By Dorea Kleker, The University of Arizona
This month’s WOW Currents focuses on four books whose authors will present at the 2018 Tucson Festival of Books: I Am Not Your Perfect Mexican Daughter, When Dimple Met Rishi, The Insignificant Events in the Life of a Cactus and In the Shadow of the Sun.
If you were enthralled by Philip Pullman’s Dark Materials series, you will welcome his new book, The Book of Dust: Volume One La Belle Sauvage. It is a prequel to the first book in the previous series, The Golden Compass. When I read the first chapter of this new book I relished the feeling of reentering Pullman’s familiar fantasy world. Pullman is a master storyteller. In this story, he weaves another powerful and fantastic adventure saga. The star of this book is Malcolm, an 11-year-old boy whose parents run an Inn in Oxford. Malcolm helps out there and in the Priory across the river from the Inn. At the Priory, Malcolm meets the baby, Lyra, whose father, Lord Astrial, left her there to be protected by the nuns. After he meets the 6-month-old Lyra, he becomes “her servant for life.” Later Malcolm saves Lyra from a danger that threatens her life. To keep her safe he undertakes a heroic journey in his canoe. When a terrible flood changes the landscape, Malcolm battles against horrific odds to protect Lyra. Along the way, Pullman strews nuggets of wonder that enthrall the reader. When we reach the end of that journey and the book on page 450, there is a promise: “To be continued.” Hopefully, we won’t have to wait too long to re-enter the world of Pullman’s Dark Materials, since two more books are planned. -Recommended by Marilyn Carpenter, Professor Emeritus, Eastern Washington University, Spokane, WA Continue reading
While serving on award committees, we took notice of books published in 2017 that feature foxes as characters. Throughout January, we looked at a few of these books to see how, or if, authors and illustrators reflect some of the more traditional and cultural views of foxes or if this is a new generation of perceptions of foxes. This week we give our takes on one final book. We started with The Fox and the Wild, then looked at The Fox Wish, also discussed Pandora and last week we give our takes on The Secret Life of the Red Fox. This week we discuss Little Fox in the Forest by Stephanie Graegin.
Throughout January, we discuss the representation of foxes in recently published children’s books. This became our focus as we served on literature award committees and noticed so many picturebooks about foxes piqued our interest. We wondered if this representation or characterization of the fox changed from the traditional portrayals of foxes. This is our fourth book to give our take on this month. We started with The Fox and the Wild, then looked at The Fox Wish and discussed Pandora last week. This week we give our takes on The Secret Life of the Red Fox by Laurence Pringle and Kate Garchinsky.
Last week we mentioned that those of us who serve on literature award committees noticed recent picturebook releases about foxes piqued our interest. We wondered if this representation or characterization of the fox had changed from the traditional portrayals of foxes. Are fox characters more empathetic? We started with The Fox and the Wild and then looked at The Fox Wish. This week we give our takes on Pandora by Victoria Turnbull.
By Rebecca Ballenger, Coordinator of Outreach and Collections, Worlds of Words
Worlds of Words opened applications for a pilot program that positions local teens as reading ambassadors in their own high schools. Teens in the program interact with published authors of young adult literature, receive books by that author and share their experience with their peers to promote reading in their school communities. The Teen Reading Ambassador (TRA) initiative is administered by WOW in the University of Arizona College of Education.
As we mentioned last week, several of us serve on literature award committees and noticed that in 2017 publishers released interesting books about foxes. We wondered if the representation or characterization of the fox had changed from the traditional portrayal as a sly personality in trickster tales, classics or modern tales. Are fox characters more empathetic? Last week we looked at The Fox and the Wild. This week we take on The Fox Wish by Kimiko Aman.
Several members of our group serve on literature award committees and noticed that in 2017 publishers released some interesting books about foxes. We wondered if the representation or characterization of the fox changed from the traditional portrayal as a sly personality in trickster tales, classics like Aesop’s Fables, Pinocchio and Three Little Pigs, or modern tales like Fox (Margaret Wild and Ron Brooks) and Rosie’s Walk (Pat Hutchins). Are fox characters more empathetic in recent publications such as Pax (Sara Pennypacker and Jon Klassen)? In week 1, we discuss The Fox and the Wild by Clive McFarland.
Speak: the graphic novel, written by Laurie Halse Anderson and illustrated by Eisner Award-winning artist Emily Carroll, takes a probing look at sexual assault and its consequences for adolescents. Melinda Sordino, a freshman at Merryweather High, is raped at a party and unable to speak out against her attacker. Instead, she expresses her feelings in the haven of art class, where her teacher challenges her to dig deep and voice her feelings artistically. Her struggle to cope with and communicate her depression is echoed in the stark, unforgiving greyscale of Carroll’s artwork. Melinda finds comfort in creating a space all her own, regains her confidence with the help of new found friends and is ultimately able to speak up against her attacker. This emotional novel challenges the reader to understand the reality and repercussions of sexual assault and the difficulty of seeking justice. –Recommended by Angel Stone, WOW Intern, University of Arizona Continue reading
For the last My Take/Your Take of this month (and this year!) Prisca and Ray share their take on After the Fall (How Humpty Dumpty Got Back Up Again) by Dan Santat, which puts a clever twist on the end of a familiar nursery rhyme.
