit.org/blog/2011/04/04/reading-as-a-collaborative-act-a-framework-for-exploring-author-studies/#more-15955Marie’s Framework for Mentor Author Studies with a Framework for International Curriculum (Short, 2003). In addition to seeking authors who are strong mentors for student writers—we also strive to consider and include issues of personal cultural identity, cross cultural studies, the integration of international experiences and texts, and inquiry into global issues (Short, 2003).
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To be or not to be: Graphic Novels in the Classroom?

by Julia López-Robertson, Amber Hartman, Jennifer Judy, Lillian Reeves, University of South Carolina

Many teachers are very hesitant to use graphic novels in their classroom. Much of the hesitation has to do with a personal lack of familiarity with this specific form of literature. For some, the use of graphic novels in the classroom is foreign and scary, some might not even see it as “literature,” while others are actually beginning to see the great advantage of using them to supplement student learning.
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Border Crossing: Children in the Cultural Crossfire

by Julia López-Robertson with Amanda Dunnigan & Rebecca Martin
University of South Carolina

Book cover from A Step from HeavenIn A Step from Heaven, An Na invites us on the Parks’ journey as a recently arrived Korean family who migrated to the United States (Mi Gook) seeking a better life. Young Ju, our seven year old protagonist, believes that Mi Gook is heaven, but is it? The family’s new life in the United States is full of contradiction and chaos; they desire to belong and fit in while still maintaining their Korean heritage, is this possible? As we continue to serve more immigrant children in our schools, how can we help them cross borders between life inside the home vs. life outside in the world?
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Border Crossings: Tangled Threads

by Julia López-Robertson, Michelle Metts and Tracy Spires, University of South Carolina

Book Cover for Tangled Threads: A Hmong Girl’s StoryImmigrant students face significant challenges in balancing their home culture and American culture. In Tangled Threads: A Hmong Girl’s Story (Shea, 2003), Heather and Lisa assimilated to the American culture and brought heartache and disappointment to their parents and grandmother. Many parents display tremendous bravery in bringing their families to America, only to lose their children to American culture (Buley-Meissner, 2002). ESOL (English to Speakers of Other Languages) teachers can assist students in embracing their home culture. Continue reading

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The Space Between : A beginning journey into border crossing

by Julia López-Robertson & Lillian Reeves, University of South Carolina

Book cover for Return to SenderEmergent bilinguals make up 8.2% of the total population of all children under the age of 18 in South Carolina. While there are many languages spoken by immigrant children in our schools, Spanish is the most widespread language spoken by 40,000 of all emergent bilinguals (http://www.migrationinformation.org/ellinfo/FactSheet_ELL3.pdf). The Latino population has been on a steady increase nationally and in South Carolina specifically the population growth has been staggering; as reported by the American Community Survey, the change in the Latino population in the state of South Carolina in the period between 2000-2009 was 115.5%; in 2000 the Latino population was 94,652 and in 2009 it was 203, 939
(http://pewhispanic.org/files/factsheets/hispanics2009/Table%2014.pdf). Yet, when I arrived at the University of South Carolina in 2006, I taught the first course that had anything to do with teaching emergent bilinguals (while the state of South Carolina uses the term English Language Learner to describe children who will learn English as an additional language, I prefer emergent bilinguals (see García & Kleifgen, 2010).
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Strategies for Reading and Discussing Paired Books

Kathy G. Short, University of Arizona

An exploration of strategies for pairing and reading books alongside each other was at the heart of my teaching in a recent global literature course. Once I realized the power of reading books within the context of other books, I brainstormed pairings that could be productive to explore and made stacks of books that I sorted and resorted to find different points of connections. I was intrigued by how my understandings of a book shifted when that book was juxtaposed with different books. The significance of perspective quickly became clear—the most interesting pairings were ones where the two books offered distinctly different perspectives on a particular event, culture, theme, or issue. The two books needed to challenge each other in some way, not simply be connected by a surface-level topic.
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Paired Books: Reading a Book in the Context of another Book

Kathy G. Short, University of Arizona

Critically reading books set in global cultures is difficult when you only have surface knowledge about those cultures. In a global literature class, we found that reading a book in the context of other books provided us with perspectives that facilitated more critical reading. One effective strategy was to read paired books that were from the same culture or had similar themes, but provided differing perspectives. These pairings often exposed problematic issues, such as the domination of western views or assumptions about race, class or gender. The books in each pair were selected to reflect opposing points of view and so we were able to read the books against and beside each other, which supported us in uncovering problematic issues. We learned how to read critically as we read globally.

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