Realistic Fiction genre
When sullen teenager Dylan Barstow is caught joyriding in a stolen car he is sent to his ex-Marine uncle for the summer, but soon they are on the way to Papua New Guinea in search of a World War II fighter plane and Dylan discovers that defiance is not a survival skill when you are lost in a jungle.
Friday Brown and her mother Vivienne live their lives on the road, but when Vivienne succumbs to cancer, 17-year-old Friday decides to search for the father she never knew. Her journey takes her to an abandoned house where a bunch of street kids are squatting, and an intimidating girl named Arden holds court. Friday gets initiated into the group, but her relationship with Arden is precarious, and it puts Friday, and anyone who befriends her, at risk. With the threat of a dangerous confrontation growing, Friday has to decide between returning to her isolated, transient life, or trying to help the people she’s come to care about, if she can.
Jane Austen’s beloved heroine Lizzy Bennet tells the story of Pride and Prejudice in her own words.
When Lizzy Bennet’s father gives her a diary, she fancies she will use it to write a novel, as her real life is exceedingly dull. Then the handsome Mr. Bingley moves to nearby Netherfield Park, and suddenly life is every bit as thrilling as a novel would be. Who will he dance with at the Meryton ball? Who is his haughty friend? Will Lizzy ever receive a marriage proposal? Readers will have to read her diary to find out! Marcia Williams offers a lively introduction to Jane Austen’s Pride and Prejudice in a highly illustrated scrapbook-diary format, featuring such novelties as foldout notes from sisters and suitors, an elegant bill of fare, and an invitation to the ball.
In the seedy underworld of Victorian London, a boy is born and abandoned. Snatched up by an unscrupulous and abusive showman, Wild Boy, covered in hair from head to toe, becomes a sideshow freak. Isolated from other children and wickedly abused by the cruel master who bought him, Wild Boy becomes an avid observer, developing Sherlock Holmes–like deductive skills. Although he is tormented and insulted, kicked and spat at, his quick mind takes in everything he sees. When a murder occurs at the fair, Wild Boy is hastily accused. Can he use his powers of deduction to save himself? And will the talented and spunky young acrobat Clarissa be with him — or against him?
Billy Dean is a secret child. He has a beautiful young mother and a father who arrives at night carrying the scents of candles and incense and cigarettes. Birds fly to his window. Mice run out from his walls. His world is a carpet, a bed, pictures of the holy island, and a single locked door. His father fills his mind and his dreams with mysterious tales and memories and dreadful warnings. But then his father disappears, and Billy’s mother brings him out into the world at last. He learns the horrifying story of what was saved and what was destroyed on the day he was born, the day the bombers came to Blinkbonny. The kind butcher, Mr. McCaufrey, and the medium, Missus Malone, are waiting for him. He becomes The Angel Child, one who can heal the living, contact the dead, bring comfort to a troubled world.
In 1914 Russia, Lara is being groomed by her father to be the next kennel steward for the Count’s borzoi dogs unless her mother bears a son, but her visions, although suppressed by her father, seem to suggest she has special bond with the dogs.
Five years after Anne Shirley came to the town of Avonlea, she feels (a little) more grown up, but she’s still the same skinny, red-headed orphan Matthew and Marilla Cuthbert took in. After putting her dream of attending Redmond College on hold so she can help Marilla with the farm, Anne doubts she has many adventures ahead of her. But even in plain old Avonlea, her life proves to be anything but ordinary. Ann takes over the local school and is determined to be a beloved teacher, but that’s hard when she has students like the forever bad-tempered Anthony who is just as determined to be a problem.
Anne is finally off to Redmond College! While she’s sad to be leaving Marilla and the twins, she’s excited to finally become a full-fledged BA, and to embark on new adventures with the other Avonlea folks attending Redmond—a group that includes her friend Gilbert Blythe. At Redmond Anne meets Philippa Gordon, a frivolous but charming girl who pulls Anne into the center of the Redmond social scene. As Anne becomes the object of several boys’ affection, she’s faced with numerous proposals she can’t possibly accept. Then Gilbert ruins everything by declaring his own feelings for her, and Anne worries that she’s lost one of her best friends…and possibly so much more.
Darren took the fall for Diamond Tony, the notorious head of the city’s drug cartel. Two years later, Darren’s finally out of juvie—and determined to get even. Working as an informant for the police, Darren infiltrates Diamond Tony’s operation. But falling for sweet, innocent Jessica was not part of that plan. She’s a distraction—and a liability. She’s also everything Darren dreamed about while he was locked up, and with her, he has the promise of a fresh start. When a deadly turf war breaks out between Diamond Tony and the Bloods, Darren gets caught in the crossfire. The cops think he’s playing both sides, and any mistake could be his last. Darren has to stay on his game if he’s going to protect Jessica—and if he’s going to stay alive.
The war is over, but for thirteen-year-old Rachel, the battle has just begun. Putting childhood behind her, she knows what she wants – to prove she has acting talent worthy of the school drama club, and what she doesn’t want – to romantically fall for someone completely inappropriate. Worries about her veteran brother’s failing health and repugnance at her mother’s unexpected and unwanted pregnancy drive her to seek solace from a seemingly sympathetic, but self-serving teacher. The lies she tells herself hoping to reach solutions to the problems complicating her life merely function to make matters worse. Ultimately, she finds a way to come to terms with life as it reaches an end and life as it begins.